Com Arts Exam #2 Flashcards

1
Q

the materials used to support a speaker’s ideas. The 3 major kinds of supporting materials are examples, statistics, and testimony.

A

supporting materials

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2
Q

make speeches more interesting and convincing. They are sharp and specific, clear and credible

A

supporting materials

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3
Q

a specific case used to illustrate or represent a group of people, ideas, conditions, experiences, or the like

A

example

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4
Q

a specific case referred to in passing to illustrate a point (pile them one upon the other until you create the desired impression)

A

brief example

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5
Q

a story, narrative, or anecdote developed at some length to illustrate a point (tell story vividly and dramatically)

A

extended example

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6
Q

an example that describes an imaginary or fictitious situation (speaker creates a realistic scenario, relates it directly to her listeners, and gets them involved in the speech)

A

hypothetical example

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7
Q

use examples to personalize your ideas, reinforce examples with statistics or testimony, make your examples vivid and richly textured, and practice delivery to enhance your extended examples

A

tips for using examples

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8
Q

numerical data

A

statistics

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9
Q

why is it easy to lie with statistics?

A

they can be easily manipulated and distorted

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10
Q

are the statistics representative? are statistical measures used correctly? and are the statistics from a reliable source?

A

questions you should ask to judge the reliability of statistics

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11
Q

the average value of a group of numbers

A

mean

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12
Q

the middle number in a group of numbers arranged from highest to lowest

A

median

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13
Q

the number that occurs most frequently in a group of numbers

A

mode

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14
Q

use statistics strategically, identify the sources of your statistics, explain your statistics, round off complicated statistics, and use visual aids to clarify statistical trends

A

tips for using statistics in speeches

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15
Q

quotations or paraphrases used to support a point

A

testimony

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16
Q

testimony from people who are recognized experts in their fields

A

expert testimony

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17
Q

testimony from ordinary people with firsthand experience or insight on a topic

A

peer testimony

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18
Q

testimony that is presented word for word

A

direct quotation

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19
Q

to restate or summarize an author’s ideas in one’s own words

A

paraphrase

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20
Q

quoting a statement in such a way as to distort its meaning by removing the statement from the words and phrases surrounding it

A

quoting out of context

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21
Q

quote or paraphrase accurately, use testimony from qualified sources, use testimony from unbiased sources, and identify the people you quote or paraphrase.

A

tips for using testimony

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22
Q

the book, magazine, newspaper, or web document you are citing; the author or sponsoring organization of the document; the author’s qualifications with regard to the topic; and the data on which the document was published, posted, or updated.

A

the pieces of info you must provide when making oral citations in a speech

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23
Q

the name used by Aristotle for what modern students of communication refer to as credibility

A

ethos

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24
Q

the audience’s perception of whether a speaker is qualified to speak on a given topic. The two major factors influencing a speaker’s credibility are competence and character.

A

credibility

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25
Q

the credibility of a speaker before they start to speak

A

initial credibility

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26
Q

the credibility of a speaker produced by everything they say and do during the speech

A

derived credibility

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27
Q

the credibility of a speaker at the end of the speech

A

terminal credibility

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28
Q

explain your competence, establish common ground with your audience, and deliver your speeches fluently, expressively, and with conviction

A

ways to enhance your credibility during speeches

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29
Q

a technique in which a speaker connects themselves with the values, attitudes, or experiences of the audience

A

creating common ground

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30
Q

supporting materials used to prove or disprove something

A

evidence

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31
Q

Persuasive speakers need to use evidence because

A

most people are skeptical and suspicious of unsupported generalizations. They want speakers to justify their claims.

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32
Q

use specific evidence, use novel evidence, use evidence from credible sources, and make clear the point of your evidence

A

tips of using evidence effectively

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33
Q

the name used by Aristotle for the logical appeal of a speaker. The 2 major elements of logos are evidence and reasoning

A

logos

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34
Q

the process of drawing a conclusion on the basis of evidence

A

reasoning

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35
Q

reasoning that moves from particular facts to a general conclusion

A

reasoning from specific instances

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36
Q

It is important to supplement reasoning from specific instances with testimony or statistics because

A

you can never give enough specific instances in a speech to make your conclusion irrefutable, so you should use them to demonstrate that the instances are representative.

