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2nd year - 1st sem > SOCSCI4-L3 > Flashcards

SOCSCI4-L3 Flashcards

1
Q

Characterized by unusual effects of scale,
lighting, and perspective, and the use of
bright, often lurid colors.

A

Mannerism

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2
Q

Characterized by highly ornate detail and
extravagant in style. Chiaroscuro and
Tenebrism became known in this period.

A

Baroque

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3
Q

Characterized the Enlightenment, which
emphasized inspiration, subjectivity, and
the primacy of the individual. Often
contrasted with Classicism.

A

Romanticism

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4
Q

16th century
Italian art

A

Mannerism

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5
Q

18th century art

A

Romanticism

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6
Q

17th and 18th
century art

A

Baroque

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7
Q

PROMINENT ARTIST
* Andrea del Sarto,
* Jacopo da Pontormo
* Michelangelo Buonarotti
* Peter Bruegel
* Tintoretto
* El Greco

A

Mannerism

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8
Q

PROMINENT ARTIST
* Gian Lorenzo Benini,
* Michelangelo di Caravaggio
* Peter Paul Rubens

A

Baroque

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9
Q

PROMINENT ARTIST
* Eugene Delacroix
* Francisco de Goya
* Joseph Mallord William Turner

A

Romanticism

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10
Q

The word ______derives from the Italian
______, meaning “style” or “manner“

A

mannerism ,maniera

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11
Q

A period of European art that emerged from the
later years of the Italian High Renaissance
around 1520 and lasted until about 1580 in Italy.

A

mannerism art

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12
Q

_______was one of the great creative
exponents of Mannerism

A

Michelangelo

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13
Q

_____, ______, and _______were acknowledged as the Early Florence Mannerists

A

Andrea del Sarto, Jacopo da Pontormo, and Rosso Fiorentino

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14
Q

______was regarded as one of the great creative exponents of Mannerism

A

Michelangelo Buonarotti

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15
Q

______ is relating to or denoting a style of European architecture, music, and art of the 17th and 18th centuries that followed mannerism and is characterized by ornate detail.

A

Baroque art

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16
Q

In architecture the period is exemplified
by the palace of Versailles and by the work
of Bernini in Italy.

A

Baroque art

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17
Q

_____ and _____ are important visual Baroque artists.

A

Caravaggio and Rubens

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18
Q

_____ is a movement in the arts and literature that originated in the late 18th century

A

Romanticism

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19
Q

emphasizes inspiration, subjectivity and the primacy of the individual, often contrasted with classicism.

A

Romanticism

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20
Q

______ was a reaction against the
order and restraint of classicism and neoclassicism, and a rejection of the rationalism which characterized the Enlightenment.

A

Romanticism

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21
Q

Among romantic painters are such stylistically diverse artists as _____-, _____, and _____.

A

J. M. W. Turner, Delacroix, and Goya

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22
Q

New and unusual or experimental ideas,
especially in the arts

A

Avant-Garde

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23
Q

From French word vanguard (avant “before” + garde “guard”), referring to a group of people (movement) who led the way in new developments (innovation)
or ideas

A

Avant-Garde

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24
Q

Contradict or repudiate the
precise academic style

A

Avant-Garde

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25
Q

________ – a style or movement in painting originating in France in the 1860s,

A

Impressionism

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26
Q

characterized by a concern with depicting the visual impression of the moment, especially in term of the shifting effect of light and color

A

Impressionism

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27
Q

_______ – repudiated both the precise academic style and the emotional concerns of Romanticism, and their interest in objective representation, especially of landscape

A

Impressionism (Impressionist painters)

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28
Q

Pivotal figure: Edourd Manet (from realism to impressionism)

A

Impressionism

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29
Q

Chief exponents: Claude Monet; Pierre-Auguste Renoir; Camille Pissarro; Paul Cezanne; Edgar Degas, and Alfred Sisley

A

Impressionism

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30
Q

He was a pivotal figure in the transition from Realism to Impressionism

A

Edouard Manet (The French Modernist)

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31
Q
  • He adopted the style of Gustave Courbet
    (loose brush stroke, simplification of details, and suppression of transitional tones)
A

Edouard Manet (The French Modernist)

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32
Q
  • Known for using pure color to give a direct unsentimental effect.
A

Edouard Manet (The French Modernist)

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33
Q
  • Notable works: Déjeuner sur
    l’herbe(1863), Olympia (1865), and A Bar
    at the Folies-Bergère (1882)
A

Edouard Manet (The French Modernist)

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34
Q

_____, originally Le Bain. The Paris Salon rejected it for exhibition in 1863, but Manet agreed to exhibit it at the Salon des Refusés (Salon of the Rejected)

A

The Luncheon on the Grass (Le déjeuner sur l’herbe)

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35
Q

Founder of French impressionist painting and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perception before nature.

