ch. 12 age of disenchantment & protest (1950-1975) Flashcards
rhythm and blues
replacement term for race records, umbrella term
backbeat
accents on beat 2 and 4
how does it work -> “(You Make Me Feel Like) A Natural Woman”
p.339
soul music
- first emerged in the 1950s as a type of rhythm and blues
- also draws on music elements from Black gospel music, blues, and jazz
- became extremely influential during Civil Rights
elements of soul
- catchy rhythms + strong backbeat
- handclaps + body involvement
- call+response, improvisation
- repetition
- impressive vocals
- chorus
bridge
a section common in popular music that usually occurs only once
Aretha Franklin
- “The Queen of Soul”
- powerful, aggressive performance (went against female stereotypes)
- symbol of female empowerment
- first woman to be inducted into the Rock and Roll Hall of Fame (1987)
- “Respect” and “(You Make Me Feel Like) A Natural Woman” (1967)
Ray Charles (1930-2004)
- pioneered soul music
- never addressed his music to a specific market + engaged w/ all genres
- widely talented as a songwriter, keyboardist, singer
- fused gospel vocal stylings w/ secular idioms
“Georgia On My Mind” - Ray Charles
- originally a Tin Pan Alley song
- kept original lyrics, melody, phrasing
- new timbre, syncopation, gospel-based vocal approach
- became state anthem
funk
a genre with complex, multi-layered syncopation and grooves with driving, percussive bass lines, and guitar riffs with percussive effects
cover
a new version of an existing song
* was common practice for white radio stations to hire white artists to cover songs by Black people
rock and roll
- term first used for commercial + generational purposes by disc jockey Alan Freed
- brought together musical elements from genres marketed to white audiences (like country) w/ those marketed to Black audiences (like rhythm&blues)
Alan Freed (1922-1965)
- Moondog Radio Show in Cleveland
- discovered in the 50s that more young white kids wanted rhythm&blues records
- blackballed by the music industry
Ricky Nelson (1940-1985)
popular teenage musician in the 50s who was marketed as a “rock’n’roll” artist
Chuck Berry
- pioneering singer, songwriter, and guitarist
- synthesized diverse influences from R&B + country in rock’n’roll songs ab teenage life
chuck berry trademarks
- arresting lines for electric guitar
- relentless intensity produced by a very fast tempo
- very loud volume
- formal + stylistic elements strongly related to earlier rhythm&blues music
Elvis Presley (1935-1977)
- from Mississippi, grew up in diverse area, moved to Tennessee
- started off singing gospel + country
- mostly did covers of gospel, country, R&B
- signed first w/ Sun Records in 1953, later RCA Victor in 1956
- execs turned him into a major marketable commodity
- “Hound Dog” (1956) -> cover of Big Mama Thornton’a 1952 version
how does it work (All along the Watchtower”
p. 347
Bob Dylan
- born 1941
- “All Along the Watchtower”, “Blowing In The Wind”
- 1961 moves to NYC to perform + visit Woody Guthrie
- performs in Greenwich Village + lands record deal in 1962
- from Minnesota
- songs covered by Joan Baez; Peter, Paul, and Mary; The Byrds; and others
- 1965 performed “Like A Rolling Stone” using electric guitar at Newport Folk Festival
- considered one of the best songwriters of all time
Jimi Hendrix (1942-1970)
- greatest guitarist in history
- began playing at 15, joins army at 19, promptly discharged
- performed on the Chitlin’ Circuit
- moved to England in 1966 + topped charts there
- headlined Woodstock Festival in 1969
- died of overdose in 1970
Jimi Hendrix’s style
- inspired by rock’n’roll + electric blues
- favored overdriven amplifiers w/ high volume + gain
- popularized “undesired” sounds like amp feedback
- used effects like fuzz distortion, wah-wah pedal
- outrageous performance practice (licking guitar, playing w/ teeth, lighting guitar on fire)
folk music
- performed in large part by urban intellectuals
- drew on rural music and the Depression-era protest songs of Woody Guthrie
- The Weavers, Bob Dylan, Joan Baez, Peter Paul and Mary
- focused on social commentary
- featured acoustic rather than electric guitars, which made it easier to hear lyrics clearly