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Freshman Exams :,,) > Cinema Final > Flashcards

Cinema Final Flashcards

1
Q

Horror`

A

Hard lighting, chiaroscuro, blood/gore, long takes, silence, sound effects

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2
Q

Western

A

Long shots, musical themes, anti-hero/vigilante

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3
Q

Romance

A

Plot, characters attempting to impress another

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4
Q

drama

A

Conflict (drug abuse, death, grief)

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5
Q

Noir

A

Black and white, murder, mystery, motivation, backstory, dark makeup, urban cities, femme fatale

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6
Q

Genre

A

Set of films that share characteristics: narrative conventions, stylistic, thematic

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7
Q

hybrid genre

A

fusion of multiple genres (romance and comedy)

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8
Q

Subgenre

A

Follows addition genre conventions

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9
Q

Sci-fi hybrid

A

Dystopian, invasion, exploration, Faustian bargain (deal with the devil)

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10
Q

Integrated musical

A

Breaks out in song and glance

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11
Q

Backstage musical

A

Preoccupied with perusing music

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12
Q

Girl Walks Home Alone at Night Genre

A

Noir, Western, Horror, Romance

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13
Q

Talking Heads Documentary

A

Responding answer of a question, testimonial

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14
Q

Voice of authority documentary

A

A voice narrating what we see on screen

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15
Q

Direct cinema/cinema verite documentary

A

Present the world as it is-reality as it happens, long takes, handheld camera

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16
Q

Self reflexive documentary

A

Camera turns on itself

17
Q

Avant-docs

A

Pushing technique while conveying information

18
Q

Mockumentary

A

A mock documentary

19
Q

Titicut folllies style

A

Direct cinema; shaky camera, doesn’t interfere, long shot

20
Q

Abstract

A

Abandons human figure, explores idea of filmmaking as painting in motion

21
Q

City symphony

A

Utopian machine, celebrates human technology, urban spaces, life

22
Q

Structuralist

A

Explores technical properties of film medium itself

23
Q

Complication film

A

Reuses existing film footage in new ways, takes existing images out of original context, put together to create new meanings

24
Q

Surrealist

A

Collect conscious/unconscious, dream imagery, same time as psychoanalysis (Meshes of the Afternoon)

25
Q

Hays Code

A

What could and could not be shown in the films in the 1934-1968: nudity, gay relationships, interracial marriage, sex, drug use/addiction, suicide

26
Q

Apparatus theory

A

Dominant ideology shown through technical usage (male gaze, colorism)

27
Q

Encoding/decoding model

A

What messages are encoded/received. Circular, not linear, dominant, oppositional, and negotiated reading

28
Q

Ideologies in MDB

A

Disabilities (no point in living), age (she was too old), gender (not supposed to be fighters, how men are supposed to act)

29
Q

Star

A

Performance and public image

30
Q

Publicity vs. promotion

A

Publicity is not intentional, promotion is

31
Q

Free agency systems

A

Contract to a studio for movies/series

32
Q

Fandom

A

Group of fans attached to media, fan base, or actor

33
Q

Subculture

A

Small group of fans outside of mainstream

34
Q

First Cinema

A

Hollywood/classical

35
Q

Second Cinema

A

International Art Cinema, sophistication, psychologically complex characters, philosophical issues

36
Q

Third Cinema

A

Films from colonies of Europe, political stance, championed resistance, decolonization (Ex. Cinema Nova in Brazil)

37
Q

Fourth Cinema

A

Films by indigenous peoples, conflicting identities, struggle between traditional and contemporary values, deconstruct Hollywood stereotypes

38
Q

Italian NeoRealism

A

Italy after WWII, capture suffering, working class or poor characters played by non-professionals, grainy location shooting

39
Q

Transnational

A

We categorize films according to nationality. what determines nationality (screenwriter origin, location, story setting, production company

Freshman Exams :,,) (9 decks)

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