A

Oscar Claude Monet (Landscaper)

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36
Q

His painting Impression: Sunrise [1872] gave the movement its name.

A

Oscar Claude Monet (Landscaper)

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37
Q

His fascination with the play of light on objects led him to produce series of
single subjects painted at different times of day and under different weather conditions

A

Oscar Claude Monet (Landscaper)

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38
Q
  • French artist who was one of the leading
    painter in the development of Impressionist style.
A

Pierre-Auguste Renoir (The Feminist)

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39
Q
  • As an early impressionist, he developed a style characterized by light, fresh colors and indistinct, subtle outlines.
A

Pierre-Auguste Renoir (The Feminist)

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40
Q
  • In his later work he concentrated on the
    human, especially female, form.
A

Pierre-Auguste Renoir (The Feminist)

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41
Q
  • Notable works: Le Moulin de lagalette (1876) and The Judgment of Paris(c. 1914).
A

Pierre-Auguste Renoir (The Feminist)

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42
Q
  • French impressionist, famous for his
    paintings, sculpture, prints, and drawings
A

Hilaire Germain Edgar Degas (The Dancer Painter)

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43
Q
  • He started his career in painting at age of
    18, after he earned a baccalaureate in
    literature in Lycee.
A

Hilaire Germain Edgar Degas (The Dancer Painter)

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44
Q
  • He is known for his paintings of ballet
    dancers, such as Dancer Lacing Her Shoe
    (c. 1878), La Classe de Danse (1873-
    1876), Ballet Rehearsal (1873) et cetera.
A

Hilaire Germain Edgar Degas (The Dancer Painter)

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45
Q
  • French post-impressionist painter and known for his later work as an important influence on cubism style.
A

Paul Cezanne (Padre del Nos Todos)

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46
Q
  • Both Henri Matisse and Pablo Picasso
    remarked him as “father of us all”
A

Paul Cezanne (Padre del Nos Todos)

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47
Q
  • His works laid the foundations of the
    transition from 19th century conception of
    artistic endeavor to a new and radically
    different world of art in the 20th century
A

Paul Cezanne (Padre del Nos Todos)

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48
Q
  • Notable works: Still Life with Cupid (1895) and Bathers(sequence of paintings, 1890–1905)
A

Paul Cezanne (Padre del Nos Todos)

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49
Q

French post-impressionist painter who
was recognized for his experimental use
of color, synthetic style and the
integration of the primitive art.

A

Eugene Henri Paul Gaugin (The Modern Primitive)

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50
Q
  • He was an important figure in the
    Symbolist movement as a painter,
    sculptor, printmaker, ceramist, and writer
A

Eugene Henri Paul Gaugin (The Modern Primitive)

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51
Q
  • He was influential proponent of wood
    engraving and woodcuts as art forms
A

Eugene Henri Paul Gaugin (The Modern Primitive)

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52
Q
  • French post-impressionist painter who
    was recognized for his experimental use
    of color, synthetic style and the
    integration of the primitive art.
A

Eugene Henri Paul Gaugin (The Modern Primitive)

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53
Q
  • He was an important figure in the
    Symbolist movement as a painter,
    sculptor, printmaker, ceramist, and writer
A

Eugene Henri Paul Gaugin (The Modern Primitive)

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54
Q
  • He was influential proponent of wood
    engraving and woodcuts as art forms
A

Eugene Henri Paul Gaugin (The Modern Primitive)

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55
Q

Vahine no te tiare (Woman with a Flower), 1891
Spirit of the Dead Watching 1892, Albright_knox Art Gallery, Buffalo, New York

A

Eugene Henri Paul Gaugin (The Modern Primitive)

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56
Q

a technique of neo-impressionist painting using
tiny dots of various pure colors, which become blended in the viewer’s eye

A
  • Pointillism
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57
Q

developed by George Seurat with the aim of producing a greater degree of luminosity and brilliance of Color.

