Week 4 Flashcards

1
Q

The 17th century was a period of transition filled with contrasts; extremes of emotionalism and rationalism

A

BAROQUE PERIOD

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2
Q

It was noted as the materialistic age due to vast colonial expansion and commercial enterprise

A

BAROQUE PERIOD

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3
Q

was derived from the Portuguese word “barocco”, which means “imperfect pearl,” implying the enlarged outlook of art as a reflection of the times

A

BAROQUE

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4
Q

art reflected the profound political and cultural changes.

A

BAROQUE ART

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5
Q

It was also associated with the cultural movement between the Catholic Church and the Counter-Reformation or the Protestant movement.

A

BAROQUE STYLE

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6
Q

used religious artworks to display theological dogma, while reformers or Protestants supported decorative artwork.

A

The Catholic Church

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7
Q

one of the most brilliant proponents of baroque sculptures and a key figure in Baroque architecture

A

Bernini

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8
Q

It is the central marble group of a sculpture he signed and completed for the Cornaro Chapel in Rome made by Bernini

A

the Ectasy of Saint Teresa

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9
Q

He is not only known for his architecture. His fountains and papal monuments were public works that stand in different piazza or city square in Rome

A

Bernini

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10
Q

He was also appointed by Pope Urban VII to be the chief architect of St. Peter’s Basilica.

A

Bernini

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11
Q

He was the founder of a school of realist painters.

A

CARAVAGGIO

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12
Q

paintings were considered controversial during that time because of his technique: the intense contrast of light and dark colors, which is called tenebrism.

A

CARAVAGGIO

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13
Q

the intense contrast of light and dark colors,

A

tenebrism.

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14
Q

is an excessive use of chiaroscuro that intends to reduce the two-tone effect of light and shade. It enhances the literal quality and illusion of actuality

A

tenebrism.

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15
Q

Artists under his (Caravagiio) influence were called as

A

“Caravaggisti” or “Caravagesques” and “Tenebrists” or Tenebrosi

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16
Q

He was condemned as the “Antichrist of Painting” for his controversial and revolutionary artworks

A

CARAVAGGIO

17
Q

He was influenced by the technique of Caravaggio

A

DIEGO VELASQUEZ

18
Q

He also painted scores of portraits of the Spanish royal family and other notable European figures and commoners

A

DIEGO VELASQUEZ

19
Q

His most notable painting of the Spanish royal family is the Las Meninas or The Ladies-in-Waiting.

A

DIEGO VELASQUEZ

20
Q

also maintained balance between emotion and intellectuality. He revealed exceptional insight into personality and relationship of individuals and their reactions

A

DIEGO VELASQUEZ

21
Q

Even the French Impressionist artists Edouard Manet described him as the “Painter of Painters”

A

DIEGO VELASQUEZ

22
Q

______ also loved to paint his family.

23
Q

His paintings covered wide variety of subjects-from religion, history, hunt scenes, and mythology

24
Q

During his childhood, he was fascinated with shadows. He loved sketching his family, watching colored sails and salty faces of the bargemen, and filing his head with human impressions

25
He would cut his classes and go to the local zoo to draw animals, or visit docks to sketch labourers
Rembrant
26
is the process of using strong acid to cut into a metallic surface to create a design
Etching
27
At the age of 19, he made his first signed painting, The Stoning of Saint Stephen.
Rembrant
28
He was regarded as the greatest artists of Dutch Golden Age for his outstanding ability
Rembrant
29
was one of 12 life-size battle scenes intended to perpetuate victories won by Philip IV’s armies that hung in Museo Nacional del Prado.
The surrender of Brenda
30
integrated the elements of human emotions and expanded this to produce heavily dramatic works of art.
BAROQUE ART
31
emerged during the counter-reformation efforts of catholic church but despite its dramatic quality this works of art remain realistic, relatable, and deeply rooted in the subjective experience of the world.
BAROQUE STYLE
32
The _______ in Baroque Period focused on balance, proportion, mannerism as a form of overly exaggerated and highly stylized artworks often resulting in qualities such as distorted human anatomy and complex postures.
elements
33
This exaggeration in art
gave birth to the unique style of baroque art.