COM Arts Exam Flashcards

1
Q

organizing your thoughts logically

A

similarity between public speaking and conversation

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2
Q

tailoring your message to the audience

A

similarity between public speaking and conversation

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3
Q

telling a story for maximum impact

A

similarity between public speaking and conversation

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4
Q

adapting to listener feedback (facial expressions)

A

similarity between public speaking and conversation

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5
Q

_______ is more highly structured (time, anticipate)

A

public speaking

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6
Q

______ requires more formal language

A

public speaking

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7
Q

_______ requires a different method of delivery (clear/loud voice, posture, avoid mannerisms)

A

public speaking

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8
Q

anxiety over the prospect of giving a speech in front of an audience

A

stage fright

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9
Q

a hormone released into the bloodstream in response to physical or mental stress

A

adrenaline

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10
Q

ex: controlled, helps energize a speaker for their presentation

A

positive nervousness

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11
Q

enthusiastic feeling with an edge to it, still nervousness but you are in control of it

A

positive nervousness

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12
Q

acquire speaking experience (the more you learn, the less threatening; enrolled in the class)

A

method that turns nervousness from negative to positive

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13
Q

prepare (pick topic your care about)

A

method that turns nervousness from negative to positive

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14
Q

think positively (self-talk)

A

method that turns nervousness from negative to positive

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15
Q

use the power of visualization (mental pictures of success)

A

method that turns nervousness from negative to positive

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16
Q

mental imaging in which speakers vividly picture themselves giving a successful presentation

A

visualization

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17
Q

know that most nervousness isn’t visual (act cool and collected)

A

method that turns nervousness from negative to positive

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18
Q

don’t expect perfection (if you mess up, act like nothing happened)

A

method that turns nervousness from negative to positive

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19
Q

focused, organized thinking about such things as the logical relationships among ideas, the soundness of evidence, and the differences between fact and opinion

A

critical thinking

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20
Q

speaker, message, channel, listener, feedback, interference, and situation

A

7 elements of the speech communication process

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21
Q

the person who is presenting an oral message to a listener

A

speaker

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22
Q

whatever a speaker communicates to someone else(nonverbal and verbal)

A

message

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23
Q

the means by which a message is communicated

A

channel

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24
Q

the person who receives the speaker’s message

A

listener

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25
Q

the sum of a person’s knowledge, experience, goals, values, and attitudes. no 2 people can have exactly the same _______

A

frame of reference

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26
Q

the messages, usually, nonverbal, sent from a listener to a speaker

A

feedback

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27
Q

anything that impedes the communications of a message. can be external or internal to listeners

A

interference

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28
Q

the time and place in which speech communication occurs

A

situation

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29
Q

the belief that one’s own group or culture us superior to call other groups or cultures

A

ethnocentrism

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30
Q

can play a positive role in creating group pride and loyalty; can also lead to prejudice and hostility toward different racial, ethnic, religious, or cultural groups

A

why speakers should avoid ethnocentrism

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31
Q

does great harm to listeners and can destroy reputation

A

unethical public speaking

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32
Q

the branch of philosophy that deals with issues of right and wrong in human affairs

A

ethics

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33
Q

sound ethical decisions involve weighing a potential course of action against a set of ethical standards or guidelines

A

ethical decisions

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34
Q

people make decisions based off of personal beliefs; there can be grey areas; good to ask ethical questions

A

ethical responsibility

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35
Q

make sure your goals are ethically sound

A

guideline for ethical speaking

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36
Q

be fully prepared for each speech (speech can have a huge impact)

A

guideline for ethical speaking

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37
Q

be honest in what you say (blatant or subtle forms are not ok; plagiarizing is not ok)

A

guideline for ethical speaking

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38
Q

avoid name-calling and other forms of abusive language

A

guideline for ethical speaking

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39
Q

the use of language to defame, demean, or degrade individuals or groups

A

name-calling

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40
Q

the first 10 amendments to the US Constitution

A

Bill of Rights

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41
Q

put ethical principles into practice

A

guideline for ethical speaking

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42
Q

presenting another person’s language or ideas as one’s own

A

plagiarism

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43
Q

stealing a speech entirely and passing it off as your own

A

global plagiarism

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44
Q

stealing ideas or language from 2 or 3 sources and passing them off as one’s own

A

patchwork plagiarism

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45
Q

failing to give credit for particular parts of a speech that are borrowed from other people