A
  • Pointillism
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58
Q

Founder of the 19th century French
school of Neo-Impressionism

A

George Pierre Seurat (The Pointillism)

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59
Q
  • He is chiefly associated with
    pointillism, which he developed during the 1880s.
A

George Pierre Seurat (The Pointillism)

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60
Q
  • Among his major paintings using
    pointillism style is the Sunday
    Afternoon on the Island of La Grande
    Jatte (1884–86).
A

George Pierre Seurat (The Pointillism)

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61
Q

a style of painting, music, or drama in which the artist or writer seeks to express emotional experience rather impressions of the
external world

A
  • Expressionism –
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62
Q

characteristically rejects traditional ideas of beauty or harmony, use of distortion, exaggeration, and other non-naturalistic devices in order to emphasize and express the inner world of emotion

A
  • Expressionism –
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63
Q

emphasized and insisted on the primacy of the artist’s feelings and mood, which often incorporating violence and grotesque
(shocking)

A
  • Expressionism –
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64
Q

_____ and ______paintings exemplify the earliest expressionism

A

El Greco and Grunewald’s

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65
Q
  • It was first used in the late 19th to 20th century in Europe and specifically in Germany (German movement led by
    _____, ____, and ____)
A

Van Gogh, Eduard Munch, and James Ensor)

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66
Q

Dutch post-impressionist painter and most famous and influential figure in the history of Western art.

A

Vincent Willem van Gogh (The Shifter)

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67
Q

The Starry Night, Bedroom in Arles, 1888, The Old Mill, 1888, The Night Café, The Potato Eaters,

A

Vincent Willem van Gogh (The Shifter)

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68
Q
  • He started his career in painting in Nuenen, for 2 years, he accomplished 200 oil paintings
A

Vincent Willem van Gogh (The Shifter)

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69
Q
  • In Arles, he completed _____ paintings and 100 drawings and watercolors (most of his works were painted in yellow, ultramarine, and mauve)
A

200 paintings, and 100 drawings

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70
Q
  • In the last two years of his life, he created around _____oil paintings and in just over decade, he created about _____ artworks (Landscapes, still life, portraits, and self-portraits)
A

860 , 2,100

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71
Q

Norwegian painter and engraver.

A

Edvard Munch (The Emocionado)

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72
Q
  • He infused his subjects with an
    intense emotionalism, exploring the
    use of vivid color and linear
    distortion to express feelings about
    life and death.
A

Edvard Munch (The Emocionado)

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73
Q
  • His works include the painting The
    Scream (1893)
A

Edvard Munch (The Emocionado)

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74
Q

The Scream, 1893, The Sick Child, 1885 and Anxiety, 1894

A

Edvard Munch (The Emocionado)

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75
Q

_______ was an early 20th century style and movement in the field of visual arts, especially in painting that emphasized the use of simple geometric shapes, interlocking planes, and later, collage.

A
  • Cubism
76
Q
  • It was a reaction against the traditional modes of representation and impressionist concerns with light and color
A
  • Cubism
77
Q
  • It was inspired by the later work of Paul Cezanne and by the African sculpture
A
  • Cubism
78
Q
  • It was first named by the French critic, Loius Vauxcelles (1908)
A
  • Cubism
79
Q
  • It was popularized by Pablo Picasso and George Braque (synthetic cubism and
    illusory)
A
  • Cubism
80
Q

Pablo Picasso (The Geometria) full name

A
  • Pablo Diego Jose Francisco de Paula Juan Nepomuceno Maria de los Remedios
    Cipriano de la Santisima Trinidad Ruiz y
    Picasso
81
Q
  • A Spanish painter, sculptor, printmaker,
    ceramicist, stage designer, poet and
    playwright
A

Pablo Picasso (The Geometria)

82
Q
  • Known for his prolific inventiveness and
    technical versatility that made
    him the dominant figure in avant-garde art
    in the first half of the 20th century
A

Pablo Picasso (The Geometria)

83
Q
  • La Vie (1903), Cleveland Museum of Art
  • The Old Guitarist (1903), Chicago Art Institute
    Guernica, 1937
  • Les Demoiselles d’Avignon (1907), Museum of Modern Art, New York
  • Les Grandes Baigneuses (The Bathers), 1898–1905 by Paul Cezanne
A

by Pablo Picasso

84
Q

derived from French fauvisme (fauve) refers to a wild beast. As a term or name, it was originated from the remark of the French art critic, Louis Vauxcelles at the Salon of 1905

