Chapter 6: Appraisal, Experience, Regulation Flashcards

Week 2: Emotion Regulation

1
Q

appraisal

A

the most important concept in the science of emotions. it refers to how we evaluate an event, often occuring in the external world but sometimes internally, especially regarding another person

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2
Q

Arnold and Gasson

A

developed the notion that emotions are based on apprasials

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3
Q

Lazarus

A

further developed the idea of emotions being based on appraisals and studied the challenges that people face in their daily lives and their capacities to cope with such challenges

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4
Q

Lazarus’s two basic themes

A
  • appraisals involve evaluative judgements of how good or bad an event is for the individual
  • appraisals concern an individual’s goals and aspirations
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5
Q

Stein et al.

A

extended the idea of goals to plans that are generated from them and the belief on which they are based

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6
Q

how does emotion-related appraisal unfold? (Stein et al.)

A
  • an unexpected event occurs that alters the status of valued goal
  • this often challenges our beliefs, leading to bodily changes and emotional expressions
  • we then create plans to address the event, considering how to restore or adjust the goal and the potential outcomes of those plans
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7
Q

three questions that correspond to the stages

A
  • what happened?
  • what do I think about it?
  • what can I do about it and what might happen?
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8
Q

primary appraisal

A

an automatic evaluation of an event or person to determine if it is perceived as threatening or rewarding.

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9
Q

secondary apprasials

A

appraisal, which provide a more deliberative and complex assessment to decide what to think and what to do about what has happened

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10
Q

Murphy and Zajonc

A

explored the idea that primary appraisals are like automatic evaluation in an experiment which they resented participants with people smiling or displaying facial anger

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11
Q

Murphy and Zajonc findings

A

when we are consciously aware of the emotionally changed stimuli, they are less likely to sway our judgements of other events that have nothing to do with them

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12
Q

good vs bad evaluations

A

research has shown that negative evaluations are stronger than positive evaluations. this bias to be more responsive to danger makes evolutionary sense – without it, our chances of survival would be diminished

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13
Q

discrete approaches

A

suggest that specifc apprasials lead directly to distinct emotions

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14
Q

dimensional approaches

A

start with a primary appraisal that assesses whether the event is good or bad

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15
Q

secondary appraisal in recent research

A

shaped by social factors and can have multiple dimensions, resulting in variety of emotions

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16
Q

Lazarus’s primary appraisal

A

described the primary appraisal stage in his theory of discrete emotions, where individuals evaluate an event’s relevance to their goals. if relevant, an emotion is triggered; if not, there’s no emotional response. secondary appraisals consider specific goals, including moral values, self-identity, and well-being of others, which can also elicit emotions

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17
Q

goal-congruent events

A

evoke positive emotions

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18
Q

incongruent events

A

lead to negative emotions

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19
Q

what makes up primary appraisal stage?

A
  • goal relevance
  • goal congruence
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20
Q

what makes up the secondary appraisal stage?

A

occur about specific goals or issues for the ego. depending on whether the produced emotions is positive or negative, different ego-related events can occur

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21
Q

positive emotions

A

ego-related events include emotions related to happines, pride, and love

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22
Q

negative emotions

A

ego-related events include emotions related to anger, fear, anxiety, and sadness

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23
Q

action readiness

A

refers to the psychological and physiological state that prepares an individual to take specific actions in response to an emotional experience. it is the connection between an emotion and the tendency to act in a way that aligns with that emotion

24
Q

core relational theme of emotion

A

in the second stage of appraisal, the individual considers a causal attribution for the event, how to respond to the event, and future consequences of action

25
Q

Nico Frijda

A

suggested that when an appraisal is made we are prompted to readiness for a certain mode of action or interaction appropriate to what has happened (modes of action readiness)

26
Q

ur-emotions

A

primitive emotions, which some have but not all attributes of full emotions

27
Q

gap in discrete approaches to emotions

A
  • many emotions are similar in fundamental ways
  • unable to account for transitions between emotions
28
Q

Ellsworth and Smith

A

developed a theory of appraisal that can account for similarities and differences among emotions. includes 8 different dimensions of meaning that capture the appraisal process

29
Q

agency (Ellsworth and Smith)

A

can differentiate three negative emotions: anger, sadness and guilt

30
Q

Weiner and Graham

A

focused on how attributions, or the explanations we give for events, influence the emotions we experience. e.g., attribute success to internal factors = pride

31
Q

social sharing

A

people often have the strong tendency to share their emotional experiences with others (like a third phase of emotional experience)

32
Q

Shaver et al.