A

incremental plagiarism

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46
Q

_____ is when you copy the entire thing while ____ is when you copy a few sources

A

global plagiarism; patchwork plagiarism

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47
Q

be careful when taking research notes to distinguish among direct quotations, paraphrased material, and your own comments. err on the side of caution–when in doubt, cite your source

A

how to avoid incremental plagiarism

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48
Q

to restate or summarize an author’s ideas in one’s own words

A

paraphrase

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49
Q

be courteous and attentive

A

guideline for ethical listening

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50
Q

avoid prejudging the speaker

A

guideline for ethical listening

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51
Q

maintain the free and open expression of ideas

A

guideline for ethical listening

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52
Q

the vibration of sound waves on the eardrums and the firing of electrochemical impulses in the brain

A

hearing

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53
Q

paying close attention to, and making sense of, what we hear

A

listening

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54
Q

if you don’t listen well, you will not understand what you hear and may pass along your misunderstanding to others; fair to classmates; good way to improve your own speech

A

why good listening is important

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55
Q

listening for pleasure or enjoyment (comedy)

A

appreciative listening

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56
Q

listening to provide emotional support for a speaker (friend in distress)

A

empathic listening

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57
Q

listening to understand the message of a speaker (directions for finding a friend’s house)

A

comprehensive listening

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58
Q

listening to evaluate a message for purposes of accepting or rejecting it (politics)

A

critical listening

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59
Q

training in listening is also training how to think

A

how listening is connected to critical thinking

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60
Q

the difference between the rate at which most people talk (120-180 words a minute) and the rate at which the brain can process language (400-500 words a minute)

A

spare “brain time”

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61
Q

listening too hard

A

cause of poor listening

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62
Q

jumping to conclusions

A

cause of poor listening

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63
Q

focusing on delivery and personal appearance

A

cause of poor listening

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64
Q

take listening seriously

A

how to become a better listener

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65
Q

be an active listener

A

how to become a better listener

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66
Q

giving undivided attention to a speaker in a genuine effort to understand the speaker’s point of view

A

active listening

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67
Q

resist distractions (phones)

A

how to become a better listener

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68
Q

don’t be diverted by appearance or delivery

A

how to become a better listener

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69
Q

suspend judgement

A

how to become a better listener

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70
Q

focus your listening (listen for main points; listen for evidence; listen for technique)

A

how to become a better listener

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71
Q

develop note-taking skills

A

how to become a better listener

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72
Q

an outline that briefly notes a speaker’s main points and supporting evidence in rough outline form

A

key-word outline

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73
Q

a speech early in the term designed to get students speaking in front of the class as soon as possible

A

ice breaker speech

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74
Q

focusing your topic (1 or 2 events that make you who you are), developing your topic (be creative with organization, use description, sometimes humor)

A

2 major steps for developing introductory speech

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75
Q

the opening section of a speech

A

introduction

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76
Q

the main section of a speech

A

body

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77
Q

a method of speech organization in which the main points follow a time pattern

A

chronological order

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78
Q

a method of speech organization in which the main points divide the topic into logical and consistent subtopics

A

topical order

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79
Q

the major points developed in the body of a speech

A

main points

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80
Q

a word or phrase that indicates when a speaker has finished one thought and is moving on to another

A

transition

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81
Q

the final section of a speech

A

conclusion

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82
Q

a carefully prepared and rehearsed speech that is presented from a brief set of notes (recommended method of delivery)

A

extemporaneous speech

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83
Q

rehearse the speech outlaid, don’t get discouraged, perform in front of friends/family, ask for feedback, time it

A

steps for rehearsing a speech

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84
Q

be relaxed and view the room, can use some hair gestures but don’t fidget, use eye contact, use voice as expressively as in normal convos, use distressing strategies for nerves (squeeze hands together)

A

5 elements of speech delivery for 1st speech

85
Q

motions of a speaker’s hands or arms during a speech

A

gestures

86
Q

direct visual contact with the eyes of another person

A

eye contact

87
Q

the subject of a speech

A

topic

88
Q

a method of generating ideas by free association of words and thoughts

A

brainstorming

89
Q

personal inventory, clustering, internet search

A

brainstorming methods for choosing a speech

90
Q

the broad goal of a speech

A

general purpose

91
Q

a single infinitive phrase that states precisely what a speaker hopes to accomplish in their speech

A

specific purpose

92
Q

write the purpose statement as a full infinitive phrase, not as a fragment

A

5 tips for formulating purpose statement

93
Q

express your purpose as a segment, not as a question

A

5 tips for formulating purpose statement

94
Q

avoid figurative language in your purpose statement

A

5 tips for formulating purpose statement

95
Q

limit your purpose statement to one distinct idea

A

5 tips for formulating purpose statement

96
Q

make sure your purpose statement is not too vague or general

A

5 tips for formulating purpose statement

97
Q

does my purpose meet the assignment?

