Week 4 Flashcards

1
Q

The 17th century was a period of transition filled with contrasts; extremes of emotionalism and rationalism

A

BAROQUE PERIOD

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2
Q

It was noted as the materialistic age due to vast colonial expansion and commercial enterprise

A

BAROQUE PERIOD

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3
Q

was derived from the Portuguese word “barocco”, which means “imperfect pearl,” implying the enlarged outlook of art as a reflection of the times

A

BAROQUE

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4
Q

art reflected the profound political and cultural changes.

A

BAROQUE ART

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5
Q

It was also associated with the cultural movement between the Catholic Church and the Counter-Reformation or the Protestant movement.

A

BAROQUE STYLE

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6
Q

used religious artworks to display theological dogma, while reformers or Protestants supported decorative artwork.

A

The Catholic Church

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7
Q

one of the most brilliant proponents of baroque sculptures and a key figure in Baroque architecture

A

Bernini

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8
Q

It is the central marble group of a sculpture he signed and completed for the Cornaro Chapel in Rome made by Bernini

A

the Ectasy of Saint Teresa

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9
Q

He is not only known for his architecture. His fountains and papal monuments were public works that stand in different piazza or city square in Rome

A

Bernini

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10
Q

He was also appointed by Pope Urban VII to be the chief architect of St. Peter’s Basilica.

A

Bernini

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11
Q

He was the founder of a school of realist painters.

A

CARAVAGGIO

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12
Q

paintings were considered controversial during that time because of his technique: the intense contrast of light and dark colors, which is called tenebrism.

A

CARAVAGGIO

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13
Q

the intense contrast of light and dark colors,

A

tenebrism.

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14
Q

is an excessive use of chiaroscuro that intends to reduce the two-tone effect of light and shade. It enhances the literal quality and illusion of actuality

A

tenebrism.

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15
Q

Artists under his (Caravagiio) influence were called as

A

“Caravaggisti” or “Caravagesques” and “Tenebrists” or Tenebrosi

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16
Q

He was condemned as the “Antichrist of Painting” for his controversial and revolutionary artworks

A

CARAVAGGIO

17
Q

He was influenced by the technique of Caravaggio

A

DIEGO VELASQUEZ

18
Q

He also painted scores of portraits of the Spanish royal family and other notable European figures and commoners

A

DIEGO VELASQUEZ

19
Q

His most notable painting of the Spanish royal family is the Las Meninas or The Ladies-in-Waiting.

A

DIEGO VELASQUEZ

20
Q

also maintained balance between emotion and intellectuality. He revealed exceptional insight into personality and relationship of individuals and their reactions

A

DIEGO VELASQUEZ

21
Q

Even the French Impressionist artists Edouard Manet described him as the “Painter of Painters”

A

DIEGO VELASQUEZ

22
Q

______ also loved to paint his family.

A

Rubens

23
Q

His paintings covered wide variety of subjects-from religion, history, hunt scenes, and mythology

A

Rubens

24
Q

During his childhood, he was fascinated with shadows. He loved sketching his family, watching colored sails and salty faces of the bargemen, and filing his head with human impressions

A

Rembrant

25
Q

He would cut his classes and go to the local zoo to draw animals, or visit docks to sketch labourers

A

Rembrant

26
Q

is the process of using strong acid to cut into a metallic surface to create a
design

A

Etching

27
Q

At the age of 19, he made his first signed painting, The Stoning of Saint
Stephen.

A

Rembrant

28
Q

He was regarded as the greatest artists of Dutch Golden Age for his
outstanding ability

A

Rembrant

29
Q

was one of 12 life-size battle scenes intended to perpetuate victories won by Philip IV’s armies that hung in Museo Nacional del Prado.

A

The surrender of Brenda

30
Q

integrated the elements of human emotions and expanded this to produce heavily dramatic works of art.

A

BAROQUE ART

31
Q

emerged during the counter-reformation efforts of catholic church but despite its dramatic quality this works of art remain realistic, relatable, and deeply rooted in the subjective experience of the world.

A

BAROQUE STYLE

32
Q

The _______ in Baroque Period focused on balance, proportion, mannerism as a form of overly exaggerated and highly stylized artworks often resulting in qualities such as distorted human anatomy and complex postures.

A

elements

33
Q

This exaggeration in art

A

gave birth to the unique style of baroque art.