Part 3 Flashcards

1
Q

In Designing, when opposite sides have different lengths or different volume and appear to have equal visual weight, it is referred to as

A

asymmetrical balance

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2
Q

A recurrent pattern of movement in design is referred to as

A

rhythm

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3
Q

The area of a design where the eye is drawn to first before traveling to the rest of the design is called the

A

emphasis

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4
Q

The most important art principle that holds a design together is

A

harmony

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5
Q

The facial type that is about one and a half times longer that its width across the brow is the

A

oval face

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6
Q

The offset or round out the features of a square facial shape, the aim would be to

A

create volume between the temples and jaw

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7
Q

The facial shape with a narrow forehead and wide jaw and chin line is considered to be

A

triangular

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8
Q

The face profile with a receding forehead and chin is generally referred to as

A

convex

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9
Q

To give the illusion of proportional eyes to a client with wide set eyes, the hair should be

A

slightly darker at the sides than top

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10
Q

The triangular section that begins at the apex or high point of the head and ends at the front corners is called the

A

bang area

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11
Q

The shampoo provides a good opportunity for the stylist to analyze the client’s

A

hair and scalp conditions

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12
Q

A client with an infectious disease should be referred to a

A

physician

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13
Q

The primary purpose of a shampoo is to

A

cleanse the hair and scalp

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14
Q

In the shampoo selection process, understanding the pH scale helps the stylist

A

select the proper shampoo for the client

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15
Q

An abundant and important element classified as a universal solvent is

A

water

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16
Q

An alkaline shampoo with a high pH can leave the hair dry, brittle, and more porous and cause fading in

A

color-treated hair

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17
Q

Freshwater from lakes and streams is purified by the processes of sedimentation and

A

filtration

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18
Q

Small amounts of chlorine can be added to water to

A

kill bacteria

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19
Q

Water that contains certain minerals that lessen the ability of shampoo to later readily is

A

hard water

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20
Q

In listing the ingredients of a product, the percentage of each ingredient is listed in

A

descending order

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21
Q

The second ingredient that most shampoos have in common is the primary surfactant or

A

base detergent

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22
Q

The water-attracting end of a surfactant molecule is the

A

hydrophilic

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23
Q

an acid-balanced shampoo has a pH in the range of

A

4.5 to 5.5

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24
Q

Shampoos that are recommended for use on color-treated or lightened hair are

A

acid-balanced

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25
Q

Shampoos with an acidic ingredient used to remove product build up on hair are

A

clarifying shampoos

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26
Q

Shampoos used for oily hair and scalp that remove excess oiliness and keep the hair from drying out are

A

balancing shampoos

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27
Q

Shampoos used to brighten or eliminate unwanted gold or brassiness are

A

color-enhancing shampoos

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28
Q

Substances that absorb moister or promote the retention of moisture are

A

humectants

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29
Q

A product that slightly increases the diameter of the hair with a coating action, adding body to the hair, is

A

protein conditioner

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30
Q

A product that is used after a scalp treatment and before styling to remove oil accumulation is a

A

scalp astringent lotion

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31
Q

Brushing of the hair should never be done prior to

A

chemical services

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32
Q

The most highly recommended hairbrushes are those made from

A

natural bristles

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33
Q

To avoid physical problems during the shampoo, the correct posture is to

A

keep shoulders back, abdomen in

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34
Q

After shampooing chemically treated hair, gently remove tangles beginning

A

at the nape and working up t the frontal area

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35
Q

As a safely feature for the client, during a shampoo the water temperature should be monitored by the stylist by

A

keeping one finger over the edge of the spray nozzle in contact with the water

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36
Q

Firm pressure and/or heavy scalp massage should not be administered during the shampoo procedure if the client is to receive a

A

chemical services

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37
Q

After a shampoo, it is not recommended to apply a conditioner

A

to the base of the hair, near the scalp

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38
Q

A shampoo that is performed when the client’s health does not allow for a wet shampoo is a

