Chapter 5 Flashcards
aquitanian polyphony
early 12 cen. ornate polyphony that includes discant and florid organum
discant
both parts move at the same rate, the higher voice has 1-3 notes in the upper part to the Lower part
organum
texture where the upper voice sings note groups of varying lengths above the lower voice
florid organum
12th cen. 2 voice polyphony, lower voice long notes, upper voice fast notes
tenor
lower voice (means to hold)
Jubilemus exultemus
2 voices, aquitanian score notation (parts and text written on top of each other) unknown composer
notre dame polyphony
Johannes De Garlandia developed the first notation since ancient Greece to show the length of notes
ligatures
shows short rhythmic pattern (like neumes)
longs/breves
long/short notes
Garlandia’s rhythmic modes
6 rhythmic patterns based off groups of three (examples LB is quarter plus eighth)
duplum/triplum/quadruplum
2nd/3rd/4th voice from the bottom in four voice style
viderunt omnes
occurs first in the Wolfenbuttel manuscript, then the Florence manuscript, probably composed by Leoninus
clausula
the self contained section of an organum that closes with a cadence (in Notre dame polyphony)
conductus
serious medieval song that set a rhymed rhythmic poem
substitute clausulae
replaces boring sections with more interesting ones