Week 16 Flashcards

1
Q

What is Film Noir?

A

-sometimes designates a period in American cinema history, from the early 1940s through the late 1950s
-The phrase also often refers to a cinematic genre or subgenre
-Also used to denote a cinematic style

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2
Q

Where did “film Noir” first get its name?

A

The label was applied in hindsight; it emerged first not among filmmakers but critics, first in France, and later in USA.

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3
Q

Paris 1946, and Film Noir

A

-Sudden availability of American films in postwar France
-Hollywood producing roughly 450 films per year around 1940
-French cinephiles given unprecedented opportunity to view many US films all at once
-Began to recognize recurring patterns and structures.

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4
Q

Formal and Thematic Characteristics

A

-Most are crime films (but other genres use the noir style)
-Moral ambiguity
Structural complexity
-Flashbacks, voice-over narration common
-Sexual suggestiveness (within the bounds of the Production Code)

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5
Q

Stylistic Characteristics

A

-Urban settings are typical
-Dark, shadowy streets
-The city as place of danger, corruption
-Visual techniques meant to create a sense of anxiety, claustrophobia or entrapment
-Night-time cinematography
-High contrast (low-key lighting)
-Deep shadows
-Oblique angles
-Snappy, ironic dialogue

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6
Q

Film Noir’s Literary Antecedents

A

-American “hard-boiled” fiction

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7
Q

Film Noir’s Cinematic Antecedents

A

-German Expressionist cinema
-Effects of lighting and shadow
-Oblique camera angles
-Style conveyed dread, anxiety

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8
Q

The Noir Hero/Anti-Hero

A

-Morally ambiguous figure
-Often half-lit, a shadow figure
-Frequently mistreats or ignores the women in his life
-Becomes involved with dangerous “Femme Fatale”

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9
Q

The Noir Heroine/ Anti-Heroine: The Femme Fatale

A

-Contributes to distinctive noir eroticism
-Beautiful, powerful, destructive
-In charge of her own sexuality
-Often wields phallic symbols (guns, cigarettes) with confidence, typical of male characters
-Active not passive

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10
Q

Noir & Postwar America

A

-A crisis of masculinity
Men, returning from war, trying to adjust to a new male identity.
The Cold War
-suspicion, fear, paranoia

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11
Q

Noir & Existentialism

A

-The world is ambiguous, indifferent, and absurd
-No absolute meaning or moral standards
-We must create meaning through our choices and actions- through how we choose to exist.
-Moral ambiguity
Perceptual ambiguity
-no “all knowing witnesses”
-Human actors defined by fate

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