French Baroque Flashcards

1
Q

French Baroque

A

1660’s - 1720’s

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2
Q

Louis XIV

A

like their god
control freak
Absolutism and Hierarchy

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3
Q

concetto

A

connect Louis’ reign to heaven

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4
Q

Society had been subjected to…

A

centralized government that had sought to control their thoughts

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5
Q

Regularitie

A

Louis XIV wanted to see a certain amount of regularity in design
Gridded and controlled interiors

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6
Q

Enfilade

A

series of rooms had axial doors. This provided a corridor like passage way through rooms, though a sequence of antechambers

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7
Q

Why were Enfilades not considered corridors

A

corridors not an idea yet
deeper in a room the more private it gets

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8
Q

Coved ceilings

A

a concave surface forming on the ceiling

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9
Q

marquetry

A

floral and vine wood inlay

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10
Q

parquetry

A

geometric wood inlay / parquet floors

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11
Q

Boiserie

A

carved gilded wood paneling

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12
Q

Boulle work

A

technique invented by Charles Boulle

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13
Q

Boulle work design

A

involved cutting the two sheets of materials simultaneously
enough material for two pieces of furniture
One with tortoise as the background and the other with brass as a background
contrasting colors overlay on top of each other

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14
Q

Charles Boulle

A

1642 - 1732

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15
Q

Charles Boulle importance

A

first time that furniture makers and interior designers were known by name

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16
Q

mercantilism

A

economic model that was in use in Europe in 17th century
everything was produced under government control / king is center of everything / no importation

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17
Q

Salon

A

Space used for balls

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18
Q

baroque is the high point of…

A

Bedrooms

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19
Q

Why was the bed so important to French Baroque

A

alter piece / ceremonial space
absolute monarchy at this time
monarchs held their power through lineage and stability of their dynasty / male child was needed

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20
Q

Charles LeBrun

A

artist, decorator, interior designer

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21
Q

Charles LeBrun

A

1619 - 1690

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22
Q

Who did Louis XIV make the head of the Beaux Arts Academy

A

Charles LeBrun

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23
Q

Beaux Arts Academy

A

Founded in the 17th century

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24
Q

Beaux Arts Academy purpose

A

educated talented students in various areas including painting, sculpture, and architecture

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25
Q

Who was the interior designer for Chateaux of Vaux-Le-Vicomte

A

Charles LeBrun

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26
Q

French Chateau began to develop…

A

Gender oriented spaces

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27
Q

Chateaux of Vaux-Le-Vicomte floor plan

A

symmetrical floor plan (one wing for the husband one wing for the wife)

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28
Q

French baroque attention to privacy

A

rooms became ever more socially exclusive towards the end of the wing. If you were important and close enough you may be able to move to antechamber from the salon

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29
Q

French Baroque represented what through spaces

A

Social hierarchy

30
Q

social filters

A

17th century spaces are significant in terms of social screening

31
Q

Chateau of Vaux-Le-Vicomte architect

A

Louis Le Van

32
Q

Chateau of Vaux-Le-Vicomte landscape architect

A

Andre Le Notre

33
Q

Chateau of Vaux-Le-Vicomte had what change in design process

A

Collaboration between designers

34
Q

Chateau of Vaux-Le-Vicomte built for

A

For M. Fouquet

35
Q

Chateau of Vaux-Le-Vicomte plan

A

May have to draw for mid-term
cabinet was the most exclusive room
scale becomes smaller and more intimate from salon to cabinet

36
Q

Chateau of Vaux-Le-Vicomte rooms

A

Antechamber
grand salon
salon de muses
salon de Hercules
Bedroom of Nicolas Fouquet

37
Q

Bedroom of Nicolas Fouquet

A

the minister of finance to King Louis XIV
the transformation of an older castle was begun by architect Louis Le Vau in 1641

38
Q

PALACE OF VERSAILLES

A

1661 - 1715

39
Q

PALACE OF VERSAILLES designers

A

Louis Le Van - architect
Charles LeBrun - Interior Designer
Andre Le Notre - landscape architect

40
Q

Louis XIV’s building campaign

A

sent spies to Venice to learn glass making
wanted to produce everything in France (mercantilism)
highly regulated design

41
Q

PALACE OF VERSAILLES flooring

A

Le Brun used parquetry on floor

42
Q

Why were mirrors used in the PALACE OF VERSAILLES

A

spatial constraints - first time in history

43
Q

Palace of Versailles rooms were…

A

Themed based on gender

44
Q

Hall of mirrors

A

wanted a long corridor with large windows on either side, but one side was an inner wall so Le Brun used large panels of float glass

45
Q

Queen’s Chamber

A

women seen as softer and delicate
color choices reflect this

46
Q

Salon of War

A

Hard surfaces and more straight lines
bodily strength important

47
Q

Salon of Peace

A

Same materials, but more delicate in use

48
Q

Louis XIV’s Bedchamber

A

Le Brun used a triumphal arch in King’s bedroom
(Emphasis on the bed & bedroom)

49
Q

The Hercules Drawing Room

A

Château de Versailles, Paris, France

50
Q

Room of the Bull’s eye window

A

Louis XIV was getting older. Rooms become smaller and more intimate towards the end of his reign.

51
Q

Why were rooms becoming smaller towards the end of Louis XIV reign

A

Rooms closer to human scale to make easier for older king to navigate

52
Q

Room of the Bull’s Eye Window decoration

A

A lighter decoration is used in this space. Substitution of expensive materials with more modest materials-No marble veneers for example. (France was having financial problems)

53
Q

What does the Room of the Bull’s Eye Window show us

A

King is losing control over architecture

54
Q

Baroque furniture

A

Stiff and formal furniture arrangements. Furniture was designed to be lined up against the wall.

55
Q

HIERARCHY OF SEATING FURNITURE

A

Fauteuil, Chaise, Tabouret, Tabouret de grace, Tabouret d’un seul fois

56
Q

Fauteuil

A

High-backed upholstered armchair

57
Q

Chaise

A

High-backed upholstered armless chair

58
Q

Tabouret

A

Upholstered stool

59
Q

Tabouret de grace

A

Inherited by loyalty to the King
King given right to sit in a certain seat
Can be passed down

60
Q

Tabouret d’un seul fois

A

King given right to sit in a stool for a single time

61
Q

Commode

A

Chest of drawers which was introduced during Louis XIV period

62
Q

Armoire

A

Cupboard

63
Q

Torchiere

A

Floor lamp

64
Q

Tortoiseshell inlay

A

Turtle shells used inlaid on furniture

65
Q

Ormoulu

A

Gilded bronze ornaments on furniture

66
Q

André-Charles Boulle

A

1642 - 1732

67
Q

Who was André-Charles Boulle

A

Master cabinetmaker to Louis XIV
The first cabinetmaker to have work named after himself

68
Q

André-Charles Boulle innovations

A

His innovation was the use of materials. One of the first cabinetmakers to use gilt-bronze mounts
Mounts were functional (protected the corners and also added sculptural beauty to the piece
Contrasting colors: Brass and tortoiseshell are signature materials

69
Q

Gilds

A

Groups that made rules for production of products
Controlled quality
From medieval times

70
Q

French Baroque Cabinet features

A

Ionic columns
Lion paw feet (Shows power)
Asian elements / ornaments (Inspiration from other cultures)
S and c curves on decorative elements
General form is straight

71
Q

French Baroque summary

A

King Louis is god like and in control
more straight lines than s and c curves
gendered spaces
concepts, colors, materials
grid like and strict
Specific designers for separate parts
remembered by name
architect, interior designer, landscape architect, furniture maker, etc.