Chapter 19 (Test Review) Flashcards
1
Q
Who was considered “avant-garde”
A
Gustave Courbet
2
Q
What was Courbet’s focus?
A
Ordinary Citizens
3
Q
In France, Artists could earn a spot in the
A
French Royal Academy
4
Q
French Royal Academy paintings had to have:
A
- No Visible Brush strokes
- Idealism rather than realism
- Naturalistic Color
- Art had to convey a message
5
Q
Courbet was a
A
Realist
6
Q
Manet was
A
Realist & Impressionist
7
Q
Monet was
A
Impressionist
8
Q
Degas was
A
Impressionist
9
Q
Renoir was
A
Impressionist
10
Q
Morisot was
A
Impressionist
11
Q
Van Gogh was a
A
Post-Impressionist
12
Q
Seurat was a
A
Post-Impressionist
13
Q
Gauguin was a
A
Post-Impressionist
14
Q
Manet focused on
A
city life and had loose brushstrokes
15
Q
Manet’s work _____ was accepted into the Salon but was heavily criticized.
A
Olympia (19th Century)
16
Q
Where were the American Realists?
A
Winslow Homer (Watercolors)
Thomas Eakins
Edmonia Lewis
17
Q
Which of the American Realists used watercolors?
A
Winslow Homer
18
Q
What were the roots of Modernism?
A
Romanticism
19
Q
What was the last movement before “modernism”
A
Impressionism
20
Q
The goal of _____ was authentic representation of color and light.
A
Impressionism
21
Q
Which artist wanted a complete break from the past?
A
Claude Monet
22
Q
_____ became interested in light only.
A
Monet
23
Q
In The Saint-Lazare Station, the focus is on ____ & ____ NOT _____ & _____
A
color &; light; NOT train &; people
24
Q
Who created the Salon of the Rejected
A
Napoleon III
25
In the work Olympia. Olympia was the name of a____. She is presented flowers by a servant from a ____
Dumas Play; admirer
26
What was the Salon that artists wanted to earn a spot in?
The French Royal Academy
27
The work "The Blue Boat" was _____
watercolor
28
What did Renoir focus is work on?
Upper Middle Class at Leisure
29
____ encouragred Renoir to lighten his Palette
Monet
30
____ became interested in the light only.
Monet
31
When was the rise of Modernism?
20th Century
32
Claude Monet began to paint urban scenes instead of ____
nature
33
In Morisot's work, "Summer's Day", she adopts ____ ___ of Impressionism (dissolving forms into a flurry of feathery brushtrokes)
sketch aesthetics
34
Which artist was especially drawn to ballet?
Degas
35
In "The Rehearsal of the Ballet on Stage". Is this actually something that factually happened?
No; but it has the realities of modern life.
36
In "The Rehearsal of the Ballet on Stage". Which technique is used from the opera box to the stage?
Foreshortening
37
Degas' angular viewpoints could be inspired from?
Japanese Prints
38
Degas paintings often had a _____ message
social
39
At the time, ballerinas were seen as _____ because they exposed their body.
risqué
40
George Seurat believed that he was "____" Impressionism.
Correcting
41
Seurat used _____ on the work "A Sunday Afternoon on the Island of la Grande Jatte"
Pointilism
42
Post-Impressionism focused primarily on ____ _____. Such as: ___,___,____
Formal Elements (Line, Pattern, Color)
43
Seurat's theme of his works was
Leisure
44
Van Gogh expressed more _____ in his work; Used ___ for his goal.
Emotion; color
45
What was "The Starry Night" inspired by?
Dutch Prints (Protestant Themes, Rembrandt Prints, From B/W to Yellow/Blue)
46
What is a thick application of paint?
Impasto
47
Where do we Come From? What are we? Where are we Going? was painted on ____?
Sackcloth
48
Where do we Come From? What does the Blue idol mean?
The Beyond
49
Where did Symbolist art originate?
France
50
Symbolist are usually had a _____ theme
Spiritual
51
"The Scream" One of 22 paintings from a series called the _____
Frieze of Life
52
"The Scream" Rejected ______ ideals of looking at light outdoors and instead looked _____
Impressionist; looked inward
53
Cezanne was influenced by ____
Cubists
54
"Mont Saint-Victorie" Cezanne painted multiple versions? Yes or no
Yes
55
Cezanne's handling of paint is more controlled than the impressionists. TRUE OR FALSE
True
56
Who did not fit any of the categories of 19th Century Art?
