Harmony Ch. 9-10

Question 1

What chords are included in group 1?

Answer 1

Dominant function chords:

5, viio chord, iii+ in first inversion in harmonic/asc. melodic minor

Question 2

What chords are included in group 2?

Answer 2

Subdominant chords:

4, 2

Question 3

What chords are found in group 3?

Answer 3

Tonic function chords:

6

Question 4

What chords are found in group 4?

Answer 4

Tonic or dominant function chords:

3

Question 5

Association of two chords whose roots are a P5 apart

Answer 5

Dominant relationship

Question 6

Occurs whenever a dominant function chord progresses to the tonic chord

Answer 6

Established tonic chord

Question 7

Occurs in a chord progression when one chord group is skipped in left to right movement

Answer 7

Elision

Question 8

Occurs when a tonic chord appears between any two chords in a progression

Answer 8

Neutral tonic chord

Question 9

Occurs when chords move from right to left on the chord chart. Usually followed by normal movement

Answer 9

Retrogression

Question 10

What is normally doubled in the leading tone triad and why?

It is used exclusively in what inversion?

Answer 10

3rd, to avoid doubling the Tritone between 1-5
-5th is doubled when it appears in the soprano

1st inversion

Question 11

Occurs when a viio6 moves to I at a cadence point. May appear at any cadence but the final

Answer 11

Intermediate cadence

Question 12

Can a viio6 follow a dominant triad?

Answer 12

Yes, but only V7

Question 13

What may be be doubled in a supertonic triad?

Answer 13

Usually 3rd, but root can be doubled if in root position

Question 14

What is typically doubled in a deceptive cadence?

Why would you use a 1st inversion submediant chord?

Answer 14

3rd(it is the tonic). MUST be doubled when there is an elision. In minor, root is doubled to emphasize the major quality.

To create an appoggiatura.

Question 15

What is usually doubled in a mediant triad?

Answer 15

Root of whatever inversion you are using

Question 16

What is unique about the 5th in mediant triads in minor keys?

Answer 16

The must descend to the submediant scale degree(it is the subtonic, think of it like tritone resolution)

Question 17

T/F: the subtonic triad only appears in minor.

What is it preceded by and what does it progress to?

Answer 17

True

i or iv, progresses to III

Question 18

How do you avoid parallel 5ths when moving viio65 to I?

Answer 18

Turn it into viio6b5

Question 19

What inversions can be used for the supertonic 7th in major and minor keys? What is used most frequently when approaching a cadence?

Answer 19

All in major, 1st and 3rd in minor

1st inversion is used most frequently

Question 20

IV7 frequently occurs before which chord?

Answer 20

ii65…….progresses to a group 1 chord though

Question 21

What is required in a regular resolution of a vi7 chord?

What inversions do you find this chord in major and minor?

Answer 21

When the subdominant is doubled in the following supertonic chord. Or resolve to IV

Major: root, 1, 3
Minor: root, 1

Question 22

What should be avoided when progressing a iii7?

What inversions do you find this chord in major and minor?

Answer 22

Descending root movement(progresses to 6 or 4)

Major: root, 1, 3
Minor: root, 1

Question 23

What is a typical chord progression?

Answer 23

V(vii)-I-iii-vi-ii(IV)-V(vii)-I

Question 24

What inversions does the tonic 7th appear in major and minor?

Answer 24

Major: Root, 1st
Minor: All

Question 25

What inversions does the subtonic 7th appear?

Answer 25

Minor: Root, 1st, 3rd

Question 26

What must the subtonic 7th progress to?

Answer 26

III chord