WEBER RELIG UNMUSICALITY Flashcards
DEF OF RELIG UNMUSICAL
an exemplary embodiment of a psychological condition of estrangement and non-hostility towards religion and spirituality
MAIN UNDERMINE OF RELIG UNMUSICAL
‘individualised’ value judgements
HOW UNMUSIC ULTI
recognises the significance of Protestantism in a historic and universal sense in the contribution to modern Kultur
through empirical study. -discuss Social attitudes of pro sects which have more force 4 cap than caths for e.g. - based on o/n testament e.g.
value scheme 4 religious unmusical
provides an individualised value scheme to solve the question of a secular modern capitalist spirit which has severed from religious impulse
mod context 4 unmusicality
Weber’s ‘unmusicality’ allows him to promote the loss of a ‘religious root’ in a way unalike his contemporaries like Schneckenburger who were bound to religious judgements of Lutheranism and Protestantism
debatable/ problematic unmusicality Y?
individualised ethical premise which finds difficulty to reconcile with his ‘purely objective’ interdisciplinary and empirical approach - TO EXTENT HIS COMMENTARY ON PROT ATTITUDES (WHICH CLAIM 2 FUEL CAP) FRAMED WITHIN OWN G PROT CONTEXT
MW relationship w Christianity
‘complex relationship with Christianity’
Max Weber. Werk und Person, Baumgarten
one that existed nonetheless
‘heroic antagonism’ closely tied to a practical interest in?
contemporary German Protestantism and had a close engagement with Church politics
MW participated in?
The Protestant Social Congress before 1909
after membership of PSC declined, continued 2?
support church political activities initiated by liberal Protestant university theologians, signing appeals for liturgical and cultural reform in the Prussian Church in 1894
Osterhammel, W. J. Mommsen and Jürgen: Max Weber and His Contemporaries
quote about mw imp of christianity 2 mod life
letter to his brother in March 1884. He argues ‘everything that we nowadays assemble under the name of ‘our kultur’ is based in the first instance of Christianity … everything we do and think, we stand under the influence of the Christian religion -
does not charge his argument with a religious ‘musicality’
Weber wrote religiously charged debates such as
“A Sketch of Church and Social Politics” pertaining not only religious sociology but also a highly personal interpretation of history
His associations with religious liberals and Protestant theologians such as
Adalbert Merx and Adolf Deissman also threaten his religiously unmusical approach
Above all Weber’s own religious beliefs had ? presence in The Protestant Ethic
little
his impartiality conveyed in his interdisciplinary dealings with the various Christian sects highlights the ‘religiously unmusical’ approach to his argument of The Protestant Ethic
not predominantly his interest in religious ideas or dogmatic systems that charged his argument - instead, w sought for…
a connection between religious thought and cultural models’, thus making The Protestant Ethic religiously impartial
HOW DOES his argument B heavily dependent of the ‘objective possibility’ of religion to “gain insight” into the “causal ‘significance” of religion serving for the rise of capitalism
argues that “history has to do exclusively with the causal explanation of those ‘elements’ and ‘aspects’ of the event in question”
In order to gain insight into real causal connections Weber constructs ‘unreal ones’ to?
objectify religious ideas of the time, whilst aiming to elucidate the importance of those for contemporary Kultur
Weber strives and above all succeeds in attaining a ‘purely historical discussion’PE - imp 4?
historiographical ‘scientific’ approach
, his own thought was not ‘religiously unmusical’, yet Weber was able to separate this from his argument in The Protestant Ethic to
construct a religiously ambivalent/indifferent argument - analysis of sects of christianity scales of influence on rise of cap
Weber argues that all previous history has been ‘musically religious’ and he regards the musical religious status then as
historically normal
However, he then argues that in the 20th century moderns are not religiously musical and in some sense the secularisation need for personal fix in the modern world has been superseded by
by impersonal structures which enforce codes of behaviour
Thus, Weber endeavours in his argument of The Protestant Ethic to write a history which is religiously unmusical to suit and thus inform the present as
a religiously musical history would not be suitable