A

Fauvism

85
Q

______ was a style of painting with vivid expressionistic and non-naturalistic use of color that flourished in Paris from 1905

A

Fauvism

86
Q
  • Henri Emile Benoit Matisse
A

was known as the leading proponent of fauvism

87
Q
  • He started to paint after his mother brought him art supplies after he recovered from illness (appendicitis)
A

Henri Emile Benoit Matisse (The Wild Beast)

88
Q
  • He studied art to William Adophe Bourguereau and Gustave Moreau at Academie Julian, Paris
A

Henri Emile Benoit Matisse (The Wild Beast)

89
Q
  • He was influenced by Jean-Baptiste-Siméon Chardin, Nicolas Poussin, and Antoine Watteau, as well as by modern artists such as Edouard Manet and by Japanese art
A

Henri Emile Benoit Matisse (The Wild Beast)

90
Q
  • He was regarded, together with Picasso and Marcel Duchamp, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th
    century
A

Henri Emile Benoit Matisse (The Wild Beast)

91
Q
  • His use of non-naturalistic color led him to be regarded as a leader of the Fauvists.
A

Henri Emile Benoit Matisse (The Wild Beast)

92
Q

The Sorrows of the King was Matisse’s final self portrait
The Dessert: Harmony in Red (The Red Room)

A

Henri Emile Benoit Matisse (The Wild Beast)

93
Q

_____ was an early 20th century international movement in art, literature, music, and film, repudiating and mocking artistic and social conventions and emphasizing the illogical and absurd and favored montage, collage, and the ready-made

A

Dadaism

94
Q

______derived from French Dada, literally means hobbyhorse (rocking horse)

A

Dadaism

95
Q

________ was launched in Zurich in 1916 by ______(French poet and one of the founders of the Dada movement) and others which soon merged with similar group in New York

A

Dadaism, Tristan Tzara

96
Q
  • Leading figures in Dadaism
A

Jean Arp; Andre Breton; Max Ernst; Man Ray; and
Marcel Duchamp

97
Q

early works were influenced by
Matisse and later, he created his own
Cubism style

A

Marcel Duchamp

98
Q

His first artwork was submitted to an
exhibition of the Society of Independent
Artists in New York

A

Marcel Duchamp

99
Q

He is known as the leading figure of the
Dada movement and originator of conceptual art, he invented “ready-mades,” mass- produced articles selected at random and displayed as works of art.

A

Marcel Duchamp

100
Q

FOUNTAIN (1917)
NUDE DESCENDING
A STAIRCASE (1912)
BICYCLE WHEEL (1913)

A

Marcel Duchamp

101
Q

______ was a 20th century avant-garde movement in art and literature that sought to release the creative potential of the unconscious mind (like the irrational juxtaposition of images)

A
  • Surrealism
102
Q

_____ grew out of symbolism and dadaism, and was strongly influenced by Sigmund Freud

A
  • Surrealism
103
Q
  • It was launched in 1924 by a manifesto of Andre Breton and having a strong political content
A

Surrealism

104
Q
  • Notable exponents in surrealism:
A

Andre Masson, Jean Arp; Joan Miro; Max Ernst; Man Ray; Rene Magritte; Salvador Dali; and Luis Bunuel

105
Q
  • A Spanish surrealist who portrayed
    dream images with almost photographic
    realism against backgrounds of arid
    Catalan landscapes.
A

Salvador Felipe Jacinto Dalí y Domenech

106
Q
  • Notable works: The Persistence of
    Memory (1931) and Christ of St.John of
    the Cross (1951).
A

Salvador Felipe Jacinto Dalí y Domenech

107
Q
  • He pioneered the “automatic” drawing, a form of fluid, spontaneous composition intended to express images emerging from the unconscious.
A

Andre Aime Rene Masson

108
Q
  • He started his experiment with Surrealism style in 1943
A

Andre Aime Rene Masson

109
Q
  • At the end of WWII in 1945, he returned in France and became interested with
    southeastern Asian art and Taoism
A

Andre Aime Rene Masson

110
Q

Artwork : Automatic Drawing (1924)
In the Tower of Sleep (1938)
The Metamorphosis of the Lovers (1948)

A

Andre Aime Rene Masson

111
Q
  • He was commissioned to paint the ceiling of the Odeon-Theatre de France in 1965.
A

Andre Aime Rene Masson

112
Q
  • A prominent figure of surrealism, he painted a brightly colored fantasy world of variously spiky and amoebic calligraphic forms against plain backgrounds
A

Joan Miro

113
Q

painted still-lifes, portraits, nudes, and landscapes, in a style, dubbed Catalan Fauvism by some scholars.

