Hearing Flashcards

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1
Q

sound divides into three categories

A
  1. loudness
  2. pitch
  3. timbre
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2
Q

loudness

A

sound intensity/pressure measured close to the eardrum

factors influencing loudness - frequency content, duration, context in which it is presented

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3
Q

pitch

A

crucial in communication

  • perceptual correlate of waveform periodicity or repetition rate
  • the faster a waveform repeats over time, the higher is its perceived pitch
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4
Q

harmonic complex tones

A

most common pitch-evoking sounds

  • complex bc more than one frequency
  • harmonic bc frequencies are all integer multiples of a common fundamental frequency (FO)

ex: harmonic complex tone w a (FO) of 100Hz would also contain energy at frequencies of 200, 300, and 400 Hz

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5
Q

overtone/harmonics

A

higher frequencies that determine pitch of a sound

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6
Q

pitch of the missing fundamental

A

even if (FO) is absent, we generally still perceive the remaining sound to have a pitch corresponding to the (FO)

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7
Q

modern grand piano

A

27.5 Hz to 4,186 Hz

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8
Q

timbre

A

quality of sound

- bright, dull, hollow, harsh

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9
Q

frequency of sound

A

high frequency = sounds brighter, tinnier, harsher

low frequency = sounds deeper, richer, dull

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10
Q

quietest sound we can hear

A

1-4 Hz

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11
Q

decibles

A

describes sound pressure/intensity

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12
Q

masking

A

process by which the presence of a sound makes another sound more difficult to hear
ex: can’t hear phone ringing while in shower

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13
Q

suppression

A

occurs when the response to the masker reduces the neural response to the target sound

  • lower frequency sounds are more likely to mask higher frequencies
  • “upward spread of masking”
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14
Q

spatial hearing

A

360 degree field of hearing

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15
Q

interaural time differences

A

ITD

  • difference in time or intensity between two ears
  • relies of fact that sound source on left will reach left ear before right ear
  • largest occurs within a fraction of a millisecond
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16
Q

interaural level differences

A

ILD

  • at higher frequencies, the head casts an acoustic “shadow” so that when a sound is presented from the eft, the sound level at the left ear is somewhat higher than the sound level at the right ear
  • as big as 20dB and as small as 1dB
17
Q

duplex theory

A

for everyday sounds as a broad frequency spectrum, it seems that our perception of spatial location is dominated by interaural time differences in low-frequency temporal fine structure

18
Q

auditory scene analysis

A

sounds that are in close proximity, in time or frequency, tend to be grouped together
- sounds that begin and end at the same time tend to form a single auditory object