Chapter 3 - verbal communication Flashcards

1
Q

syntax

A

the arrangement of words and phrases to create well-formed sentence. Word order rules

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2
Q

Grammar

A

includes syntax and refers to all rules of language

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3
Q

verbal communication

A

printed and spoken words

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4
Q

linguistics

A

study of language

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5
Q

ladder of abstraction

A

choosing to focus on a discussion of verbal communication very specifically or abstractly

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6
Q

polyysemy

A

the fact that multiple meanings can be associated with a given word, symbol or phrase rather than with just one unambiguous meaning

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7
Q

denotative meaning

A

the general direct meaning of a word

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8
Q

connotative meaning

A

secondary meaning, the overtones, implications, suggestions, complications or additional meanings associated with a word
-a speaker can bias a conversation by the use of loaded terms to describe the same group of people, by using the positive or negative value with a word
(terrorists vs freedom fighters)

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9
Q

conversational hypertext

A

coded messages within a conversations that an informed listener (ex. friend) will effortlessly understand (“I was reading Roald Dahl”)
-you use words that refer to your shared history and common understandings that represent your relationship
-this, and overlaps of perceptions, make communication special and close (inside jokes)

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10
Q

cultural talk

A

cultures and their values influence the meanings that are given to words and ways that the words are used. verbal communication contains cultural assumptions and values

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11
Q

feminine talk

A

nurturing, harmonious and compromising

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12
Q

masculine talk

A

tough, aggressive, competitive

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13
Q

high-context talk

A

talk relying on the context in which it takes place, with words used sparingly in a relationship being important

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14
Q

low-context talk

A

straightforward talk, with the message speaking for itself, and their relationship separated from the message as much as possible

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15
Q

collectivist talk

A

stressing group benefit and harmony rather than personal needs and advancements (“this project is important to the benefit of the team”)

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16
Q

individualist talk

A

stresses individual needs and achievement (“this project would look good on your yearly evaluation”)

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17
Q

epicene

A

gender-neutral (they)

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18
Q

conversational frame

A

assist people making sense of communication by drawing attention to how they should communicate
-shared understanding of the frame -> better communication
-relationships, physical location and cultures act as frames because they influence meaning of symbols
-frames initially set up an interaction but can be adjusted as it proceeds

19
Q

high(elaborated) code

A

formal grammatical way of talking
-unfamiliar people, authority, speaker is uncomfortable
-only middle class
“my state of famishment is of such a proportion….”

20
Q

low(restricted) code

A

an informal and ungrammatical way of talking
-close relationship, speaker is relaxed
-low and middle class
“I could eat a horse”

21
Q

accomodation

A

when people change their accent, rate of speech and their words in order to indicate the relational state to whom they are talking to

22
Q

convergence

A

a person moves toward the style of talk used by the other speaker, indicates liking or respect

23
Q

divergence

A

a person moves away from another style of speech to make a relational point, such as establishing dislike or superiority

24
Q

langue

A

the formal grammatical structure or system of language

25
Q

parole

A

the way we speak, how people actually use language; informal and ungrammatical language structure

26
Q

the mirror theory of language

A

we use words to describe things around us, linguistic categories (words etc) reflect reality
-embedded in epistemology of empiricism

27
Q

constructivism

A

our language impacts the way we see and think about our reality
-constitutive approach
-implies our language is productive, creates something new
-implies language is mostly presentational
Narratives often become accounts

28
Q

narrative

A

any organized story, report or talk that has a plot, an argument, or a team in which speakers both relate facts and arrange the story in a way that provides an account, an explanation or conclusion. Presentational, often told in a way that makes the speaker appear in a favourable light

29
Q

accounts

A

forms of communication that go beyond the facts and offer justifications, excuses, exoneration, explanations, apologies and accusations
-involves narratives

30
Q

Kenneth Burke’s Pentad

A

the connection between words result in extra meanings that go beyond the meanings of single words. The very act of choosing and connecting words is very meaningful, because one word can provide a frame for those that follow

31
Q

Pentad (5 elements)

A

-Act: what happened
-Scene: situation or location of the act
-Agent: who performed the act
-Agency: how the act was accomplished
-Purpose: why the act took place

32
Q

functions verbal communication

A

-represent: enables you to use symbols to represent things
-present: enables you to present your world view
-influencing how we are viewed by others
-influencing the behaviours of others (both involve facework)

33
Q

facework

A

the management of people’s dignity or self-respect (face)

34
Q

positive face wants

A

the need to be seen and accepted as a worthwhile and reasonable person

35
Q

negative face wants

A

the desire not to be imposed on or treated as inferior (I don’t want to bother you but)

36
Q

determining the size of a face threat

A

-the relationship shared by interactants
-the power difference of interactants
-the size of the imposition

37
Q

politeness strategies

A

-bald on record
-positive politeness
-negative politeness
-off record
-avoidance

38
Q

bald on record

A

act directly without concern for face needs. When imposition is small or appropriate for relationship (I need you to help me lift this sofa for a minute)

39
Q

positive politeness

A

focus on the positive face of the person, often through flattery or offering something in return (you are so strong, muscular and fit. Could you help me lift this sofa?)

40
Q

negative politeness

A

acknowledges the possibility of negative face, offering regrets or being pessimistic (it is a lot to ask, but)

41
Q

off record

A

hint or present the request in a vague manner (I sure could use some help lifting this sofa)

42
Q

avoidance

A

sometimes the face threatening is so large, the respondent avoids it entirely (lift with your knees!)

43
Q
A