A

Joan Miro

114
Q

The Farm (1920-21)
Harlequin’s Carnival (1924)
The Beautiful Bird Revealing the
Unknown to a Pair of Lovers (1941)

A

Joan Miro

115
Q

Influenced by Vincent van Gogh, Paul Cézanne, and the bold, bright colors of the French Fauve painters, he also drew upon his Catalan roots, calling himself “an international Catalan”
(1912-1920)

A

Joan Miro

116
Q

originated from “poor art” commented by Germano Celant, who wrote book entitled, “Arte Povera: Conceptual, Actual or Impossible Art”

A

Arte Povera

117
Q

An anti-commercial style of art that was concerned mainly with the physical qualities of the materials used (typically consists of ordinary or otherwise worthless things) such as scraps of newspapers, old clothes, earth, metal fragments and so on

A

Arte Povera

118
Q

____was initiated by a group of avant-garde artists in Italy, whose members included: Piero Manzoni, Mario Merz, Michelangelo Pistoletto, and others

A

Arte Povera

119
Q

Another important figure was the ____ dealer and promoter Enzo Sperone

A

Turin art

120
Q

____ is a radical and controversial art group that was co-founded in 1999 by Charles Thomson and Billy Childish (who left in 2001) along with eleven other artists.

A

Stuckism art

121
Q

The name was derived by Thomson from an insult to Childish from his ex-girlfriend, British artist Tracey Emin, who had told him that his art was ‘Stuck’ doing nothing but painting.

A

Stuckism art

122
Q

The ____believes that Modern Art has lost its way and needs to recapture its original spiritual meaning.

A

Stuckist

123
Q

The creation of a work of art involves all possible aspects of art, with a finished product that is radically different from the materials employed

A

Stuckism art

124
Q

_______ was postmodernist art movement founded on the principle that art is a concept rather than a material object (Dada arts/ Marcel Duchamp)

A

Conceptual art

125
Q

Art in which the idea presented by the artist is considered more important than the finished product (essential component)

A

Conceptual art

126
Q

Important exponents: Sol LeWitt; Joseph Beuys; Felix Gonzales-Torres; Eva Hesse; Jenny Holzer; Joseph Kosuth; Barbara Kruger; Jean Tinguely; and Lawrence Weiner

A

Conceptual art

127
Q

German artist, one of the most influential figures of the avant-garde movement in Europe in the 1970’s and 1980’s. his works consisted of assemblages of various articles of rubbish

A

Joseph Beuys –

128
Q

________ was a new art form which came to attention in the USA during the 1960s, although the idea dates back to the Surrealist exhibitions created by Marcel Duchamp and others, when works of art were arranged to form a complex and compelling environment.

A

Installation art

129
Q

a Russian painter and designer whose early work, “Proun Room” (1923) at the Berlin Railway Station was considered an early type of installation (Merzbilder by Kurt Scwitters)

A

El Lissitzky –

130
Q

Lucio Fontana; Yves Klein; (Groupe Recherche d’Art)-Ed kienhol and George Segal; (recent artist)- Rebecca Horn, Bruce Nauman, Christian Boltanski; Richard Wilson, and Tracey Emin)

A

Known installation artists:

131
Q

______ was developd by an avant-garde group of artists (From Latin means “flowing” ), led by the Lithuanian-born art theorist George Maciunas (1931-78)

A

Fluxus art

132
Q

first appeared in Germany before spreading to other European capitals and then New York City, which became the center of its activities

A

George Maciunas (1931-78)

133
Q

_____ collaborated to blend different media (visual, literary, musical) into a number of “events”, involving installations, happenings, photography and film

A

Fluxus artists

134
Q

Leading members: Joseph Beuys; Yoko Ono; and Wolf Vostell

A

Fluxus art

135
Q

______ was a style of painting that appeared in the late 1960s, in which subjects (people or urban scenes) are painted in a highly detailed manner, resembling photographs

A

Hyperrealism or phot-realist art

136
Q

Leading members of the Super- Realist movement include______ who specializes in street scenes containing complex glass-reflections - and _____ who excels at monumental pictures of expressionless faces.