Rodin
57
Why couldn't the surface of "The Burghers of Calais" be smooth?
He needed to reproduce human feelings, and so the surface cannot be smooth.
58
Which war is the Burghers of Calais depicting?
The 100 Years War, the 6 individuals offered the lives if the English King spared the rest of the population.
59
The Burgers of Calais was during the ________
Siege of Calais in 1347
60
All of the Scientific Developments in the 20th Century led to
Viewing physical nature differently
61
Germany invaded ____
Poland
62
The Treaty of Versailles and ______ led to Instability which led to ___
Economic Problems; WWII
63
When did the US join the allies?
1918
64
Pavlov's Dog is known as
Conditioned Responses
65
Who is the leader of the Fauvist movement?
Henri Matisse
66
Henri Matisse's colors are
not natural and he has loose brushstrokes
67
"The Joy of Life" uses _____ lines which show movement.
Curvilinear
68
Color symbolizes _____
Expression
69
In "Street, Berlin" the two people on the left are ______. Their hurried movement is showed through the _____
Prostitutes; slashing brushstrokes
70
"Self Portrait as a Soldier" uses _____
Primitivism
71
Primitivsm is influenced on
Die Brucke
72
Die Brucke was led by
Kirchner
73
Two themes of Die Brucke are:
Natural World
| Nudity
74
The Bridge between "old" and "new" and that humanity is a bridge to a better future is
Die Brucke
75
Who is the founder of Der Blaue Reiter
Kandinsky
76
Who Rejected Representation?
Kandinsky
77
"Improvisation 28" is
feeling through color
78
Which form of Cubism uses Brown and gray, DISSECTING THE FORMS OF THE SUBJECT
Analytic Cubism
79
Which form of Cubism is like a collage where works were constructed using other paper or materials.
Synthetic Cubism
80
The term demoiselles was a euphemism for ____
prostitutes
81
The Newspaper clippings in "Bottle of Suze" refer to the ___
Balkan War
82
The Rouen Cathedral was by who?
Monet
83
Cubism was named after ____ viewed Braque's painting and said it was painted with little cubes
Matisse
84
Realism mostly depicted the
Working Class
85
Fauvism characteristics
unnatural colors, very flat
86
German Expressionism characteritics
Der Blaue Reither, Die Bruke
87
Cubism Branches
Analytic and Synthetic
88
The "Guitar" (Cubism) is what form?
Synthetic
89
The annual display of art by French artists in Paris during the eighteenth and nineteenth centuries. Established in the seventeenth century as a venue to show the work of members of the French Academy, the Salon and its judges established the accepted official style of the time.
Salon
90
A painting technique in which pigments suspended in water are applied to absorbent paper, creating an image that cannot be corrected or reworked.
Watercolor
91
A French term meaning “in the open air,” describing the Impressionist practice of painting outdoors so artists could have direct access to the fleeting effects of light and atmosphere while working.
en plein air
92
A term derived from the French military word meaning “before the group,” or “vanguard.” Avant-garde denotes those artists or concepts of a strikingly new, experimental, or radical nature for the time.
Avant-Garde
93
The illusion created on a flat surface in which figures and objects appear to recede or project sharply into space. Accomplished according to the rules of perspective.
Foreshortening
94
Thickly applied paint that gives the quality of a three-dimensional surface to a painting.
Impasto
95
A style in nineteenth-century French and American art that was highly influenced by Japanese art.
Japonisme
96
Styles in which aspects of a work of art are exaggerated to evoke subjective responses rather than to portray objective reality or seek a rational response.
Expressionism
97
A style of painting which emphasizes the techniques and surface effects of brushwork (also color, light, and shade).
painterly
98
Art that does not attempt to reproduce the appearance of objects, figures, or scenes in the natural world. Also called nonobjective art.
nonrepresentational
99
Any art that attempts to depict an aspect of the external, natural world in a visually understandable way.
Representational
100
A handheld support used by artists for the storage and mixing of paint during the process of painting.
Palette
101
The theoretical spatial plane corresponding with the actual surface of a painting.
Picture Plane
102
A technique in which cutout paper forms (often painted or printed), and/or found materials, are pasted onto another surface.
Collage