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37
Q

reasoning that moves from a general principle to a specific conclusion. It is the opposite of reasoning from specific instances: it moves from the general to the specific

A

reasoning from principle

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38
Q

reasoning that seeks to establish the relationship between causes and effects

A

Causal reasoning

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39
Q

The relationship between causes and effects are not always clear because

A

the fact that one event happens after another does not mean that the first is the cause of the second; the closeness in time of the 2 events may be entirely coincidental

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40
Q

reasoning in which a speaker compares 2 similar cases and infers that what is true for the first case is also true for the second

A

analogical reasoning

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41
Q

Analogical reasoning is frequently used in persuasive speeches on questions of policy because

A

when arguing for a new policy, you should find out whether it has been tried elsewhere—you may be able to claim that your policy will work because it has worked in like circumstances

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42
Q

an error in reasoning

A

fallacy

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43
Q

hasty generalization, false cause, invalid analogy, bandwagon, red herring, ad hominem, either-or, slippery slope, appeal to tradition, and appeal to novelty

A

10 logical fallacies

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44
Q

a fallacy in which a speaker jumps to a general conclusion on the basis of insufficient evidence

A

hasty generalization

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45
Q

a fallacy in which a speaker mistakenly assumes that because one event follows another, the first event is the cause of the second

A

false cause

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46
Q

an analogy in which the 2 cases being compared are not essentially alike

A

invalid analogy

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47
Q

a fallacy which assumes that because something is popular, it is therefore good, correct, or desirable

A

Bandwagon

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48
Q

a fallacy that introduces an irrelevant issue to divert attention from the subject under discussion

A

Red herring

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49
Q

a fallacy that attacks the person rather than dealing with the real issue in dispute

A

Ad hominem

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50
Q

a fallacy that forces listener to choose between 2 alternatives when more than 2 alternatives exist

A

either-or

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51
Q

a fallacy which assumes that taking a first step will lead to subsequent steps that cannot be prevented

A

slippery slope

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52
Q

a fallacy which assumes that something old is automatically better than something new

A

appeal to tradition

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53
Q

a fallacy which assumes that something new is automatically better than something old

A

appeal to novelty

54
Q

the name used by Aristotle for what modern students of communication refer to as emotional appeal

A

pathos

55
Q

The role of emotional appeal in persuasive speaking is intended to

A

make listeners feel sad, angry, guilty, afraid, happy, proud, sympathetic, reverent. Want to stir and engage the audience.

56
Q

use emotional language, develop vivid examples, and speak with sincerity and conviction

A

methods to generate emotional appeal in speeches

57
Q

keeping the audience foremost in mind at every step of speech preparation and presentation

A

audience-centeredness

58
Q

gains a desired response from listeners

A

why public speakers must be audience-centered

59
Q

the tendency of people to be concerned above all with their own values, beliefs, and well-being

A

egocentrism

60
Q

audience analysis that focuses on demographic factors such as age; religion; racial, ethnic, and cultural background; gender identity and sexual orientation; group membership; and the like

A

demographic audience analysis

61
Q

people want to hear about things that are meaningful to them; pay closest attension to messages that affect themselves

A

audiences are egocentric means…

61
Q

they mean your listeners will hear and judge what you say on the basis of what they already know and believe; they mean you must relate your message to your listeners–show how it pertains to them, explain why they should care about it as much as you do

A

implications egocentrism of audiences hold for public speakers

62
Q

creating an oversimplified image of a particular group of people, usually by assuming that all members of the group are alike

A

stereotyping

63
Q

there is no generation in which everyone thinks alike, buys the same products, or votes for the same political candidates, but each group has common experiences and values that set it apart from other generations; different ages can be targeted by different approaches