A

Richard Estes
Chuck Close,

137
Q

Other Hyper-Realist painters include ______, ______, ______ and_______.

A

Robert Bechtle, Audrey Flack, Ralph Goings and John Doherty.

138
Q

Hyperrealist sculptors include Duane Hanson, John de Andrea, Carole Feuerman, Ron Mueck and Robert Gober. true or false

A

true

139
Q

______ was driven by pictorialism and portrait photography.

A

Contemporary photography

140
Q

_______, increasingly complex fashion photography and the growing genre of street photography have been the main driving forces.

A

Documentary photography

141
Q

Graffiti art was also known as ______, ______ and _____

A

Street Art”, “Spraycan Art” and “Aerosol Art”

142
Q

It is a style of painting associated with hip-hop, a cultural movement which sprang up in various American cities, especially on New York subway trains, during the 1970s and 1980s.

A

Graffiti art

143
Q

_______ was first appeared in the____, in which the artists used their own bodies as canvas

A

Body art
late 1960s

144
Q

_____ is one the of controversial groups of body arts

A

Vienna Action Group

145
Q

In New York an early pioneer, known by his tag TAKI 183, was a youth from Washington Heights and the first women graffiti artists were Barbara 62 and Eva 62

A

Graffiti art

146
Q

The first generation of hip-hop voiced the frustration of urban minorities in their attempt to create their own form of art

A

Graffiti art

147
Q

_______ emerged from America and Europe, an experimental art form inspired by conceptual art as well as dada, futurism, the Bauhaus, and Black Mountain College (America)

A

Performance art

148
Q

It is an art form that combines visual art with dramatic performance. It includes events and happenings by visual artist, poets, musicians, film makers, video artist, and others

A

Performance art

149
Q

This art is associated with the genre of: Allan Kaprow (pioneer); Yves Klein; Joseph Beuys and Nam June Paik

A

Performance art

150
Q

Presidential portraits of Mount Rushmore

A

Land art

151
Q

______ emerged largely in the United States during the 1960s, uses or interacts with the landscape in order to create artistic shapes or “events.”

A

Land art

152
Q

Pioneers of this art form include Robert Smithson, Richard Long and Andy Goldsworthy, as well as the interventionists Christo and Jeanne-Claude

A

Land art

153
Q

______ was term used in its narrow sense to denote an American style of painting which emerged in the late 1960s and early 1970s,

A

Contemporary realism art

154
Q

in the works of a variety of artists, such as Philip Pearlstein, Neil Wellilver and William Bailey.

A

Contemporary realism art

155
Q

It is characterized by figurative works executed in a raw objective style, without the distortions of Cubist or Expressionist interpretation.

A

Contemporary realism art

156
Q

_______ deliberately rejected abstract art, choosing instead to depict down-to-earth subjects in a straightforward naturalistic manner.

A

Contemporary Realists

157
Q

_______encompasses all post-1970 painters and sculptors who focus on representational art, where the object is to portray the “real” rather than the ideal

A

Contemporary Realism

158
Q

Most interesting exponent of ________is the figurative master Lucian Freud, whose powerful studies of the human body manage to convey both grittiness and love for earlier styles of realist painting

A

Contemporary Realism

159
Q

______ was first used as a buzzword by American art critic, Robert Pincus-Written when he described the works of Eva Hesse as post-minimalism in Art Forum in 1971

A

Process art , “post-minimalism”

160
Q

This new style, known as_____, was highly transient and utilized unstable materials which condensed, evaporated or deteriorated without the artist having any control

A

“Process Art”

161
Q

It became a trend as a result of two shows in 1969: “When Attitudes Become Form” at the Berne Kunsthalle and “Procedures/ Materials” at the Whitney Museum of American Art in New York.

A

“Process Art”

162
Q

Eva Hesse, included the American sculptor Richard Serra and the German-born Conceptual artist Hans Haake

A

Prominent Post-Minimalist artists,

163
Q

________ was the title given by the French curator and art historian _____, to an international exhibition in 1976 at the Musée National d’Art Moderne at the Pompidou Centre in Paris.

A

“Nouvelle Subjectivité” (New Subjectivity)
Jean Clair

164
Q

The show featured works by American, British and European modern artists who rejected the dominant abstraction and conceptualism in modern art in favor of a return to depicting the reality of things, albeit in a modern manner. In their paintings, they were concerned with careful observation of the real world

A

international exhibition in 1976 at the Musée National d’Art Moderne at the Pompidou Centre in Paris.

