The Big Issue Flashcards

1
Q

outline the Big Issue

A
  • Launched in 1991
  • Aims to transform the lives of London’s homeless
  • Vendors buy the magazine for £2 and sell it for £4
  • TBI is niche (outside mainstream
  • Exists as a social business to use profits to help people affected by poverty)
  • Is published in 25 languages with a readership of 4,600,000
  • Each year, vendors sell 4,000,000 magazines
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2
Q

outline the political purpose behind tbi

A
  • the philosophy of self-help is encapsulated in the strapline found in every edition’s front cover (‘a hand up, not a handout’)
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2
Q

outline the political purpose behind tbi

A
  • it strongly advocates for social change – primarily around homelessness
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3
Q

outline the cultural purpose behind tbi

A
  • TBI covers include cultural references whilst covering the important issue of the housing crisis
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4
Q

outline the typical BI reader

A
  • university educated
  • middle class
  • interested in politics, art, culture
  • limited disposable income
  • wants to make a difference in society
  • TBI must tailor their front cover + content to attract this reader
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5
Q

how does TBI help the poor

A
  • supports vendors to achieve social, health, housing, education, financial inclusion
  • provides employment for the homeless (as vendors)
  • offers direct support to help escape poverty – though campaigns
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6
Q

outline TBIs manifesto

A
  • aims to prevent poverty before it starts
  • ‘prevention over cure’
  • provides routes out of poverty by investing in people’s lives early on
  • social justice for all
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7
Q

last year TBI provided ___ vendors with access to health + wellbeing support

A
  • last year TBI provided 36,000 (almost 40K) vendors with access to health + wellbeing support
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8
Q

how does TBI differ to mainstream magazines

A
  • representation: in mainstream, reps tend to support the dominant social group (media owners (MC)) to reinforce the status quo
  • TBI aims to represent the underrepresented/ marginalised and provide a platform for social issues
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9
Q

define intertextuality

A
  • the interrelationship between a media product and other texts used for the creation/ interpretation of meaning in the media product
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9
Q

define realism

A
  • the set of conventions by which audiences accept a representation as ‘realistic to real life
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9
Q

what are 3 types of realism

A
  • factual realism = whether what is portrayed is factually accurate/ real
  • social realism = whether what is portrayed is what the audience expects based on their social norms
  • narrative realism = whether the events within a story are well explained + consistent
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10
Q

outline the early days of print publications + celeb culture

A
  • from 1900, publications like The Tatler covered highs society events – providing readers with a glance into the lives of the elite
  • they showcased the lavish lives of the British aristocracy
  • with time, the publications progressed and began to print personal profiles, interviews, candid shots of famous people day to day
  • this created a sense of voyeurism for readers
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11
Q

outline the celebrity culture in the digital age

A
  • the key values that define celeb culture today originated from print publications + have become embedded in our collective consciousness, shaping the way we consume and interpret celeb culture
  • readership is fueled by parasocial relationships w/ celebrities + audiences idolisation of them
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12
Q

name magazine conventions

A
  • composition/ layout - how elements are organised
  • typography - style/ size of font
  • modes of address/language - high/low-level lexis
  • shot types + angles
  • strapline - phrases at top/ bottom of page
  • puff
  • logo
  • masthead
  • tagline/ slogan - catchy phrase that represents brand
  • feature article
  • central image
  • colour palette
  • rule of thirds - a page is divided into 3 sections
  • intertextuality
  • props
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