A

demographic trait of audiences: age

64
Q

there are all different religions around the world; the US is the most racially diverse nation in the world; there is much diversity within faiths; you should consider religious orientations of listeners to avoid embarrassing pitfalls–can determine success of a speech

A

demographic trait of audiences: religion

65
Q

people have different races and backrgounds from all over the US and it is important to be sensitive to these; address people from other countries as well; ability to communicate with people of different cultural backgrounds is important; listeners may have different racial, ethnic, or cultural perspectives that affect their attitudes towards the topic; adjust remarks based on these perspectives

A

demographic trait of audiences: racial, ethnic, and cultural background

66
Q

attitudes about gender identity and sexual orientation have changed; include those who don’t identify by steriotypical gender roles; avoid any excluding of these people, even if unintentional

A

demographic trait of audiences: gender identity and sexual orientation

67
Q

group affiliations provide clues about listeners’ interests and attitudes

A

demographic trait of audiences: group membership

68
Q

audience analysis that focuses on situational factors such as the size of the audience, the physical setting for the speech, and the disposition of the audience towards the topic, the speaker, and the occasion

A

situational audience analysis

69
Q

a frame of mind in favor of or opposed to a person, policy, belief, institution, etc

A

attitude

70
Q

questions that offer a fixed choice between 2 or more alternatives
- ex: do you know what gerrymandering is in the US political system?

A

fixed-alternative questions

71
Q

questions that require responses at fixed intervals along a scale of answers
- ex: how often do you believe state legislatures engage in gerrymandering? (very seldom–> very often)

A

scale questions

72
Q

questions that allow respondents to answer however they want
- ex: what is your opinion about gerrymandering in politics?

A

open-ended questions

73
Q

what are the 3 major types of questions to choose from when developing an audience-analysis questionnaire?

A

fixed-alternative questions, scale questions, and open-ended questions

74
Q

know more about their knowledge and attitudes on specific topic; provide info about classroom audience; give practice in developing the skills of audience analysis

A

audience-analysis questionnaire

75
Q
  1. plan the questionnaire carefully to elicit precisely the info you need
  2. use all 3 types of questions
  3. make sure the questions are clear and ambiguous
  4. make questionnaire relatively brief
A

audience-analysis questionnaires guidelines

76
Q

why should you use all 3 kinds of questions in an audience analysis?

A

because each questions have advantages and disadvantages; using all 3 elicits specific info about the audience and probes deeper into their attitudes toward the speech topic

77
Q
  1. assessing how your audience is likely to respond to what you have to say in your speech
  2. adjusting what you say to make it as clear, appropriate, and convincing as possible
A

methods to use to adapt speech to the audience before the speech

78
Q

if there are unpredictable circumstances, find another way to present visual aids, mofidy introduction, adjust delivery to audience size, condense speech, keep an eye out for audience feedback

A

methods to use to adapt speech to the audience during the speech

79
Q

Speeeches outside the classroom: by asking the person who invites you to speak.
Classroom speaches: by observation and conversation.

A

how to get info about the audience

80
Q

the literal or dictionary meaning of a word or phrase

A

denotative meaning

81
Q

the meaning suggested by the associations or emotions triggered by a word or phrase

A

connotative meaning

82
Q

_____ gives words their intensity abd emotional power, _____ is precise and objective.

A

connotative meaning; denotative meaning

83
Q

use ____ for dictionary definition
- ex: “school” means place, institution, or building where instruction is given

A

denotative meaning

84
Q

use ______ for suggesting or implying
- ex: “school” includes the feelings/emotions/associations that are different for individual people (personal growth or frustration)

A

connotative meaning

85
Q

how does language help create our sense of reality?

