Chapter 2 Flashcards

1
Q

Adiastematic

A

A form of early chant notation (10th-11th c) in which there is no “line” (as in lines on musical staff) for pitch reference. Diastematic came after this.

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2
Q

Boethius

A

Medieval music theorist (Roman). Wrote “The Fundamentals of Music”.
- Musica mundana - music of the world, cosmos,
- musica humana - human body regulated in a rhythm ex heartbeat
- musica instrumentalis - instruments, singing and playing

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3
Q

Charlemagne

A

(r. 768-814) King of the Franks. Helped to unite Western Europe through spread of Christianity, partially by standardizing chants into Gregorian Chants. continued expansion and common liturgy; crowned emperor in 800 (initiated Holy Roman Empire)

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4
Q

Church Fathers

A

Theologians/Philosophers of the church in early Medieval society. Wrote about Philosophy and music theory similar to ancient Greeks, in combination with Christian theology.

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5
Q

Clef

A

A musical symbol used to indicate which notes are represented by the lines and spaces on a musical staff. Ancient chant notation would often use a C clef.

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6
Q

Custos

A

Guide or Guard in chant notation - marking at the end of a line to tell the reader the first note on the next line.

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7
Q

Diastematic

A

A form of early chant notation (11th-12th c). Has one line for pitch reference.

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8
Q

Final

A

The note that a chant ends on. In the authentic modes, it is the tonic.

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9
Q

Guido of Arezzo

A

A monk who taught singing (ca. 991- after 1033). Invented:
- Solmization (ut, re, mi, fa)
- Guidonian Hand: pitch guide using hand signs
- Staff lines and their letter names

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10
Q

Liturgy of the Eucharist

A

Catholic Mass equivalent to the Temple in Old Jewish Service. Offer Sacrifices.

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11
Q

Liturgy of the Word

A

Catholic Mass equivalent to the Synagogue in Old Jewish Service. Study Texts.

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12
Q

Mass

A

Catholic Church Service. Involved Liturgy of the Word (text studying) and Liturgy of the Eucharist (offering sacrifices). Chanting scripture and singing psalms.

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13
Q

Neume

A

A sign used in chant notation to indicate a certain number of notes and general melodic direction (in early forms of notation) or particular pitches (in later forms).

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14
Q

Reciting Tone

A

In chant, the reciting tone is the main note in a chant.

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15
Q

Solmization

A

Invented by Guido of Arezzo. Ut, re, mi, fa,

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