ch. 1: music of small-scale societies Flashcards

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1
Q

mabo

A

dance form of the BaAka people

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2
Q

where do the BaAka people live

A

Central African Republic, a huge rainforest along the Congo River basin

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3
Q

when + how is mabo sung

A

before, during, and after hunts; accompanies dancing led by men but including women

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4
Q

vocables

A

nonlexical syllables (like i yay i oh)

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5
Q

what is BaAka society like, and how is that reflected in their music?

A
  • egalitarian, no hierarchy -> everyone can sing, no one leads performance
  • men start and lead the hunt but women help as well -> help w/ both the hunting and singing
  • they own very few things -> they make temporary drums from rotting longs/animal skin, or borrow from villages
  • yodeling and polyphony resemble forest sounds
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6
Q

polymeter

A

the simultaneous presence of two meters, such as the hand motions of BaAka people

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7
Q

inherent polyphony

A

an experience of polyphony that results from a monophonic line or part played by the drummers

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8
Q

ostinato

A

a short, repeating pattern

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9
Q

describe Tuva’s geography + population

A
  • Tuva is a republic in south-central Russia on the northern border of Mongolia
  • Tuvans speak a Turkic language
  • they herd goats, sheep, yaks, and reindeer across the souther stepps of Siberia
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10
Q

describe Tuvan throat-singing / overtone singing

A

involves a single singer producing a drone pitch, and simultaneously using their mouths to amplify the set of overtones in the drone that results in the high-pitched melodies

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11
Q

Borbangnadyr

A

a genre of Tuvan throat singing associated with the sound of water

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12
Q

how does it work? (Borbangnadyr with Stream Water)

A

p. 26

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13
Q

how does it work (Bisengo Bwa Bole)

A

p. 21

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14
Q

how is the environment of Tuvan pastoralists connected to their music?

A
  • environment has sounds of animals, rivers, wind, echoing caves and cliffs -> they mimic these sounds
  • they make sounds to soothe their domesticated animals
  • they believe the animals + things in environment have a spirit -> they sing to honor and appease the spirits
  • they sing for fun and to entertain the spirits
  • they sing songs ab their experiences in the natural world
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15
Q

where do the ‘Are’are people live?

A

the solomon islands; small villages in the interior mountains and near the coast; gained independence from Britain in 1978

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16
Q

panpipe

A

a type of flute that consists of a set of tubes of unequal length, each of which plays one pitch

17
Q

what is an ‘Are’are panpipe ensemble called?

A

‘au tahana; consists of 4 panpipes, 2 small ones playing high pitches, 2 large one playing an octave lower

18
Q

how does it work (“Pisi Ni Tootora”)

A

p. 31

19
Q

octave

A

the interval between 2 pitches whose frequency of vibration has a ratio of 2:1

20
Q

scale

A

the set of pitches in a melody arranged from low to high

21
Q

heptatonic scale

A

7 pitches

22
Q

interval

A

the distance b/w any 2 diff pitches

23
Q

ritardando / ritard

A

slowing down

24
Q

how does ‘Are’are society influence its music?

A
  • sedentary horticulturalists, so they have time to make permanent musical instruments
  • hierarchical social system -> hierarchical music specialists
25
Q

what do the ‘Are’are call bamboo and musical instruments made of bamboo?

A

‘au

26
Q

half step

A

the distance/interval b/w 2 adjacent keys on the piano

27
Q

whole step

A

the distance/interval b/w every other key on the piano

28
Q

who recorded the BaAka people singing “Bisengo Bwa Bole” and when?

A
  • ethnomusicologist Michelle Kisliuk
  • recorded in the 1980s
29
Q

who sings “Borbangnadyr with Stream Water”, and where was it sung?

A
  • Tuvan throat-singer Anatoli Kuular
  • was sung along the banks of a river
30
Q

who recorded the ‘Are’are panpipe ensemble and when?

A
  • Hugo Zemp
  • 1970s
31
Q

what does “Pisi” mean?

A

it is the name of a sacred bush used to attract an abundance of people, food, and shell money. when this piece is played for a ritual feast, the musicians hope it will have this effect.