A

dry shampoo procedure

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39
Q

A stylist should recommend hair or scalp treatments only after performing a

A

hair and scalp analysis

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40
Q

A scalp treatment used when there is a deficiency of natural oil on the hair or scalp should contain

A

moisturizers and emollient ingredients

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41
Q

High-frequency current should never be used when the hair is treated with tonics that contain

A

alcohol

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42
Q

The overactive glands that produce excessive oiliness are the

A

sebaceous glands

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43
Q

Dandruff is the result of a fungus called

A

malassezia

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44
Q

Alcohol-based antidandruff lotions and tonics should not be used in conjunction with

A

infrared lamps

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45
Q

When working a shampoo into a lather, the stylist should use

A

cushions of fingertips

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46
Q

A good haircut begins with an understanding of the

A

head form

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47
Q

The areas of the head where the surface of the head changes are

A

reference points

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48
Q

In the haircutting procedure reference points are used to establish

A

design lines

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49
Q

The widest part of the head, also known as the crest area, is the

A

parietal ridge

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50
Q

The bone that protrudes at the base of the skill is the

A

occipital bone

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51
Q

The highest point at the top of the head is the

A

apex

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52
Q

The reference point that signals a change in head shape from flat to round or vice versa is the

A

four corners

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53
Q

The area at the back part of the neck below the occipital bone is the

A

nape area

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54
Q

The triangle section that begins at the apex and ends at the front corners is the

A

fringe area

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55
Q

A thin continuous mark that is used throughout a haircut is called a(n)

A

line

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56
Q

The space between two lines or surfaces that intersect at a given point is a(n)

A

angle

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57
Q

The straight lines used to build weight or create a one-length or low-elevation haircut are

A

horizontal lines

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58
Q

The straight lines used to remove weight or create graduated layers are

A

vertical lines

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59
Q

The haircutting technique using diagonal lines to create fullness and blend long layers into short layers is

A

beveling

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60
Q

For control during haircutting, the hair is divided into uniform working areas called

A

sections

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61
Q

The angle or degree at which a subsection of hair is held while cutting is

A

elevation

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62
Q

Elevating the hair at a 90 degrees or higher during a haircut results in the removal of

A

weight, or layering the hair

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63
Q

The angle of which the fingers are held when performing a haircut is the

A

cutting line

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64
Q

The first section cut when creating a shape is the

A

guideline

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65
Q

The outer line of a haircut is referred to as the

A

perimeter

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66
Q

The guideline used when creating layers or a graduated cut is a

A

traveling guidelines

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67
Q

The technique of combing hair away from its natural falling position rather than straight out from the head toward a guideline is

A

over direction

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68
Q

A conversation where the stylist offers professional advice and suggestions to the client is the

A

client consultation

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69
Q

For a client with a long face, the stylist would recommend a style that

A

adds fullness on the sides to add width

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70
Q

To compensate for shrinkage associated with curly hair, the stylist should allow for shrinkage of

A

1/2 inch to 2 inches

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71
Q

The direction that hair grows from the scalp into a natural falling position is the

A

growth pattern

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72
Q

The number of individual hair strands on one square inch of scalp is hair

A

density

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73
Q

The haircutting tool with large teeth set far apart, designed too remove a significant amount of hair, is

A

notching shears

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74
Q

A small haircutting tool used to create crisp outlines is a

A

trimmer

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75
Q

The haircutting tool used for close tapers in the scissors-overcomb technique is the

A

barber comb

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76
Q

The hand that holds the shears, parts the hair, and cuts the hair during the cutting procedure is called the

A

dominant hand

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77
Q

The technique where the comb and shears are held closed in the dominant hand at the same time is called

A

palming the shears

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78
Q

The technique used to free up the dominant cutting hand to cut a subsection is called

A

transferring the comb working the shears

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79
Q

A haircutting tool used for detailing and texturizing or an entire haircut is the

A

straight razor

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80
Q

The term used to describe the pressure applied to hair when combing or holding a subsection is

A

tension

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81
Q

When cutting straight hair to create a precise design line, use

A

maximum tension

82
Q

When cutting hair, a general rule of thumb is to stand or sit

A

directly in front of the area you are cutting

83
Q

In cutting uniform or increasing layers, the hand position most often used is cutting

