EFA terms & authors Flashcards

1
Q

Intro: Nettl 2015

A

study music as an aspect of human culture

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2
Q

Intro: Herndon 1992

A

culture impacts how song is used; song as powerful communication tool

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3
Q

Intro: Dawe 2003

A

studying musical instruments gives insights into culture

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4
Q

Intro: Bauman and Braid 1998

A

studying ovas increases understanding of culture

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5
Q

Intro: Sklar 1991, 2001, 2011

A

study movements of dance to understand culture

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6
Q

Intro: Dyrness 2001

A

visual art reflection of what is taking place in a culture

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7
Q

Intro: Myers 1992

A

this is etic analysis, not emic

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8
Q

seven lenses

A

space, shape of the event through time, participant organization, materials, performance features, content, underlying symbolic systems

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9
Q

acrostic for seven lenses

A

Spinach shouldn’t paralyze our muscles. Perfectly fed cowboys understand.

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10
Q

references for music terms

A

Bakan 2012; Apel 1970

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11
Q

proportional rhythm

A

smaller units simple proportions of larger units

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12
Q

polyrhythm

A

simultaneous use of contrasting rhythms

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13
Q

types of rhythm

A

proportional, polyrhythm, speech rhythm, free rhythm, syncopation

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14
Q

musical elements

A

form, tempo, rhythm, melody, timbre, text setting, dynamics, meter, scale

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15
Q

textures of melodies

A

heterophony, polyphony, drone, homophony, fugal, canon

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16
Q

heterophony

A

hocket

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17
Q

polyphony

A

two or more different notes but not octaves

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18
Q

drone

A

melody supported by one or two unchanging pitches

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19
Q

homophony

A

melody supported by chords

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20
Q

terms for timbre

A

rough, smooth, raspy, breathy, nasal

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21
Q

types of timbre

A

vibrato, yodeling, Sprechstimme

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22
Q

types of text settings

A

syllabic, neumatic, melismatic

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23
Q

syllabic lyrics

A

one note per syllable

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24
Q

neumatic lyrics

A

2-3 notes per syllable

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25
Q

melismatic lyrics

A

frequent use of one syllable sung on 2 or more notes

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26
Q

other song elements

A

pitch inventory, range, tonal center, modulation, contour

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27
Q

types of scales

A

diatonic, pentatonic, raga

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28
Q

types of stages

A

arene-trouvee (found stage), theater-in-the-round, thrust theater, three-quarter round, proscenium stage, end stage

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29
Q

thrust theater stage

A

audience on three sides of actors

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30
Q

three-quarter round stage

A

one wall with audience all around

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31
Q

proscenium stage

A

audience on one side, arches

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32
Q

end stage

A

audience on one side, no arches

33
Q

types of materials

A

realistic, impressionistic, minimalistic, improvised, mimed

34
Q

types of clothing

A

street clothes, traditional dress, costumes

35
Q

types of scenes

A

American scene, French scene

36
Q

American scene

A

when the set is changed

37
Q

French scene

A

when the characters change

38
Q

elements of the dramatic setting

A

costuming, lighting, set pieces, scenery, props

39
Q

types of plays based on audience participation

A

representational, presentational, monologue, asides

40
Q

representational scene

A

acting as if in real life, unaware of audience, fourth wall separates

41
Q

presentational

A

interaction with audience, breaking the 4th wall, acknowledge presence of audience

42
Q

citation for drama terms

A

Greenwald, Schulz, and Pomo 2002

43
Q

dance elements

A

form, organization, relationships, connectivities, kinesphere, phrasing, effort

44
Q

dance forms

A

homogenous, chain, variation chain, heterogeneous chain, rondo

45
Q

homogeneous dance form

A

unlimted repetitions of one segment

46
Q

variation chain dance form

A

each repeated segment a variation of the basic one

47
Q

heterogeneous chain form

A

individual segments are different without consistent organization

48
Q

rondo dance form

A

regular recurrence of one or more basic segments in a certain order

49
Q

types of dance organization

A

solo, ensemble, corps

50
Q

dance relationships

A

addressing, contact, grasping, supporting

51
Q

dance connectivites

A

breath, core-distal, head-tail, homologous, homolateral, contralateral

52
Q

dance kinesphere 1

A

one dimensional: high/low; side/side; forward/backward

53
Q

dance kinesphere 2

A

planes (vertical, horizontal, sagittal); diagonals

54
Q

types of dance phrasing

A

even, increasing, decreasing, accented, vibratory, resilient (springy, buoyant, weighty)

55
Q

citation for most dance terms

A

Hackney 2002

56
Q

citation for effort dance terms

A

Maletic 2004

57
Q

spatial relationships in visual art

A

unity, balance, rhythm, movement, proportion, negative space, emphasis

58
Q

visual art unity

A

proximity, repetition, continuation

59
Q

visual art balance

A

symmetrical, asymetrical, radial

60
Q

citation for visual art

A

“Visual Arts Vocabulary” Spark in Education website

61
Q

content elements for visual art

A

what message is being communicated, how is it being communicated, what emotions are being communicated

62
Q

oral verbal art elements

A

type of language (vernacular, LWC), type of translation (word-for-word gloss, free), gestures, content

63
Q

types of ovas

A

narrative story, poetry, song lyrics, speech surrogates, proverbs, riddles

64
Q

characteristics of ovas

A

metaphor, allegory, puns, humor

65
Q

ova devices

A

repetition, acrostic, assonance, rhyme, vocables, ideophones, alliteration, rhythmic speech, similes, gestures, vocal modulations

66
Q

citation for OVA analysis

A

Dooley & Levinsohn

67
Q

visual features in visual art

A

line, shape, value, color, texture

68
Q

visual art shape terms

A

dimension, geometric shapes, organic shapes, positive/negative space, form

69
Q

visual art value terms

A

lightness or darkness

70
Q

visual art color terms

A

primary, secondary, hue, shades, tint

71
Q

hue

A

the color definition in the culture

72
Q

shades

A

darker variants by adding black

73
Q

tint

A

lighter variants by adding white

74
Q

visual art frames

A

storytelling, background knowledge, symbolic

75
Q

storytelling frame

A

portray characters, actions, and emotions; show a key event in a story

76
Q

background knowledge frame

A

teach about unknown objects and places

77
Q

symbolic frames

A

evokes concepts (filigree borders around sacred texts)

78
Q

citation for frames

A

Petersen 2015