Section 1 (Theory/Harm) - Extended and Altered Chords

Question 1

extended chords or chromatically altered chords add what to a piece of music

Answer 1

color

Question 2

what are altered chords used as

Answer 2

a secondary dominant function that suggests a momentary chord change without modulating to a different tonic

Question 3

what is the most commonly omitted note in an extended chord

Answer 3

the 5th

Question 4

what is often omitted in an 11th chord

Answer 4

the 3rd

Question 5

what is often omitted in a 13th chord

Answer 5

5th 9th and 11th

Question 6

where are 9th chords commonly found

Answer 6

on dominant and supertonic chords

Question 7

how does the 9th resolve

Answer 7

it moves downward a step to the nearest diatonic note of its resolution note

Question 8

how can a 9th resolve up

Answer 8

only if there is a passing tone to fill the gap of the third

Question 9

what chord is most often chromatically altered

Answer 9

the dominant

Question 10

what chords do augmented chords happen on in major

Answer 10

1 4 and 5

Question 11

is the raised 5th ever doubled

Answer 11

no too dissonant

Question 12

how does the raised fifth resolve

Answer 12

up a half step to the target chord

Question 13

the lowered 5th can appear on what chord

Answer 13

dominant

Question 14

what position can a dominant b5 chord be in

Answer 14

root or first

Question 15

how does the b5 resolve

Answer 15

to the root of the tonic chord

Question 16

what is a raised root chord

Answer 16

take the root of the chord about to be tonicized. go down a half step and fill in the chord.
can be vii triad vii7halfdim or viii7diminished

Question 17

what is another approach to altered chords

Answer 17

the use of chord scales especially when in mixolydian

Question 18

in mixolydian what triads have a different tone color than in their parallel major

Answer 18

I7, 2, 5, and 7

Question 19

the use of the mixolydian chord is determined by

Answer 19

the target chord

Question 20

if the target chord contains a major 3rd

Answer 20

the secondary dominant seventh chord generally takes mixolydian as a chord scale

Question 21

if the target chord contains a minor 3rd

Answer 21

the secondary dominant seventh chord generally takes mixolydian b13 as a chord scale

Question 22

what chords does the lydian mode alter

Answer 22

the II becomes major
#4 becomes diminished
7th becomes minor

Question 23

what do all subV7’s that resolve down by a half step take as their chord scale

Answer 23

lydian b7

Question 24

what are chord scales

Answer 24

scales built on the different scale degrees of a key signature producing each mode

Question 25

dorian 13 chord and chord scale

Answer 25

Dmin13

Dorian b3 b7

Question 26

Phrygian 13 chord and chord scale

Answer 26

Emin7(b13b9)

Phrygian (b2 b9) b3 b6 (b13)b7)

Question 27

lydian 13 chord and chord scale

Answer 27

Fmaj13(#11)

Lydian (#4(#11))

Question 28

mixolydian 13 chord and chord scale

Answer 28

G13

mixolydian b7

Question 29

Aeolian 13 chord and chord scale

Answer 29

Amin7(b13)

aeolian (b3 b6(b13), b7)

Question 30

Locrian 13 chord and chord scale

Answer 30

Bdim7(b13b9)
locrian b2(b9) b3 b5 b6(b13) b7