A

over the fingers

84
Q

The technique of cutting below the fingers or inside the knuckles using a horizontal cutting line creates

A

heavier graduated haircut or a one-length bob

85
Q

A haircutting technique that maintains control of a subsection with regard to elevations and over direction is

A

cutting palm-to-palm

86
Q

When cutting below the finger, to prevent cutting the soft and fleshy part of the finger, avoid cutting past

A

the second knuckle

87
Q

The visual line in a haircut, where the ends of the hair hang together, is the

A

weight line

88
Q

A haircut achieved using a stationary guide and zero or no elevation and the hair comes to one hanging level is a

A

blunt cut

89
Q

In a graduated haircut, the most common elevation used is

A

45 degrees

90
Q

Parting the haircut in the opposite way it was cut to check for precision of line and shape is

A

cross-checking

91
Q

The area of the head that has the most irregular growth patterns is the

A

crown

92
Q

In using the wide teeth of a comb when cutting, comb the section first with the fine teeth and then

A

turn the com around and comp with the wide teeth

93
Q

In general a razor should not be used on curly hair as it will

A

weaken the cuticle and cause the hair to frizz

94
Q

The term used to describe how hair is moved over the head is

A

natural distribution

95
Q

When working with a razor, the ends are cut at an angle producing a softer shape with more visible separation or

A

feathered effect

96
Q

A method of cutting or thinning hair where the fingers and shears glide along the edge of the hair to remove length is

A

slide cutting

97
Q

The scissors-over-comb technique uses the comb to hold the hair in place and allows cutting from

A

extremely short to longer lengths

98
Q

The technique of removing excess bulk or cutting for effect without shortening hair length is

A

texturizing

99
Q

Vertical point cutting performed with shears on the ends of hair

A

removes less hair

100
Q

When performing the notching technique of texturizing with shears, the tops of the shears should be held

A

2 inches from the ends

101
Q

Thinning hair to graduated lengths using a sliding movement with shear blades partially open is

A

slithering

102
Q

The slicing technique removes bulk and adds

A

movement through the lengths of the hair

103
Q

When performing the slicing technique on the surface of the haircut, it is best to work on

A

dry hair

104
Q

A version of the slicing technique that creates a visual separation in the hair is

A

carving

105
Q

A tool attached to clippers that cuts the hair to the exact length is

A

length guard attachment

106
Q

With a regular cutting comb, the finer shapes teeth are geared for detailing, and the finer spaced teeth are geared for

A

combing and cutting

107
Q

When using the clipper-over-comb technique, the length is determined by the

A

angle of the comb

108
Q

Cutting hair at the same length consistently, using a 90-degree elevation, produces a

A

uniform later

109
Q

In the carving technique, to remove less hair, the scissors should be held

A

more vertical

110
Q

Clippers and trimmers should be cleaned and the detachable blade and heel disinfected

A

after each use

111
Q

To ensure that the client has the knowledge of necessary to care for their hair properly between salon visits, it is the responsibility of the professional to

A

educate clients on home hair maintenance and professional products

112
Q

The first step in the hairstyling process should always be a

A

client consultation

113
Q

Shaping and directing the hair into an S formation using a comb, lotion, and the fingers is called

A

finger waving

114
Q

Hair gel that makes the hair pliable, keeps it in place, and is made from karaya gum is

A

waving lotion

115
Q

When creating finger waves with a side part, you should begin on the

A

heavy side

116
Q

In creating horizontal finger waves, the waves are placed

A

sideways and parallel around the head

117
Q

The stationary foundation of a pin curl is the

A

base

118
Q

The part of a pin curl that gives the curl its direction and movement is the

A

stem

119
Q

The stem of the pin curl is the part that determines

A

mobility

120
Q

Pin curls that produce tight, firm, long-lasting curls and allow for minimum mobility are