A

5 questions for formulating purpose statement

98
Q

can I accomplish my purpose in the time allotted?

A

5 questions for formulating purpose statement

99
Q

is the purpose relevant to my audience

A

5 questions for formulating purpose statement

100
Q

is the purpose too trivial for my audience?

A

5 questions for formulating purpose statement

101
Q

is the purpose too technical for my audience?

A

5 questions for formulating purpose statement

102
Q

a one-sentence statement that sums up or encapsulates the major ideas of a speech

A

central idea

103
Q

what a speaker wants the audience to remember after they have forgotten everything else in a speech

A

residual message

104
Q

general purpose starts with a broad topic that gets narrower at the specific purpose and narrower at the central idea

A

difference between general purpose, specific purpose, and central idea

105
Q

importance of determining the specific purpose early

A

you figure out what you hope to accomplish with your speech

106
Q

Why is it important to include the audience in the specific purpose statement?

A

the idea is to inform a group of people and keep them engaged

107
Q

to inform and to persuade

A

2 general purposes of more classroom speeches

108
Q

1)should be expressed in a full sentence, 2) should not be in the form of a question, 3) should avoid figurative language, 4) should not be vague or overly general

A

4 guidelines for the central idea

109
Q

Why is it important to draw on your own knowledge and experience in gathering materials for your speeches?

A

we often speak best about subjects with which we are familiar

110
Q

a listing of all the books, periodicals, and other sources owned by a library

A

catalogue

111
Q

librarians (expert who can locate sources or track down info)

A

5 types of library resources

112
Q

the catalogue (can search for books and see if they are checked out)

A

5 types of library resources

113
Q

a number used in libraries to classify books and periodicals and to indicate where they can be found on the shelves

A

call number

114
Q

a work that synthesizes a large amount of related info for easy access by researchers

A

reference work

115
Q

reference works (some electronic, saves time; encyclopedias, yearbooks, quotation books, biographical aids)

A

5 types of library resources

116
Q

a research aid that catalogues articles from a large number of magazines, journals, and newspapers

A

newspaper and periodical database

117
Q

newspaper and periodical databases (locate articles in thousands of publications)

A

5 types of library resources

118
Q

a database that catalogues articles from scholarly journals

A

academic database

119
Q

a summary of a magazine or journal article, written by someone other than the original author

A

abstract

120
Q

search engines, specialized resources (government resources, Wikipedia), and evaluating internet documents (authorship(is the author clearly identified?), sponsorship(is the organization fair-minded?), recency

A

evaluating the soundness of research materials that you find on the Internet

121
Q

an organization that, in the absence of a clearly identified author, is responsible for the content of a document on the internet

A

sponsoring organization

122
Q

an interview conducted to gather information for a speech

A

research interview

123
Q

define the purpose of the interview, decide whim to interview, arrange the interview, decide whether to record the interview, prepare your questions

A

before the interview (1st stage of the interview process)

124
Q

dress appropriately and be on time, repeat the purpose of the interview, set up recorder if needed, keep the interview on track, listen carefully, don’t overstay your welcome

A

during the interview (2nd stage of the interview process)

125
Q

review your notes as soon as possible, transcribe your notes

A

after the interview (3rd stage of the interview process)

126
Q

the longer you wait, the more problems you will encounter; gives you plenty of time to think about what you find

A

importance of starting speech research early

127
Q

a list compiled early in the research process of works that look as if they might contain helpful info about a speech topic–keeps list of sources to use

A

preliminary bibliography

128
Q

start early, make a preliminary bibliography, take notes efficiently, think about your materials as you research

A

tips for doing research

129
Q

take plenty of notes; record notes in a consistent format; make a separate entry for each note; distinguish among direct quotations, paraphrases, and your own ideas

A

4 things you should of to take research notes efficiently

130
Q

listeners demand coherence and you gain practice in critical thinking

A

importance of speeches being organized

131
Q

putting a speech together in a particular way to achieve a particular result with a particular audience

A

strategic organization

132
Q

the major points developed in the body of a speech

A

main points

133
Q

how many main points will your speech usually contain?

