Chapter 8 Flashcards

1
Q

What did Phillip the good do?

A

He was responsible for making Burgundy a political and economic society, he also supported music

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2
Q

What did Charles the Bold do?

A

He wanted to fight France, but was killed when France took over, he played the harp and wrote latin motets

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3
Q

What is the Burgundian chapel?

A

A group of people who’s job is to worship the liturgy, and some of them sing

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4
Q

How did musical traditions spread through Europe?

A

Boys would go to music school, then travel to find work

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5
Q

What is a Chansonnier

A

a 15th cen. book of songs, small, unused and most likely for rich people

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6
Q

Who was Gilles Binchois?

A
  • possibly English solider
  • served the Burgundian court of Philip the G
  • wrote secular songs (chansons)
  • praised for furthering “English countenance”
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7
Q

Binchois’ de Plus en Plus

A
  • courtly love
  • rondeau
  • Lots of English 3rds/6ths
  • top voice is composed first
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8
Q

Guillaume Du Fay

A
  • friend of Binchois

- travelled alot

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9
Q

Du Fay’s Resvellies vous

A
  • written for a wedding of Carlo Malatesti in Remini
  • it says his name in the song
  • French rhythm, Italian virtuosity
  • successive composition, contravener was probably composed last
  • BALLADE
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10
Q

Dufay’s Se La Face Ay Pale

A
  • written for princess of cypress
  • BALLADE (no repeated text though)
  • courtly love poem, maybe about Christ
  • basis of a later famous polyphonic Mass
  • the cactus firmus in the tenor is sung at 1/3 speed, 1/2 then regular
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11
Q

Busboy’s Je ne Puis vivre

A
  • VIRELAI
  • texture: very equal
  • imitation at the beginning
  • no clear melody and supporting voice
  • acrostic poem of Jaqueline Day Vevjle’s name
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12
Q

What is a head motive?

A
  • section of music heard at the beginning of each movement
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13
Q

What does the tenor voice mainly do?

A

Hold pre-existing melodies

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14
Q

Johannes Ockeghem

A

rich guy, wrote interesting bass parts because he sang bass

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15
Q

Ockeghem’s Intemerata Dei Mater

A
  • motet

- written in honour of the virgin mary

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16
Q

Ockeghem’s Missa Prolationum

A

very equal texture

  • lots of 3rds and 6ths
  • style: renaissance + medieval
  • mensuration sign OC (means two simulataneous mensurations)
17
Q

C

A

4/4

18
Q

O

A

3/2

19
Q

C + .

A

6/4

20
Q

O + .

A

9/2

21
Q

Ockeghem’s missa cuiusris toni

A
  • mass in any mode
  • had a funny symbol that meant it could be transposed into any mode
  • it is not easy to sing or listen to