A

no-stem pin curl

121
Q

Pin curls formed in a shaping should begin at the

A

open end

122
Q

Smooth waves and uniform curls are produced by

A

open center curls

123
Q

Pin curls formed in the opposite direction of the hands of a clock are

A

counterclockwise curls

124
Q

Pin curl bases are referred to as rectangular, triangular

A

arc-based

125
Q

Triangular base pin curls are used along the front or facial hairline to

A

prevent breaks or splits

126
Q

Creating tension by forcing hair between the thumb and back of a comb when making pin curls is called

A

ribboning

127
Q

Pin curls sliced from a shaping and formed without lifting the hair from the head are

A

carved curls

128
Q

Two rows of ridge curls placed on the side of a head are

A

skip waves

129
Q

Pin curls that allow the hair to flow upward and downward are called stand-up curls or

A

cascade curls

130
Q

Barrel curls are similar to a roller, but do not have the same

A

tension

131
Q

The panel of hair on which a roller is placed is the

A

base

132
Q

Hair between the scalp and the first turn of a roller is the

A

stem

133
Q

For a roller set where little or no volume is required, the rollers should be placed

A

off-base

134
Q

The point where curls of opposite directions meet forming a recessed area is The metal edge of roller clips placed at an angle against the hair can cause

A

hair breakage

135
Q

Combing small sections of hair from the ends toward the scalp creating a cushion or base is

A

back-combing

136
Q

To smooth hair that is back-combed, the teeth of the comb or brush should be held at a

A

45-dgree angle

137
Q

When wrapping hair, very little volume will be attained provided the

A

hair at the scalp is not lifted

138
Q

The nozzle attachment used in blow-drying to create a stead stream of air is the

A

concentrator

139
Q

The tool attachment used to dry hair softly and accentuate the textural definition is a

A

diffuser

140
Q

Teeth on a styling comb that are closely spaced remove curl definition and create a

A

smooth surface

141
Q

Classic styling brushes having rows of round-tipped nylon bristles should be

A

heath resistant and antistatic

142
Q

An ideal brush for blow-drying fine hair quickly and adding lift to scalp area is a

A

paddle brush

143
Q

A thickened liquid styling tool, spread with fingers, that creates the strongest control and distinct texture definition is

A

styling gel

144
Q

A styling aid that holds fine hair with little or no heaviness is

A

textuizers

145
Q

A styling aid applied to damp wavy or curling hair to create a straight look when the hair is blow-dried is

A

straightening gel

146
Q

When blow-drying with a round brush, maximum lift is achieved by inserting the brush on base and directing the section up at a

A

125-degree angle

147
Q

When using a concentrator to blow-dry straight or wavy hair, build the shape working from

A

nape to crown

148
Q

Waving and curling straight or pressed hair using special manipulative techniques on dry hair is

A

thermal curling

149
Q

The basic parts of a thermal iron are the rod handle, shell handle, and

A

barrel and shell

150
Q

The edge of a beveled flat iron that is nearest the stylist is the

A

inner edge

151
Q

To remove dirt, oils, and product residue from the barrel of a thermal iron, use a dampened towel with a soapy solution containing a few drops of

A

ammonia

152
Q

Combs used with thermal irons should be about 7 inches long and made of

A

a nonflammable substance

153
Q

In thermal curling, hair is held at a 125-degree angle with medium tension and the curl is placed in the center if its base is a

A

full-base curl

154
Q

A type of thermal curl with only slight lift or volume can be achieved by using a 70-degree angle and

A

rolling hair completely off base

155
Q

A technique used to temporarily straighten extremely curly or unruly hair until the hair is shampooed is

A

hair pressing

156
Q

Applying a thermal pressing comb through the hair twice on each side to remove curl is a

A

hard press

157
Q

Variations in hair texture are defined by the

A

diameter and feel of the hair

158
Q

Pressing wiry or curly hair requires more heat and pressure due to the

A

a compact construction of the cuticle cells

159
Q

A tight scalp can be made more flexible with hair brushing and the systematic use of

A

scalp massage

160
Q

The temperature of pressing combs should be tested

A

on a piece of light paper

161
Q

To prevent the smoking or burning off of hair during the pressing treatment, avoid

