Victorian Era Flashcards

1
Q
  • Ruled British Empire for 64 years
  • wore black for 40 years (after her husband’s death)
  • started the tradition of wearing white to wedding
A

Queen Victoria

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2
Q

Victorian Era Clothing Style

A
  • Industrial Revolution: clothes became cheaper, faster, and available
  • working class can wear same styles as aristocracy, but cheaper materials
  • new modes of retail: department stores, magazines, and mail-order catalogs
  • differentiated by gender rather than class
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3
Q

Women’s Clothing Description

A
  1. BODICE: fitted that ended in a V-point below the natural waist replaced the empire line
  2. CORSETS: tight, restricted movement
  3. SKIRTS: increased in fullness, supported by multiple petticoats or crinolines
  4. LOW NECKLINE: almost off-shoulder, for evenings and formalwear
  5. HIGH NECKLINE: higher neckline, collars, and shawls were preferred for daywear
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4
Q

For underwear, the chemise and drawers were sometimes replaced by a garment combining the two, called the:

A

COMBINATIONS

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5
Q

Boning for corsets was carried out using

A

BALEEN (whalebone)

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6
Q
  • replaced the many layers of petticoats.
  • collapsible
  • Sewing machines aided the mass production of this, making it more available to a wider audience
A

CAGE CRINOLINE

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7
Q

Cage crinolines became narrower, and is now known as the

A

CRINOLETTE or HALF-CRINOLINE

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8
Q
  • Introduced as a distinct UNDERGARMENT during the early 1870s, they were gathered up at the back, projecting out below the waist.
  • it was the foundation of the new shape of skirts.
  • made of sculpted pleats and ruffles, often stiffened with horsehair
A

DRESS IMPROVER
(or by its French name TOURNURE)

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9
Q

extended support for the rear end of the skirt, which were, with its cascading arrangement of pleats, ruffles and flounces, the focus of decoration

A

WATERFALL BUSTLES

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10
Q
  • Steel strips were attached to insides of dresses to amplify the curve.
  • it had a pivot, allowing the steel wires to collapse when the wearer sat down.
A

PHANTOM CURVE

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11
Q

A small, horsehair padding called _____ was attached inside the skirt to shape the back of the body

A

BUSTLE PAD

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12
Q

Women’s Clothing

A
  1. SHIRTWAIST
  2. GARIBALDI BLOUSE/SHIRT
  3. COATS, CAPES & JACKETS
  4. TARTALAN DRESS
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13
Q

Women’s Clothing
- woman’s blouse that resembles a man’s shirt
- buttons down front, a tailored collar sometimes worn with a tie, or a choker neckline
- was one of the first items produced by the ready-to-wear industry
- full sleeves at the shoulder that close-fitted at the lower arm, it was made of lightweight cotton or silk
- Worn always tucked neatly into a skirt, the front and back pleats are gathered into a waist-level band.
- Frills, ruffles and lace-trimmed insertions make the shirtwaist more feminine.

A

SHIRTWAIST
(also called WAIST)

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14
Q

Women’s Clothing
- a woman’s loose blouse
- dropped shoulders
- full sleeves gathered at the wrist
- it was copied from the red flannel shirts worn by Italian patriot Guiseppe ______
- usually in red fabric trimmed with black braid
- it was introduced to mainstream fashion by Empress Eugenie.

A

GARIBALDI BLOUSE or GARIBALDI SHIRT

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15
Q

Women’s Clothing
- To protect themselves against the cold Victorian weather, women wore a variety of outer-wear
- Tailored like a man’s jacket
- they had more feminine shoulder line (pleats at the sleeves)
- a more fitted waistline and rounded hips (with pleats at the back to accommodate the bustle)

A

COATS, CAPES, and JACKET

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16
Q

Women’s Clothing
- light, flowing dress
- made of cotton, muslin or light linen-weave
- normally in white with colored ribbon trimmings or frills
- was worn in the summertime.

A

TARTALAN DRESS

17
Q

Men’s Clothing during the day

A

For morning, men wore a morning coat with light colored trousers

18
Q

Men’s Clothing for evening

A

dark coat with dark trousers

19
Q

_______ was invented in the 1870s, and it became a hit among fashionable men.

A

The three-piece suit

20
Q

Men’s Trousers

A
  • variations of the cut of trousers were slight
  • usually of equal width from the knee to the ankle
  • The invention of the TROUSER PRESS in the 1890s facilitated the fashion for a crease down the front and back of the trousers
  • Trousers in prints like stripes and checks also came into fashion, for daytime and evening wear.
21
Q

The invention of the _______ in the 1890s facilitated the fashion for a crease down the front and back of the trousers.

A

TROUSER PRESS

22
Q

Men’s Jackets

A
  1. The Norfolk Jacket
  2. Patrol Jacket
  3. Reefer Jacket
  4. Inverness Cape
  5. Smoking Jacket
23
Q

Men’s Jacket
- Accredited to the 14th Duke of ____
- a single-breasted belted jacket
- ample room in the shoulders for ease of movement
- Usually made of tweed
- it was a staple riding or hunting outfit in the 1870s, paired with knickers or loose trousers.

A

NORFOLK JACKET

24
Q

Men’s Jacket
- worn by the British Hussar Regiments in the second half of the 19th century
- it represented the zenith of military tailoring

A

PATROL JACKET

25
Q

Men’s Jacket
- double-breasted
- 3 or 4 pairs of buttons
- vents at the side seams

A

REEFER JACKET

26
Q

Men’s Jacket
- water-repellant cape
- hindered the rain from soaking the fine wool of a man’s formal jacket

A

INVERNESS CAPE

27
Q

Men’s Jacket
- introduced in the 1850s
- usually made of velvet, cashmere or plush
- ornamented with military-style braid frogging

A

SMOKING JACKET

28
Q

Men’s Tailcoat/Dress Coat description

A
  • fine black cloth
  • cutaway at the waist
  • silk or velvet collar and facings
  • worn for evening and formal occasions only after 1860
29
Q

By the late 1880s, following the daytime trend, a less formal evening coat was introduced:

A
  • first called a DRESS LOUNGE or DINNER JACKET
  • more well known in America as the TUXEDO