A

conducted a study where participants sorted 135 emotion terms into categories and the results revealed 3 levels of emotion knowledge

33
Q

3 levels of emotion knowledge

A
  • superordinate level
  • basic level
  • subordinate level
34
Q

superordinate level

A

there is distinction between positive and negative emotions

35
Q

basic level

A

includes six emotion concepts: love, joy, anger, sadness, surprise, and fear

36
Q

subordinate level

A

consists of more specific states related to the basic emotions

37
Q

cultural variation in the language of emotion (Rusell)

A

differences in the number of emotion-related words. the language of emotion varies extensively across cultures, challenging the idea of universal emotional categories

38
Q

conceptualization

A

interpereting experiences based on ideas about causation, control, appropriateness, and the inherent nature of emotion

39
Q

intentional object

A

what the emotion is specifically about. emotion words guide attention to the focus of the experiences

40
Q

methaphor

A

a concept that points to something beyond itself. many emotional words involve metaphorical expressions

41
Q

5 common metaphors for emotional experiences in English

A

emotions as;
- natural forces
- opponents
- diseases
- fluids in containers
- animals

42
Q

prototypes (Rusell)

A

Rusell suggests that emotions are better understood through prototypes, an example of a typical feature of an object in a category that exhibits typical features of the category

43
Q

Shaver et al.

A

explored prototypical scritps for various emotions, finding recurring features in at least 20% of descriptions, supporting the idea that emotions are understood through prototypical examples

44
Q

emotional complexity

A

when people articulate emotions using a rich array of words, metaphors, and narratives

45
Q

alexithymia

A

individuals with a narrower emotional vocabulary who struggle to identify or express emotions verbally

46
Q

approaches to measure emotional experiences

A
  • self report
  • adjective checklist
47
Q

adjective checklist

A

people are presented with sets of adjectives that are synonyms for emotions and moods and they are asked to check any that apply

48
Q

psychoactive drugs

A

particularly cholecytokinin, are capable of inducing emotions without appraisal, causing a state of panicky fear in healthy humans

49
Q

William James

A

emphasizes that emotions are perceptions of inner physiological processes and vary significantly acorss individuals and contexts (constructivist approach)

50
Q

core assumptions of constructivist approach

A
  • emotions are not natural kinds; within any emotions category, there is too much variation in emotion -related responses
  • emotions are based on core affect, based on the primary appraisal dimension of goodness or badness. we are continuously apraising the working of our bodies and what is happening in the social context
  • specific emotions arise out of conceptual acts with attributions that arise from the situation, which can then be grounded in language. the language we use doesn’t just reflect emotions; it actively shapes and constitutes our emotional experiences
51
Q

Cowen and Keltner

A

participants watched emotionally evoactive video clips and reported 28 distinct types of emotions (simple and complex). the study revealed that discrete emotion terms, such as love, awe, or anger, played a more prominent role in driving emotional experiences than general appraisals of goodness/badness or arousal. the findings suggest that people’s experiences are structured more effectively by discrete emotions categories than by general appraisals

52
Q

five stages at which emotion regulation operates

A
  • selection of situations
  • modification of situations
  • direction of attention
  • cognitive change
  • modulation of responses
53
Q

distraction (regulatory intervention)

A

getting oneself caught up in something else

54
Q

attempts to reduce emotions

A

trying to calm down when angry or trying to stop children from being noisy in a quiet area

55
Q

attempts to increase emotions

A

include firing onself before an important sports game and sharing good news with family and friends