Unit 12.2 Flashcards
Practice Strategies
- distributed (many short sessions) vs. massed practice (one single long session)
- 1940 study
1940 study found
- massed practice leads to quicker learning of short musical sequences
- distributed practice led to better retention of the music after two weeks and more accuracy describing the music from memory
Practice Strategies
- distributed (many short sessions) vs. massed practice (one single long session)
- Ericsson et al (1993)
- best violinists distributed their practice into 3-4 sessions per day
- 30 min-2 hour sessions, including breaks within sessions
- top two groups of violinists also napped more
Part vs. Whole (4 concepts)
- serial: start from beginning every time
- segmented: learn segments & link together
- additive: segmented, but cumulative
- holistic: top to bottom, backtrack after errors (just enough to correct)
(additive & holistic lead to faster learning for massed practice)
(musicians preparing longer/more complex work often rely on a combo of part and whole approaches)
How to practice with words AND music
early sessions: practice together
later sessions: learn separately
Silent practice techniques (3)
- analytical pre-study (forming a mental representation of what it’s going to sound like)
- mental practice/rehearsal (physically play and now can mentally practice)
- modeling (watching someone else play the piece
Analytical pre-study (explain trial/study)
two groups
1. study group given only sheet music for 30 min
2. practice group could play on piano for 30 min
after 30 min - practice group was better, then both groups had access to piano (10 min)
- after 10 min both groups were playing at equal levels
Mental practice
a combo of physical practice and mental practice may be equally as effective for improving performance as physical practice alone
Improvements in:
- pitch, rhythm
- memorization
- tonal quality
- pitch accuracy
Modeling
- young kids work best with similar model (ie. another kid singing)
- advanced instrumentalists who listened attentively to a recording of musical work before physically practicing it for 3 min outperformed those who had physically practice for 10 min
Playing-Related Musculoskeletal Disorders (PRMDs) could result in:
- repetitive strain injuries
- muscle-tendon overuse syndromes (“tendinitis”)
- nerve entrapment (“carpal tunnel syndrome”)
- muscle imbalance
- music- induced hearing loss
Playing-Related Musculoskeletal Disorders (PRMDs) causes:
- asymmetrical postures
- smaller frames
- > 30 years
- females more susceptible vs. males
- lifestyle attributes (nutrition, substance abuse, high trait anxiety)