Chapter 2 Flashcards
Adiastematic
A form of early chant notation (10th-11th c) in which there is no “line” (as in lines on musical staff) for pitch reference. Diastematic came after this.
Boethius
Medieval music theorist (Roman). Wrote “The Fundamentals of Music”.
- Musica mundana - music of the world, cosmos,
- musica humana - human body regulated in a rhythm ex heartbeat
- musica instrumentalis - instruments, singing and playing
Charlemagne
(r. 768-814) King of the Franks. Helped to unite Western Europe through spread of Christianity, partially by standardizing chants into Gregorian Chants. continued expansion and common liturgy; crowned emperor in 800 (initiated Holy Roman Empire)
Church Fathers
Theologians/Philosophers of the church in early Medieval society. Wrote about Philosophy and music theory similar to ancient Greeks, in combination with Christian theology.
Clef
A musical symbol used to indicate which notes are represented by the lines and spaces on a musical staff. Ancient chant notation would often use a C clef.
Custos
Guide or Guard in chant notation - marking at the end of a line to tell the reader the first note on the next line.
Diastematic
A form of early chant notation (11th-12th c). Has one line for pitch reference.
Final
The note that a chant ends on. In the authentic modes, it is the tonic.
Guido of Arezzo
A monk who taught singing (ca. 991- after 1033). Invented:
- Solmization (ut, re, mi, fa)
- Guidonian Hand: pitch guide using hand signs
- Staff lines and their letter names
Liturgy of the Eucharist
Catholic Mass equivalent to the Temple in Old Jewish Service. Offer Sacrifices.
Liturgy of the Word
Catholic Mass equivalent to the Synagogue in Old Jewish Service. Study Texts.
Mass
Catholic Church Service. Involved Liturgy of the Word (text studying) and Liturgy of the Eucharist (offering sacrifices). Chanting scripture and singing psalms.
Neume
A sign used in chant notation to indicate a certain number of notes and general melodic direction (in early forms of notation) or particular pitches (in later forms).
Reciting Tone
In chant, the reciting tone is the main note in a chant.
Solmization
Invented by Guido of Arezzo. Ut, re, mi, fa,