A

by giving meaning to events; words we use to label an event determine how we respond to it

86
Q

a book of synonyms

A

thesaurus

87
Q
  1. use familiar words
  2. choose concrete words
  3. eliminate clutter
A

3 methods public speakers can use to help ensure that their language will be clear to listeners

88
Q

words that refer to tangible objects

A

concrete words

89
Q

words that refer to ideas or concepts

A

abstract words

90
Q

discourse that takes many more words than are necessary to express an idea

A

clutter

91
Q

2 ways to bring speeches to life with vivid, animated language

A

imagery and rhythm

92
Q

speakers can make their ideas come alive and think about ways to use the rythm and slow of language to enhance the meaning.

A

how can speakers use imagery and rhythm to help bring their ideas to life?

93
Q

speakers use concrete words (can call up mental impressions of sights, sounds, touch, smell, and taste; create images that pull us irresistibly into the speech; ex: “the air was filled with the crack of rifle fire”), simile (comparison using “like” or “as”; ex: walking into my home was like being wrapped in a security blanket), and metaphor (comparison not using “like” or “as”; ex: a pandemic is a marathon, not a sprint)

A

3 key ways speaker can generate imagery

94
Q

speakers use parallelism (arrangement of a series of words; ex: rich and poor, intelligent and ignorant, wise and foolish, man and woman…), repetition (creates strong emotional effect by reiterating words at the beginning or end of sentences; ex: here is the price of freedom, here is the price of independence), alliteration (repeating initial consonant sound of words; highlights the sound of words; ex: accomplished without cooperation, compromise, and common cause), and antithesis (juxtaposition of contrasting ideas; ex: ask not what your country can do for you; ask what you can do for your country)

A

4 basic devices for enhancing the rhythm of a speech

95
Q

the use of vivid language to create mental images of objects, actions, or ideas

A

imagery

96
Q

an explicit comparison, introduced with the word “like” or “as”, between things that are essentially different yet have something in common

A

simile

97
Q

a trite or overused expression

A

cliché

98
Q

an implicit comparison, not introduced with the word “like” or “as”, between 2 things that are essentially different yet have something in common

A

metaphor

99
Q

the pattern of sound in a speech created by the choice and arrangement of words

A

rhythm

100
Q

the similar arrangement of a pair or series of related words, phrases, or sentences

A

parallelism

101
Q

reiteration of the same word or set of words at the beginning or end of successive clauses or sentences

A

repetition

102
Q

repetition of the initial consonant sound of close or adjoining words

A

alliteration

103
Q

the juxtaposition of contrasting ideas, usually in parallel structure

A

antithesis

104
Q

language should be appropriate to the occasion, audience, topic, and speaker; develop eyour own language style instead of trying to copy someone else’s

A

language appropriateness/ inclusive language

105
Q

respectful of different groups that make up American society; respectful and use courtesy

A

inclusive language

106
Q

the process of creating, reinforcing, or changing people’s beliefs or actions

A

persuasion

107
Q

the mental give-and-take between speaker and listener during a persuasive speech

A

mental dialogue with the audience

108
Q

this is when a speaker must anticipate what the audience will think/believe about the speech and deal with their skepticism; put yourself in the audience’s shoes and address possible problems before speaking

A

mental dialogue with speakers and how to be effective

109
Q

the objective is more ambitious than speaking to inform and audience analysis/adaptation is more demanding; controversial topics can increase resistence to persuasion which is more difficult; different viewpoints can be hard to change;

A

the differences between an informative speech and a persuasive speech; why persuasive speech is more challenging

110
Q

the portion of the whole audience that the speaker most wants to persuade

A

target audience

111
Q

what is the target audience for persuasive speech?

A

those whose opinions can possibly be changed (not those very opposed, not those who complretely agree, but in the middle)

112
Q

a question about the truth or falsity of an assertion;
persuasive speaker would draw a conclusion from the known facts and try to convert listeners to their point of view
ex: can be answered–what college bball team has won the most games since 2000
ex: can’t be answered absolutely–did the defendent commit the crime?
ex of SPS: to persuade my audience that an earthquake of 9.0 or above on the Richter scale will hit Cali in the next 10 years

