Unit 8.1 Flashcards

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1
Q

Referentialist Perspective vs. Aesthetic Perspective

A

Referentialist: the music is symbolizing something or referring to something
Aesthetic: music just exists to be beautiful, meaning isn’t extending any further

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2
Q

Cognitivist Vs. Emotivist Perspective

A

Cognitivist: we can recognize the emotion it is portraying but we don’t feel it ourselves
Emotivist: music induces us to feel emotion (body feels the emotion)

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3
Q

Associative Meaning

A

Associating a certain aspect of the music with something outside of itself (ie. associating a song with a movie)

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4
Q

Contextual Meaning

A

The meaning we perceive is dependent on the context we are in
- musicals are a good example of how context matters (there is a story to it)
- grey’s anatomy and chasing cars

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5
Q

Iconic Meaning

A

More broadly associated with something (less personal experience, has a broader relation) (ie. national anthem)

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6
Q

Semantic Meaning

A

The meaning of what we feel or perceive from the music is different from that of the lyrics

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7
Q

Program Music

A

Music that is formally or informally provided with ready-made interpretations and is thus self-consciously referential

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8
Q

Isomorphism (who invented/what does it mean)

A
  • susan langer
  • similarity between musical structure and extra musical structure (a 1:1 association between music and anything else)
    ie. tension/relaxation/delay in musical form matches those in mental state/storyline/etc
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9
Q

Strong Cognitivism (who invented/what does it mean)

A
  • Peter kivy
  • “our ability to enjoy music is a direct function of our understanding of it”
  • music does not induce emotions in listeners
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10
Q

Intentionality (who invented/what does it mean)

A
  • Leonard Meyer (implicit/explicit)
  • musical meaning derived from properties more intrinsic to music, as opposed to external sources
  • Intentionality: musical events point to and generate expectations for another musical event
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11
Q

ITPRA (who invented/what does it mean)

A
  • David Huron (implicit/explicit)
  • the way we think of music is heavily based on our prediction of what is going to happen next (focuses on the statistical properties)
  • imagination: thinking about it
  • tension: while waiting
  • prediction: actual prediction of where it will happen
  • reaction: right after it happens
  • appraisal: what happens after
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