A

2 or 3

134
Q

chronological order (informative), spatial order (informative), casual order (persuasive and informative), problem-solution order (persuasive), topical order (used most often, can be informative or persuasive),

A

five basic patterns of organizing main points in a speech

135
Q

a method of speech organization in which the main points follow a directional pattern

A

spacial order

136
Q

a method of speech organization in which the main points show a cause-effect relationship

A

casual order

137
Q

keep main points separate, try to use the same pattern of wording for main points, balance the amount of time devoted to main points

A

3 tips for preparing main points

138
Q

the materials used to support a speaker’s ideas. the 3 major kinda of supporting materials are examples, statistics, and testimony

A

supporting materials

139
Q

the most important thing to remember when organizing supporting materials in the body of your speech is…

A

ORGANIZE so they are directly relevant to the main points they are supposed to support.

140
Q

a word or phrase that connects the ideas of a speech and indicates the relationships among them

A

connective

141
Q

a word or phrase that indicates when a speaker has finished one thought and is moving on to another

A

transition

142
Q

a statement in the body of the speech that lets the audience know what the speaker is going to discuss next

A

internal preview

143
Q

transitions, internal previews, internal summaries, signposts

A

4 kinds of speech connectives

144
Q

a statement in the body of the speech that summarizes the speaker’s preceding points

A

internal summary

145
Q

a very brief statement that indicates where a speaker is in the speech or that focuses attention on key ideas

A

signpost

146
Q

get the attention and interest of your audience (relate the topic to the audience, state the importance of your topic, startle the audience, arouse the curiosity of the audience, question the audience, begin with a quotation, tell a story, use visual aids)

A

4 objectives of a speech introduction

147
Q

reveal the topic of your speech (good to restate; clear)

A

4 objectives of a speech introduction

148
Q

establish your credibility and goodwill (should be perceived as qualified, clear about intentions)

A

4 objectives of a speech introduction

149
Q

preview the body of the speech (audience is not left guessing; smooth lead-in to the body of the speech)

A

4 objectives of a speech introduction

150
Q

the audience’s perception of whether the speaker has the best interests of the audience in mind

A

goodwill

151
Q

a statement in the intro of a speech that identifies the main points to be discussed in the body

A

preview statement

152
Q
  1. keep brief
  2. look for possible introductory materials
  3. be creative
  4. don’t worry about exact wording
  5. work out in detail
  6. don’t start talking too soon
A

6 tips for intro

153
Q

to let the audience know you are ending the speech and to reinforce the audience’s understanding of the central idea

A

major functions of a speech conclusion

154
Q

a conclusion in which the speech builds to a zenith of power and intensity

A

crescendo ending

155
Q

crescendo ending and dissolve ending

A

signal the end of the speech (conclusion)

156
Q

a conclusion that generates emotional appeal by fading step by step to a dramatic final statement

A

dissolve ending

157
Q

summarize your speech, end with a quotation, make a dramatic statement, refer to the intro

A

reinforce the central idea

158
Q
  1. keep an eye out for possible concluding materials as you research
  2. end with a bang
  3. not too long
  4. don’t leave anything to chance, be detailed
A

4 tips for conclusion

159
Q

a detailed outline developed during the process of speech preparation that includes the title, specific purpose, central idea, intro, main points, subpoenas, connectives, conclusion, and bibliography of a speech

A

preparation outline

160
Q

state the specific purpose of your speech; identify the central idea; label the into, body, and conclusion; use a consistent pattern of symbolization and indentation; statesman points and subpoenas in full sentences; label transitions, internal summaries, and internal previews; attach a bibliography; give your speech a title

A

guidelines for the preparation outline

161
Q

the pattern of symbolism and indentation in a speech outline that shows the relationships among the speaker’s ideas

A

visual framework

162
Q

a brief outline used to job a speaker’s memory during the presentation of a speech

A

speaking outline

163
Q

follow the visual framework used in the preparation outline, make sure the outline is legible, keep the outline as brief as possible, give yourself cues for delivering the speech

A

guidelines for speaking outline

164
Q

directions in a speaking outline to help a speaker remember how they want to deliver key parts of the speech

A

delivery cues

165
Q

communication based on a person’s use of voice and body, rather than on the use of words

A

nonverbal communication

166
Q

directness, spontaneity, animation, vocal and facial expressiveness, and a lively sense of communication

A

elements of good speech delivery

167
Q

a speech that is written out word for word and read to the audience

A

manuscript speech

168
Q

reading from a manuscript (works for some; feels like you’re reading to them), reciting from memory (must still focus on audience; hard), speaking impromptu (stay calm; focus on audience), speaking extemporaneously (have outline/notes; prepared)