165
Q

English artist David Hockney, the American artist (active in England) R B Kitaj, the Swiss artist Samuel Buri, and the French artists Olivier O Olivier, Christian Zeimert, Michel Parre and Sam Szafran.

A

Prominent artists associated with New Subjectivity

166
Q

_______coined by Achille Bonito Oliva (1979), an Italian art critic in the Flash Art magazine

A

Neo-Expressionism or Transavanguardia (beyond the avant-garde)

167
Q

Sandro Chia, Francesco Clemente, Enzo Cucchi, and Mimmo Paldino employed a free, figurative style of painting with nostalgic references to the Renaissance and its iconography

A

Transavangarde artists

168
Q

They painted large-scale works in oil, including realistic and imaginary portraits, religious and allegorical history paintings, and were inspired also by Symbolism as well as the colour palette of Fauvism

A

Neo-Expressionism or Transavanguardia (beyond the avant-garde)

169
Q

______ was first appeared in America and Britain, where various feminist art groups were inspired by the women’s liberation movement, before spreading across Europe.

A

Feminist art

170
Q

In comparison with the elitist formal and impersonal subject matter pursued by male avant-garde artists, work by women artists offered emotion, and real-life experience.

A

Feminist art

171
Q

They addressed fundamental gender- based issues, such as giving birth, motherhood, and forced seduction, as well as wider concerns such as racism and working conditions.

A

Feminist art

172
Q

the Pattern and Decoration movement, sprang up in California during the 1970s, being composed largely of women artists

A

A specific style of Female art,

173
Q

They reacted against the severe austerity of Minimalism by juxtaposing identical or similar patterns, and producing intense fusions of color and texture using traditional craft techniques, like weaving, paper cut-outs and patchwork.

A

Feminist art

174
Q

Their beautiful use of color was inspired by the French Fauves movement of 1900s Paris, while their geometrical and floral motifs were drawn from Islamic, Far Eastern, Celtic and Persian Art

A

Feminist art

175
Q

Prominent feminist artists include the Americans Nancy Spero, Eleanor Antin, Joan Jonas, Judy Chicago, Mary Kelly, Barbara Kruger, and Miriam Schapiro, the Swedish artist Monica Sjoo, the English artist Margaret Harrison

A

Feminist art

176
Q

_____ denotes to any art in which computers play a significant role in art works. This utilizes computer applications such as computer-controlled animation or kinetic art, or computer-generated painting or the use of computer software (Deconstructive architecture)

A

Computer art

177
Q

Computer art is likewise called ______, _______, ______, or_______

A

Digital Art, Internet Art, Software Art, or Computer Graphics

178
Q

Harold Cohen, Ronald Davis, George Grie, Jean-Pierre Herbert, Bela Julesz, Olga Kisseleva, John Lansdown, Maughan Mason, Manfred Mohr, and Joseph Nechvatal are among the known pioneers of computer arts

A

Computer art

179
Q

_____was both modernist and contemporary art which is based on modern popular culture and mass media, especially as a critic or ironic comment on traditional fine arts values

A

Pop art

180
Q

It started out by depicting a more up-to-date reality, using images of film-stars and other celebrities, as well as mass-made consumer goods. But this was rapidly eclipsed by an increasing post-modern focus on impact and style

A

Pop art

181
Q

Andy Warhol (Andrew Warhola) – painter, graphic artist, and filmmaker.

A

Pop art

182
Q

A major exponent of______, he achieved fame for a series of silkscreen prints and acrylic paintings of familiar objects (such as Campbell’s soup cans) and famous people (such as Marilyn Monroe), that are treated with objectivity and precision

A

pop art

183
Q

a US painter, sculptor, and printmaker was the key figure in the development of pop art who depicted commonplace and universally recognized images. (Flags; Number series; and Target).

A

Jasper Johns –

184
Q

Roy Lichtenstein and Jasper Johns are also considered as leading exponents

A

Pop art

185
Q

______was a brand new form of painting or sculpture which used text-based imagery.

A

Word art

186
Q

It associated with artist like: Robert Indiana; Jasper Johns; On Kawara; Barbara Kruger; and Christopher Wool

A

Word art

2nd year - 1st sem (15 decks)

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