Narratives: Short Story Flashcards

1
Q

What is the history and evolution of the short story?

A

Origins: Rooted in oral traditions, such as Arabian Nights and Canterbury Tales (multiple stories framed together).

19th Century: Rise of literacy, journals, and newspapers popularized shorter narratives alongside novels.

Key Figures:

  • Sir Walter Scott (The Two Droves, 1827): Father of the modern short story
  • Edgar Allan Poe: Revolutionized short stories with concise, psychologically rich tales
  • Anton Chekhov: Focused on psychological depth and less on plot climax
  • Robert Louis Stevenson and H.G. Wells: Popularized the short story in British literature, e.g., The Jungle Book (Kipling) and War of the Worlds (Wells).
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2
Q

What makes Edgar Allan Poe a pivotal figure in short story history?

A

Key Philosophy:

  • Every word should contribute to a single, pre-established effect, creating a sense of “totality” and “true unity.”

Famous Works:

  • The Tell-Tale Heart, The Fall of the House of Usher, The Gold Bug (an early detective story).

Impact:

  • Defined the short story as a compact narrative to be read in one sitting, prioritizing psychological intensity and event-driven plots.
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3
Q

What are the Markers of short stories?

A

1. Special beginnings (unvermittelbarer Einstieg)

  • this genre is typical for special beginnings
  • in medias res (lat. in the middle of things)
  • in ultima res (lat. in the end of things)
  • ab ovo (lat. from the very beginning)

2. Condensed narrative (Narrative Situation) → Discourse

3. Concentration on one scene or situation → Plot/Story

4. Omissions / lacuna(e)

  • according to Poe there are no accidental gaps in the plot
  • something is left out for a reason
  • if there are gaps they are planned → intended gap(s) = lacuna(e)

5. Protagonist = outsider (ethnicity, class…)

  • few protagonists
  • round characters (dynamic and rich in personality)
  • flat characters (simple construction)
  • static characters (do not change)
  • dynamic characters (change)
  • foil character (antagonist, contrast to protagonist)
  • complemenatry character (you need both to work, e.g. sherlock and watson)

6. Epiphany

  • big realization

7. “Open ending”

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4
Q

What types of short stories exist?

A

Initiation Story (Rite of Passage)

  • Characters get to know something new
  • at least one character needs to change positions → exchange one status
  • they go through a development and gain a drastic new insight

Slice-of-Life-Story

  • short window into their protagonists life

Plot-Story

  • focused on the actual plot
  • example: detective stories or horror stories
  • initiation: beginning - middle - ending
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