A

question of fact

113
Q

a question about the worth, rightness, morality. and so forth of an idea or action;
must justify your claim after answering the question (ex: relatively inexpensive)
ex: is it morally justifiable to keep prisoners in solitary confinement for extended periods of time?
ex of SPS: to persuade my audience that bicycle riding is the ideal form of land transportation

A

questions of value

114
Q

a question about whether a specific course of action should or should not be taken;
always go beyond questions of fact or value to decide whether something “should” or “should not”;
ex: what measures should be taken to protect people’s privacy?;
include speeches to gain passive agreement/ immediate action;
ex of SPS: problem-solution, problem-cause-solution, comparative advantages, or Monroe’s motivated sequence

A

question of policy

115
Q

a persuasive speech in which the speaker’s goal is to convince the audience that a given policy is desirable without encouraging the audience to take action in support of the policy
ex: to persuade my audience that there should be stricter privacy standards on companies that offer…

A

speech to gain passive agreement

116
Q

a persuasive speech in which the speaker’s goal is to convince the audience to take action in support of a given policy
ex: to persuade my audience to donate to the Wounded Warrior Project

A

speech to gain immediate action

117
Q

in ________ you want the audience to agree but not necissarily take action, in ______ you want to motivate them to take action;
*action reinforces belief

A

speech to gain passive agreement; speech to gain immediate action

118
Q

the FIRST basic issue in analyzing a question of policy: is there a serious problem or need that requires a change from current policy?
burden of proof always rests with the speaker who advocates change
ex: is there a need for more student parking on campus?

A

need

119
Q

the obligation facing a persuasive speaker to prove that a change from current policy is necessary

A

burden of proof

120
Q

the SECOND basic issue in analyzing a question of policy: if there is a problem with the current policy, does the speaker have a plan to solve the problem?
ex: what can we do to get more student parking on campus?/ 4 step plan

A

plan

121
Q

the THIRD basic issue in analyzing a question of policy: will the speaker’s plan solve the problem? will it create new and more serious problems?;
must be prepared to show it is workable
ex: building a multilevel parking garage on campus would provide more student parking, but the cost would require a sharp increase in tuition

A

practicality

122
Q

How much of your speech should you devote to need, to plan, and to practicality?

A

Depends on topic and audience: if audience is unaware of problem–> more time to need. if audience is familiar–> remind them of need and devote most of speech to plan and practicality

123
Q

a method of organizing persuasive speeches in which the first main point deals with the existence of a problem and the second main point presents a solution to the problem
ex of SPS: to persuade my audience that the US Congress should pass legalization that will reduce lead levels in the nation’s water supply

A

problem-solution order

124
Q

a method of organizing persuasive speeches in which the first main point identifies a problem, the second main point analyzes the causes of the problem, and the third main point presents a solution to the problem
ex of SPS: to persuade my audience that action is required to deal with the problem of childhood obesity.

A

problem-cause-solution order

125
Q

a method of organizing persuasive speeches in which each main point explains why a speaker’s solution to a problem is preferable to other proposed solutions
ex of SPS: to persuade my audience that our city should build a rapid bus system instead of a new highway

A

comparative advantages order

126
Q

a method of organizing persuasive peeches that seeks immediate action. the 5 steps of the motivated sequence are attension, need, satisfaction, visualization, and action.
Considered valuable in speeches that seek immediate action because it is more detailed and leads the listener step by step to the desired action
ex of SPS: to persuade my audience to take class notes by hand instead of on a computer

A

Monroe’s motivated sequence

127
Q

to pay tribute to a person, a group of people, an institution, or an idea; to inspire people–to arouse and heighten their appreciation of or admiration for the person, institution, or idea you are praising; to express feelings

A

fundemental purpose of a commemorative speech

128
Q

a speech that pays tribute to a person, a group of people, an institution, or an idea

A

commemorative speech

129
Q

using simile, parallelism, repetition, antithesis, alliteration, vivid language; it make the speech more powerful; by using language imaginitively you can invest the occasion with dignity, meaning, and honest emotion

A

why a successful commemorative speech depends on the creative/subtle use of language