Unit 12.2 Flashcards

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1
Q

Practice Strategies
- distributed (many short sessions) vs. massed practice (one single long session)
- 1940 study

A

1940 study found
- massed practice leads to quicker learning of short musical sequences
- distributed practice led to better retention of the music after two weeks and more accuracy describing the music from memory

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2
Q

Practice Strategies
- distributed (many short sessions) vs. massed practice (one single long session)
- Ericsson et al (1993)

A
  • best violinists distributed their practice into 3-4 sessions per day
  • 30 min-2 hour sessions, including breaks within sessions
  • top two groups of violinists also napped more
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3
Q

Part vs. Whole (4 concepts)

A
  1. serial: start from beginning every time
  2. segmented: learn segments & link together
  3. additive: segmented, but cumulative
  4. holistic: top to bottom, backtrack after errors (just enough to correct)
    (additive & holistic lead to faster learning for massed practice)
    (musicians preparing longer/more complex work often rely on a combo of part and whole approaches)
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4
Q

How to practice with words AND music

A

early sessions: practice together
later sessions: learn separately

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5
Q

Silent practice techniques (3)

A
  1. analytical pre-study (forming a mental representation of what it’s going to sound like)
  2. mental practice/rehearsal (physically play and now can mentally practice)
  3. modeling (watching someone else play the piece
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6
Q

Analytical pre-study (explain trial/study)

A

two groups
1. study group given only sheet music for 30 min
2. practice group could play on piano for 30 min
after 30 min - practice group was better, then both groups had access to piano (10 min)
- after 10 min both groups were playing at equal levels

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7
Q

Mental practice

A

a combo of physical practice and mental practice may be equally as effective for improving performance as physical practice alone
Improvements in:
- pitch, rhythm
- memorization
- tonal quality
- pitch accuracy

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8
Q

Modeling

A
  • young kids work best with similar model (ie. another kid singing)
  • advanced instrumentalists who listened attentively to a recording of musical work before physically practicing it for 3 min outperformed those who had physically practice for 10 min
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9
Q

Playing-Related Musculoskeletal Disorders (PRMDs) could result in:

A
  • repetitive strain injuries
  • muscle-tendon overuse syndromes (“tendinitis”)
  • nerve entrapment (“carpal tunnel syndrome”)
  • muscle imbalance
  • music- induced hearing loss
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10
Q

Playing-Related Musculoskeletal Disorders (PRMDs) causes:

A
  • asymmetrical postures
  • smaller frames
  • > 30 years
  • females more susceptible vs. males
  • lifestyle attributes (nutrition, substance abuse, high trait anxiety)
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