Weimar Culture Flashcards
What were the new cultural ideas and atmosphere in Weimar?
Innovation and democratisation —> spirit of experimentation —> art should be accessible to the masses and reflect the new world —>linked to new inventions + technology —> liberal with reduced censorship
Neue Sachlichkeit
New objectivity, matter-of-fact representation of life
Weimar art/painting
- innovation in terms of form and subject matter
- comments on society + to be understood by all
- George Grosz
- Otto Dix
Weimar literature
- favoured literature with a social and political purpose (against personal experience of author)
- utilitarianism= worth of writing determined by its usefulness
- explosion of publishing, bestseller lists, book clubs etc encouraging people to read
- large divide between left-wing and right-wing novelists
- big sellers often nostalgic
- Arnold Zweig, Lampel wrote about working people in big cities
- Herman Hesse, Thomas Mann, Erich Maria Remarque
- ‘All Quiet on the Western Front’ 1929 challenged stab in he back narrative
Weimar theatre
- new school of Zeittheater (theatre of time) = emphasis on everyday activities
- innovative techniques
- street theatre to involve mass audience
- became most explicitly political art form
- many left-wing playwrights eg. Bertolt Brecht and Erwin Piscator
Weimar opera and music
- experimental mood ( Schoenberg’s use of atonality)
- Gebrauchsmusik = music with a practical purpose, advocated by many
- opportunities to reach new mass audience using radio, sound films, gramophone etc
- Zeitopera= developed, reflecting modern issues from a radical left (eg. Kroll Opera, Berlin)
Weimar architecture
- ‘Bauhaus school’ under Walther Gropius, ‘art and technology- a new unity’
- utilitarian, great stress on functionalism
- familiar materials used in innovative ways (eg. Whole buildings made from concrete)
- lack of decoration, unimpressive look, but v successful
Weimar film
- German film industry = one of most advanced in Europe
- by end of 1920s, 500 cinemas across Germany (new form of mass entertainment)
- German cinema; shift from early expressionism to social reality and American imports
- 1926 ‘Metropolis’ directed by Fritz Lang = commentary on modern, industrial society
- Marlene Dietrich became world renowned actress for flaunting her sexuality
- UFA = major German film company ran by Alfred Hugenberg (leader of the DNVP)
- by late 1920s exploited by right-wing filmmakers to produce patriotic films (eg. Friteries Rex)
Weimar Radio
- German Radio Company established in 1923
- only state controlled radio broadcasts available from 1923
- by 1932, 1 in 4 Germans owned a radio
- enthusiasm over opportunity to democratise culture (music, plays)
Weimar Cabaret/Dance
- Cabaret concentrated in Berlin only, didn’t reflect rest of Germany
- liberal, satirical, permissive, jazz influence of US
- Berlin notorious for nightclubs, naked dancing, subversive songs, open homosexuality = horrified many
How did the right harness the new experimentation in Germany to further their cause?
- Blamed it on the lazy, unGerman Weimar republic
- centre and nationalist parties campaigned against ‘tides of filth’
- Nazis organised disruption of ‘unpatriotic’ films and decadent theatrical productions at the Kroll Opera House
- prominence of Jews amidst the cultural experimentation was used as proof of the harm of the cosmopolitan Weimar Republic
- blamed gov for allowing loss of German culture
Why did some left-wing artists criticise Weimar culture?
They believed it was grey and boring
How were the arts affected after 1929?
- public spending cuts = local governments withdrew subsidises from avant-garde reductions and theatres had to rely on income from ticket sales
- increased participation of conservative politicians in state gobs = several measures against new cultural reforms
What did Wilhelmina Frick order?
modern art removed from museums and attempted to restrict jazz
How did the gov try to combat liberalism in the arts?
- limited radical radio programmes
- fined Grosz for defaming the military, corrupting morals, blasphemy