Section 2 (Arranging) - Writing for Rhythm Section Flashcards
what is the rhythm section essential for
providing the harmonic and rhythmic pulse or feel
what do you do when its not specifically indicated what to play
comp
what is comping
when the rhythm section compliments an ensemble
what is given to indicate a player should comp
slash notation and chords
what can be included in slash notation
text and the musical notation to play with the ensemble
when a pianist has to play comping accent rhythms with the band it will be where
in the middle of the staff written as a rhythm. not specifying notes to play besides the chords on top of the measure
what is voice below lead
its a melody that should be played as the pianists top note.
shown with a line under the note heads
what are the 4 points of rhythm notation and lead notes?
- to limit the range of voicing when comping
- to highlight or duplicate a melodic line
- the provide shape to a melodic line
- to emphasis voice leading in the progression
what is the most detailed way a piano part can be written and why?
fully notated
to leave no interpretation for the performer
how are the guitar charts written
the same as piano
how do you communicate you want the piano or guitar playing for certain sections
write piano only
or guitar only
what are the three methods for having the guitar and piano play together?
- guitar doubles a melodic line
- fully voice so the ranges compliment each other
- have guitarist play simple triadic outlines called shell voicings
what are the roles of the bass player?
communicate time and groove
dynamic contrast, shaping, and harmonic link for all instruments
what is the minimum required for a bass player
slash notation and chord symbols
can bass parts involve specified notes?
yes to perform a rhythmic figure and complete harmonic structure
can bass parts also be fully notated
yes
what do you write when you have a rhythmic figure you want to bass player to repeat around the changes
simile or continue this pattern in a similar style
with slash notation
when writing bass parts in swing what are three things to be aware of?
- arpeggiated lines create angular shape of bass movement that is stylistically correct
- extensions with arpeggios create a modern and linear feel
- new chords start with root and are created by inserting passing tones between the roots of each chords