Exam 4 Lit and Class Notes Flashcards

1
Q

Antihumanism (Jeffers) ?

A

??

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2
Q

Eco-criticism

A
  • Traced back to British Romanticism, 1780-1830 with poets like Wordsworth, Coleridge, and Shelley
  • Also traced to American Romanticism 1820-1865 with writers like Thoreau and Dickinson
  • Finally evolved into Nature Writing with writers like Dillard and Thoreau
  • looking at non-obvious texts to uncover ecological analysis
  • our relationship to nature isn’t just about gathering data, but about feelings
  • began with explicitly ecological works
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3
Q

Environmental Unconscious (Buell, 2009)

A

a knowledge of interconnectedness or coexistence suggested in a text

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4
Q

Who said “poets are the unacknowledged legislators of the world” and what did they mean by it?

A
  • Percy Shelley
  • Poets shape the world in quiet ways by helping us think differently
  • poetry strengthens the “organ” that makes us moral and gives us empathy; it strengthens the capacity to sympathize/empathize with things different from ourselves
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5
Q

Thinking Like A Mountain (Aldo Leopold)

A
  • Only the mountain can “think” at the appropriate scale and complexity to understand the dynamic balance of interdependent populations necessary to sustain an ecosystem
  • encourages us to think ecologically about how self interest must be regulated by empathy, reciprocity, synergy, and cooperation at higher levels of scale
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6
Q

Being at Home in the World

A

Literature helps us inhabit the world; it reorients us in nature; nature is our home

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7
Q

Climate Change Narratives

A

sci-fi/speculative fiction

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8
Q

Posthumanism

A
  • criticizes humanism
  • humans are part of nature
  • began in the British Romantic period when people began to challenge the assumption that humans are separate from nature
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9
Q

Who wrote Ministry for the Future and when was it published?

A

Kim Stanley Robinson, 2020

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10
Q

What did Kim Stanley Robinson say about science fiction?

A

It is the realism of our time; i.e., science fiction can address contemporary issues that realism cant

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11
Q

What is Robinson’s “Ministry for the Future” about?

A
  • the effects of global warming and a wet bulb event
  • follows Frank May, and aid worker and the only survivor of the wet bulb event in India, and Mary Murphy the director of the Ministry for the Future
  • Frank May = human experience and physical horror
  • Mary Murphy = geopolitics
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12
Q

What is a wet bulb event?

A

when temperature and humidity reach a point where humans cannot sweat to cool themselves; essentially boiling them in their own skin

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13
Q

What is Microcosmos (1996)

A
  • the first nature documentary of its kind
  • snails mating and mosquito birth
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14
Q

What does it mean to say “The Anthropocene is to Natural Science what Cinema is to Human Culture” ? (Fay, 2018)

A
  • it shapes our experience and culture profoundly
  • it shapes popular consciousness
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15
Q

Ecocinematic viewing

A

active viewing; looking at the image and how its been constructed; analyzing mainstream films through the lens of ecological critique in order to reflect on personal experience

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16
Q

When did nature documentaries emerge?

A

mid 20th century

17
Q

Honeyland (2019)

A
  • Documentary directed by Kotevska and Stefanov
  • narrates the life of Hatidze Muratova; an apiarist
  • addressing bees with ecostewardship
  • her knowledge is stolen by a man who exhausts wild bee hives
18
Q

The Silent World (1956)

A
  • Documentary directed by Jacques Cousteau
  • one of the first works of underwater cinematography using submersible cameras
  • the history of image capture is a history of environmental degradation
19
Q

What does cinema foreground? why is this helpful from an environmental standpoint?

A
  • cinema foregrounds the multi-dimensionality of deep time
  • it gives us access to space and perspectives we don’t normally see
20
Q

Ecocinema

A
  • how different genres of film approach the environment
  • the role of cinema in making audiences act
  • reinforce/contest how we view nature
  • how sustainable is the medium?
21
Q

Ecocinema (Sheld Lu, 2019)

A
  • cinema with an ecological consciousness
  • articulates the relationship between human beings and the physical environment, earth, nature, and animals from a biocentric POV
  • form and content
22
Q

Ecocinema (Willoquet, 2010)

A
  • a wider range of films that depict humans in the environment (or just the environment) without explicit activist messages
  • way of seeing
23
Q

Ecocinema Studies (Willoquet, 2010)

A

approaches film broadly to understand how visual representations position nature through the camera frame, editing process, and audiences’ reception of the film

24
Q

Cinema Verité

A

involves a participatory style of ethnographic filmmaking focused on the self-revelation of a film’s subject

25
Ethnographic
enacts the theories, approaches, and terminologies of anthropology and sees filmmaking as a research tool
26
Slow (in film)
exhibits and austere or minimalist style that employs extended duration to engender a meditative or contemplative mood
27
Slow viewing
taking time to view; actively viewing
28
Plant Cinematography
- Timelapse technology to show how plants move - stereoscopic polarization - makes things visible in time and space
29
Speciesist Camera
projects ideologies reflecting species hierarchies on more-than-humans during the filmmaking process
30
Zoomorphic realism
represents wild or domestic animals as accurately as possible and with minimal modification
31
Narratology
study of narrative structure
32
When did Environmental Film Festivals begin?
- the 1970s - International Wildlife Film Festival in Montana is the oldest ecofilm festival