A

excessive pressing oil

162
Q

When executing an up do, always inspect the shape you are building from every angle to determine

A

balance and proportion

163
Q

A styling product available in a variety of strengths applied in the form of a mist to hold a style in position is

A

hair spray

164
Q

A method of curling hair by winding a strand around a rod is a(n)

A

spiral curl

165
Q

In some African tribes, different styles of braiding signified a person’s

A

social status within the community

166
Q

Styling performed without chemicals or dyes and when the natural curl or coil pattern of hair is not altered is

A

natural hairstyling

167
Q

To avoid misunderstandings in performing natural styling services, it is necessary to perform a(n)

A

quality client consultation

168
Q

When performing a consultation for natural hairstyling services, the focus should be on

A

hair texture

169
Q

In natural hairstyling services, texture refers to the diameter and feel of hair plus the

A

wave pattern

170
Q

In textured hair, a coil configuration is defined as having a

A

tight curl pattern

171
Q

To create length and soften facial lines with a square face, the hair should be styled with

A

a full style that frames the face

172
Q

Styles with partial bangs or braids that frame the face and minimize a wide forehead should be used for facial shapes that are

A

an inverted triangle

173
Q

Hair with no previous coloring or lightening treatments, chemicals, or physical abuse is considered

A

natural or virgin

174
Q

The brush recommended for scalp stimulation and removal of dirt and lint from locks is

A

boar-bristle brush

175
Q

The bristles of a square paddle brush that are pneumatic will collapse when they encounter too much

A

resistance

176
Q

The most important feature of a wide-toothed comb is the

A

distance between the teeth of the comb

177
Q

A diffuser dries hair without disturbing the finished look or

A

dehydrating hair

178
Q

A manufactured synthetic fiber that does not reflect light and is similar in texture to extremely curly or coiled hair is

A

kanekalon

179
Q

When curly hair is braided wet, it shrinks and recoils and may cause excess

A

pulling and tension

180
Q

To make straight or resistant hair more pliable when braiding, apply a

A

light coat of wax or pomade

181
Q

When blow-during textured hair, the hair becomes soft and the wave pattern becomes

A

elongated

182
Q

The there-strand underhand braid technique where strands are woven under the center strand is a

A

visible braid

183
Q

The three-strand braid produced by overlapping the strands on top of each other is the

A

inverted braid

184
Q

The two-strand braid where the hair strands are twisted around each other is the

A

rope braid

185
Q

In the fishtail braid, hair is picked up from the sides and added to the strands

A

as they are crossed over each other

186
Q

Parting for braids can be square, triangular, or rectangular and determine

A

where the braid is placed and how it moves

187
Q

Extensions for single braids are integrated into natural hair using the

A

three-strand overhand technique

188
Q

Narrow, visible braids that lie close to the scalp created with a three-strand on-the-scalp braid technique are

A

cornrows

189
Q

Extensions added to cornrows or individual braids with the feed-in method build the braid up

A

strand by strand

190
Q

Natural textured hair intertwined and meshed together forming a single or separate network of hair is called

A

dreadlocks

191
Q

Three basic methods of hair locking are the comb technique, braids or extensions, and

A

palm rolling

192
Q

The gentle palm rolling method of locking hair takes advantage of the hair’s natural

A

ability to coil

193
Q

The traditional cornrow is flat, natural, and

A

contoured to the scalp

194
Q

Synthetic hair fiber, human hair fiber, or yarn can be added to a single braid to form a

A

lock

195
Q

The wig service costs and maintenance should be discussed during the

A

client consultation

196
Q

The artificial covering that covers 100 percent of the client’s natural hair is a

A

wig

197
Q

A small hair addition used to cover the to or crown of the head is a(n)

A

hairpiece

198
Q

The fastest way to determine whether a strand of hair is synthetic is to

A

burn it with a match

199
Q

With exposure, the color of human hair wigs may

A

oxidize

200
Q

Synthetic wigs that are particularly durable are made out of

A

modacrylic