A

4 methods of speech delivery

169
Q

a speech delivered with little or no immediate preparation

A

impromptu speech

170
Q

a carefully prepared and rehearsed speech that is presented from a brief set of notes

A

extemporaneous speech

171
Q

presenting a speech so it sounds spontaneous no matter how many times it has been rehearsed

A

conversational quality

172
Q

the loudness of softness of the speaker’s voice

A

volume

173
Q

the highness or lowness of the speaker’s voice

A

pitch

174
Q

changes in the pitch or tone of a speaker’s voice

A

inflections

175
Q

a constant pitch or tone of voice

A

monotone

176
Q

the speed at which a person speaks

A

rate

177
Q

a momentary break in the vocal delivery of a speech

A

pause

178
Q

a pause that occurs when a speaker fills the silence between words with vocalizations such as “uh”

A

vocalized pause

179
Q

changes in a speaker’s rate, pitch, and volume that give the voice variety and expressiveness

A

vocal variety

180
Q

a variety of a language distinguished by variations of accent, grammar, or vocab

A

dialect

181
Q

why nonverbal communication is important

A

affect the way the listeners respond to a speaker

182
Q

personal appearance, movement, gestures, eye contact

A

4 major aspects of nonverbal communication

183
Q

the study of body motions as a systematic mode of communication

A

kinesics

184
Q
  1. go through preparation outline aloud
  2. prepare speaking outline
  3. practice speech several times only using speaking outline
  4. polish and refine delivery
  5. give speech a dress rehearsal under conditions as close as possible to those you will encounter on speech day
A

5 steps for practicing speech delivery

185
Q

formulate answers to possible questions, practice the delivery of your answers

A

preparing for the question-and-answer session

186
Q

approach questions with a positive attitude, listen carefully, direct answers to the entire audience, be honest and straightforward, stay on track

A

managing the question-and-answer session

187
Q

person will come across as better prepared, more credible, and more professional than a dynamic speaker who does not use them

A

visual aids

188
Q

objects and models (doll), photographs and drawings, graphs (show trends/patterns), charts (summarizing large blocks of info), videos, the speaker (own body)

A

kinds of visual aids

189
Q

a visual aid used to show statistical trends and patterns

A

graph

190
Q

a graph that uses one or more lines to show changes in statistics over time or space

A

line graph

191
Q

a graph that highlights segments of a circle to show simple distribution patterns

A

pie graph

192
Q

a graph that uses vertical or horizontal bars to show comparisons among 2 or more items

A

bar graph

193
Q

too many visuals do more harm than good; use them to enhance the presentation

A

factors you should consider when using presentation technology in a speech

194
Q

prepare well in advance, keep simple, make sure they’re large enough, use a limited amount of text, use fonts effectively, use color effectively, and use images strategically

A

guidelines for preparing visual aids

195
Q

display where listeners can see, avoid passing among the audience, display only while talking about them explain clearly and concisely, talk to audience, practice, check the room and equipment

A

guidelines for presenting visual aids

196
Q

a speech designed to convey knowledge and understanding

A

informative speech

197
Q

anything that is visible, tangible, and stable in form

A

object

198
Q

speeches about objects, speeches about process, speeches about events, and speeches about concepts

A

types of informative speeches

199
Q

a systematic series of actions that leads to a specific result or product

A

process

200
Q

a belief, theory, idea, notion, principle, or the like

A

concept

201
Q

audience will often be vaguely knowledgable (at best) about the details of the topic; must assume they know nothing

A

important not to overestimate what the audience knows about the topic

202
Q

don’t overestimate what the audience knows, relate the subject directly to the audience, don’t be too technical, avoid abstractions, personalize your ideas, and be creative

A

guidelines for informative speaking

203
Q

communicate even the most complex ideas clearly and simply

A

what to do to make sure the ideas don’t pass over listener’s heads

204
Q

how to relate subject directly to the audience

A

tie it in with their interests and concerns; “you”

205
Q

how to not make your speech overly technical

A

avoid technical words; make language straightforward; ideas easy to grasp

206
Q

description, comparisons, contrast

A

ways to avoid abstractions

207
Q

to present one’s ideas in human terms that relate in some fashion to the experience of the audience

A

personalize

208
Q

the three criteria for judging the reliability of research documents located on the Internet are authorship, sponsorship, and

A

recency