Chapter 12: Environmental Film Flashcards

1
Q

Honeyland (2019)

A
  • Directors Kotevsa and Stefanov
  • Documentary about Hatidze Muratova (an apiarist) and her beekeeping
  • Muratova addresses bees with ecostewardship
  • A man steals Muratova’s knowledge and exhausts wild beehives
  • Fly on the wall camera; camera is inconspicuous to avoid interferrence
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2
Q

Green Film Criticism (Ivankhiv, 2008) ?

A

????

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3
Q

Ecocinema

A
  • emerged 1990s
  • focuses on the relationship between cinema, the environment, and more-than-human beings
  • films with an environmental focus
  • (Ingram, 2000): films with prominent environmental messages
  • MacDonald (2014): filmmaking tradition that evokes the illusion of being immersed in nature; ecocinema’s fundamental role is to retrain viewers’ perception and offer alternatives to conventional media-spectatorship and consumerism
  • Sheldon (2009): ecocinema is cinema with an ecological consciousness; articulates the relationship of human beings to the physical environment, earth, nature, and animals from a biocentric POV
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4
Q

Econcinema Studies (Coined by ??)

A
  • scholarly specialization within environmental humanities concerned with ecocinema
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5
Q

The Silent World (1956)

A
  • Directed by Jacques Cousteau and Louis Malle
  • one of the 1st works of underwater cinematography where filmmakers used submersible cameras
  • Cousteau goes on to be a marine conservationist
  • The film has been criticized for its destructive impact on ocean habitats
  • Aquatic vandalism
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6
Q

Ecocinema in Vietnam

A
  • Story of Pao (2006) (Director Ngo Quang Hai) is a drama based on a novel about the Hmong of northern Vietnam
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7
Q

What was the first cinematic depiction of a landscape?

A
  • Tables Turned on The Gardener (1895)
  • Lumiere Brothers
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8
Q

When does nature documentary become popular?

A

the mid 20th century

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9
Q

The Vanishing Prairie (1954)

A
  • Director James Algar
  • Part of Disney’s True Life Adventures series from 1948-1960
  • Documentary about the flora and fauna of the American prairie from Mississippi to Colorado
  • Focuses on extinct species that existed before the arrival of European settlers
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10
Q

Plant Cinematography

A
  • Botanical documentary that focuses on plant ecology and conservation
  • Kingdom of Plants (2012), David Attenbourough
  • Time lapse used to understand the uniqueness of plants
  • Frank Percy Smith: Birth of Flower (1911), The Germination of Plants (1911); the 1st cinematographer to capture and opening bud
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11
Q

Arthur Clarence Pillsbury (1912)

A

Timelapse documentary to advocate protection of Yosemite wildflowers; love of plants, realization of their life struggles and stopping their destruction

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12
Q

James Benning

A
  • One Way Boogie (1977)
  • 27 Years Later (2006)
  • Address the decline of the filmmaker’s home city and urban ecologies
  • Milwaukee, WI
  • Derest (2015): utah mid 1800s-late 1900s
  • California Trilogy 1999-2002 focuses on the water crisis in California; Sogobi = Earth in Shoshone
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13
Q

An Inconvenient Truth (2006)

A

Directed by Guggenheim

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14
Q

Speciesist Camera

A

projects ideologies reflecting species hierarchies on more-than-humans during the filmmaking process

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15
Q

Zoomorphic Realism

A

represents wild or domestic animals as accurately as possible and with minimal modification

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16
Q

Ecocinema film theory

A

semiotics, psychoanalysis, feminist theory, phenomenology, postcolonialism, and narratology

17
Q

3 Paradoxes of Ecocinema

A
  • dependent on and fascination with environmentally destructive film technology
  • Risk of creating illusions of an idealized nature that disengages viewers from actual nature
  • Problem of reinforcing passive modes of engaging with these art forms
18
Q

Boschman and Trono (2019)

A
  • can ecocinema itself or ecocinematic forms of interpretation draw forth changes in human behavior
19
Q

Ecocinematic Viewing

A

viewer actively analyzes mainstream films through the lens of ecocritique to reflect on personal experience

20
Q

Montagist Reply

A

spectators produce online media that creatively interprets mainstream films from ecological perspectives

21
Q

Deep Time (Ginn, 2018)

A
  • manifests through places, objects, and practices
  • through its ability to compress and elongate time within a narrative, film enables audiences to access deep geological time and the core of the Anthropocene concept
  • warps our sense of belonging and our relationship to Earth forces and creatures
22
Q

What did Fay (2018) say about The Anthropocene?

A

The Anthropocene is to natural science what cinema is to human culture
- it makes the familiar world strange to us by transcribing the dimensionality of experience into celluloid

23
Q

International Wildlife Film Festival

A
  • Montana founded in 1977
  • oldest eco-film festival
24
Q

Environmental Film Festival in Washington, DC

A

-Founded in 1993 by Flo Stone
- largest ecofilm festival

25
Q

Transnational Ecocinema

A
  • ecocinema that appraises films from various cultures and countries
26
Q

Urban Ecocinema (Murrary and Heum, 2019)

A

explores the mediation of city habits and urban environments in documentaries and fictional films