Ancient Greece Flashcards

1
Q

What is the function of the kouros and koure statues? How do they relate to Ancient Egypt?

A

The function of the kouros and koure statues was to depict youth. There are similarities in the stances of both the Egyptian and kouros statues.

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2
Q

What are the qualities of Ancient Greek temples and how would you recognize one?

A

Long and narrow, proportion of ends and sides 1:3; altar stood outside the temple at the east end; order, compactness, and symmetry

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3
Q

Doric Order

A
  • Wider at the base, narrows at the top
  • situated on stylobate
  • fluting
  • metope
  • triglyph
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4
Q

Ionic Order

A
  • base on stylobate
  • moldings
  • scrolls and volute
  • flute
  • frieze
  • no metope or triglyphs
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5
Q

Corinthian Order

A
  • most ornate out of doric and ionic orders
  • slender, fluted columns
  • elaborate capitals
  • acanthus leaves and scrolls
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6
Q

Archaic sculpture

A
  • Archaic smile!!!!!

- Egyptian pose

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7
Q

Classical sculpture

A
  • Abandonment of stiff and rigid Egyptian pose
  • shift in weight (contrapposto)
  • representing figures engaged in vigorous action
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8
Q

Hellenistic sculpture

A
  • exaggerated movement

- draw, dynamism, diagonal, and drapery

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9
Q

In what period is psychological complexity introduced to sculpture? What period does it show full force?

A

Introduced in classical, full force in hellenistic

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10
Q

The New York Kouros

A
  • Archaic Greek
  • stance is not naturalistic, resembles Egyptian stance
  • Archaic smile to represent naturalism and humanness
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11
Q

Exekias, Dice Game of Achilles and Ajax

A
  • Archaic Greek
  • black figure painting
  • narration on roundest part of the vase
  • first time figures are actively engaged
  • example of line to add to the story
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12
Q

Kritios Boy

A
  • classical greek
  • carryover from Archaic period; rigid, legs staggered, smile
  • contrapposto
  • eyes smaller
  • appears in motion
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13
Q

Polykleitos, Doryphoros (spear bearer)

A
  • classical greek
  • inspired by pythagorus (harmony of proportions found in nature)
  • Polykleitos wrote threats of ideal sculpture, and then created Doryphoros
  • opposites in harmony (gaze and feet, opposite arms and legs bent and straight)
  • using precise measurements to elevate humans to be like gods
  • ideal figure is 7 heads tall
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14
Q

Iktinos and Kallikrates, Parthenon, Athens

A
  • classical greek
  • doric order
  • golden ratio y=2x+1
  • columns have entasis (swell in center)
  • post and lintel structure
  • pantellic marble
  • most perfect piece of architecture
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15
Q

Praxiteles, Hermes and the Infant Dionysus

A
  • classical greek
  • tender, human moment between the two of them
  • deities enter experience
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16
Q

Epigones, The Dying Gaul

A
  • hellenistic greek
  • warrior being speared
  • wild hair, necklace around neck
  • elevated status of unseen foe
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17
Q

Nike of Samothrace

A
  • hellenistic greek
  • victory granted to people of Samothrace
  • sculpture interacted w fountain
  • texture in features and drapery
18
Q

The Seated Boxer

A
  • hellenistic greek
  • not perfect, more human and natural, worn out
  • male athlete is older, he’s scarred, very emotional
  • created for a private setting
19
Q

Magna Graecia

A

the name given by the Romans to the coastal areas of Southern Italy

20
Q

Humanism

A

A cultural and intellectual movement of the Renaissance that emphasized human potential to attain excellence and promoted direct study of the literature, art, and civilization of classical Greece and Rome

21
Q

Plato

A

philosopher in Classical Greece

22
Q

Aristotle

A

Greek philosopher and scientist

23
Q

The Ideal

A

A concept of something it its perfection

24
Q

Kore

A

refers to statues depicting female figures, always of a young age, which were created during the Archaic period either as votive or commemorative statues

25
Q

Kouros

A

free-standing ancient Greek sculptures which first appear in the Archaic period in Greece and represent nude male youths

26
Q

Contrapposto

A

Shift in weight in the sculpture to make it more realistic

27
Q

Cella/naos

A

the inner chamber of a temple in classical architecture

28
Q

Pronaos

A

an open vestibule before the cella

29
Q

Pediment

A

placed above the horizontal structure of the entablature, typically supported by columns

30
Q

Frieze

A

long narrow band of sculpture that runs along the architrave of a Greek temple or another building

31
Q

Triglyph

A

vertically channeled tablets of the Doric frieze

32
Q

Metope

A

rectangular architectural element that fills the space between two triglyphs in a Doric frieze

33
Q

Stylobate

A

the top step of the stepped platform upon which colonnades of temple columns are placed

34
Q

Peripteral columns

A

surrounded with pillars on all the sides

35
Q

golden ratio

A

y=2x+1, used for The Parthenon

36
Q

Athens

A

city of which Athena was the patron saint for; central place for art and architecture in greece

37
Q

Black and red figure ware

A

style of Greek vase painting; characterized by drawn red figures and a painted black background

38
Q

Wet drapery

A

A technique developed that allowed the clothing (drapes) to look fluid and flowing

39
Q

Realism

A

the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, implausible, exotic and supernatural elements

40
Q

Psychological complexity

A

Emotions are emphasized and represented