Chinese Questions Flashcards
Describe the characteristics of Chinese architecture.
While many architectural structures in China no longer remain, few examples such as the Nanchan Temple show distinct characteristics of chinese architecture. The most typical architectural heme is the use of a bay system in its construction. Also, the curved roof, which became increasingly exaggerated throughout chinese history, is the most well known chinese architectural element. Pagodas also became popular in china and were based of the design of the Indian Buddhist stupa.
What is the taotie on the Fang Ding from the tomb of Lady Hao?
There is no taotie on the fang ding. There is what appears to be a representation of a deer head on either side, with images of deer on the legs. Also adorning the sides are birds, dragons, and other creatures.
Explain how the clay soldiers that guarded Qin Shihuangdi’s tomb were both mass-produced and individualized.
The clay soldiers were built under the highly oppressive rule of Shihuangdi, who had killed religious scholars, burned their books and banned all philosophies other than legalism. Therefore, he ordered the statues be built and be very detailed and individualized, by using threats issued to the artists.
Describe the mausoleum of Qin Shihuangdi.
The mausoleum is huge, housing what is expected to be around 8,000 terra cotta soldiers and accompanying horses, each individualized and very detailed. The central tomb has not been opened but it is expected to depict a scene from nature to show the world as the Qin did.
What changes occurred in depictions of Buddha as his religion spread east, as seen in the colossal Buddha at Yungang Datong?
The Buddha at Yuangang Datong is in a rock-cut cave along the silk road. The 45-foot statue has elongated ears, a protuberance on the head, and monk’s robes that are traditional aspects of the Buddha. The Buddha is more remote and austere, less human than the sensuous expressions of earlier Indian Buddhist traditions.
What was the new system of thought that developed during the Song dynasty?
The new system of thought that developed during the Song dynasty was Neo-Confucianism. Neo-Confucianism was an attempt to bring Confucianism back to dominance in China, so philosophers took aspects of Daoist and Buddhist ideas and combined them with Confucianism and doing so, synthesized the three thought systems into one. Neo-Confucianism teaches that there are two interacting forces in the universe, li (idea) and qi (matter), and that the task of humans is to rid our qi of impurities through education and self-cultivation so that our li can realize its connection to the eternal first principle that all li comes from (the Great Ultimate).
What effect did Neo-Confucianism have on Chinese painting?
Neo-Confucian ideas found expression in art, especially in landscape. Northern Song artists studied nature closely, to render natural elements in detail, and thereby show a better understanding of the principles behind them. Landscapes sought to capture li in all its aspects- mountains, rivers, rocks, trees- so the landscapes were not of a specific area but of the essence of the environment. Paintings could be observed and immersive, assisting the viewer in attaining enlightenment through nature.
How is Chinese landscape painting fundamentally different from Western landscape painting?
Chinese landscape painting is different from Western landscape painting because instead of having a specific point (or points) that draws the eye, as in one or two point perspective used in Western landscape painting, Chinese landscape painting does not focus on a specific point and avoids perspective entirely. While Western painters tried to maintain exactly what one would see if they were to visit the place that was painted, the Chinese were trying to avoid the limits of what one would naturally see and instead show a totality beyond that. A Western painter would show what was seen from a specific, fixed viewpoint, a Chinese painter would show what was seen from an all-seeing and mobile viewpoint.
Ma Yuan, Bare Willows and Distant Mountains
late 12th century, album leaf, ink on silk
The vantage point is constantly changing in the hand scroll. All the way to the right there is a thatched hut, which leads to a path with a broad misty view with mountain peaks. There is a small foot bridge leading to a valley. The painting ends with an open vista. The way hand scrolls were viewed were portions at a time, so the way it works makes it seem like the canoes suddenly appear and drift towards the viewer.
Dong QiChang, Dwelling in the Qingbian Mountains,
1617, ink on paper, Ming dynasty
On a hanging scroll. The aim of traditional Chinese painting is to capture not only the external appearances but primarily to capture the essence or life force of what it represented.
Chinese painters regularly avoided color and reduced their paintings to shades of black and white.
Shitao, Man in a House Beneath a Cliff,
ink and color on paper, late 17th century, Qing Dynasty
On an album leaf. Shitao experimented with extreme effects of massed ink and individualized brushwork patterns. He featured a hut surrounded with vibrant, free-floating colored dots and sinuous contour lines. As typically done in traditional literati,he did not depict the landscape’s appearance as much as he animated it. He molded the forces running through it. Shitao used individualization and personal style.
What is the significance of the dragon as a symbol in Chinese art?
The dragon has been an important part of Chinese culture as they were believed to bring forth radiate power and bestow greatness, bravery, and intelligence. Also, many emperors and people of higher class stated that they were descendants of dragons and said that it was because of this that they were people of great power. Due to this respect and compassion towards dragons in Chinese culture, they are often depicted in sculptures and paintings.
Describe Bowl
- Yangshao culture 5000-4000 BCE
- pottery
- beginnings of writing around edges
- fish and humanlike faces frame a square in the middle
- may be asking ancestors for fish
Taotie
A mask motif, has two faces
Describe Cong
- Liangzhu culture, before 3000 BCE
- possibly used to communicate with spirit world
- jade
- a cylinder with a hole in the middle, and a square around it (circle=heave, square=earth, the hole connects them like axis mundi)
- has taoties on it
