Art Nouveau Flashcards

1
Q

background on Art Nouveau

A
  • based on organic beauty as opposed to classical, academic art
  • 1890-1905
  • all life is art and as a result all life should be treated as a life form
  • rooted in the industrial revolution
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2
Q

influences inspiring art noveau

A
  • started with a poster made by Alfons Mucha for the Gismonda play
  • Rococo Style of French Art (very detailed)
  • writings of Darwin about the relationship between Nature and Humankind
  • Symbolist Poets and writers
  • technology and electrical components inspired curved, intermingled and dynamic forms
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3
Q

characteristics of art nouveau

A
  • flowing and graceful lines
  • violent, whiplash curves
  • hyperbolas and parabolas in windows, doors, arches
  • rhythmic patterns of curvy lines that connect images in the art (on dishes, eating utensils, furniture etc)
  • flat, decorative patterns that can be used in all art forms
  • organic subject matter
  • New materials aside from classic gemstones
  • resistance to classical norms
  • applying artistic design to everyday objects to make them more available to everyone
  • more stylistic: low-cost materials, mass productions while others used expensive materials and high craftmanship
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4
Q

symbolism in art nouveau

A
  • femme fatale: depicting fatale attraction (sexual and luring women)
  • Eroticism and overindulgence: people used to convey melancholy and sensuality (often semi-dressed)
  • flowers: convey virginity, suggesting sexual acts are ‘deflowering’
  • women closing their eyes: depict mystery and fantasy (like their hiding their secret world)
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5
Q

Alphonse Mucha background

A
  • 1860-1939
  • decorated designer, producing a variety of products like paintings, posters, advertisements, book illustrations, carpets, theatre sets etc.
  • he mainly used women as the subject of the his adverts, dressed in NEOCLASSICAL robes and surrounded by lush flowers
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6
Q

Neoclassical Definition

A
  • a Western cultural movement
  • in the decorative and visual arts, literature, theatre, music, and architecture
  • drew inspiration from the art and culture of classical antiquity.
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7
Q

Alphonse Mucha’s Ad for Gismonda

A
  • lithographed poster he volunteered to produce
  • published on the 1 January 1895
  • for the Gismonda play by Victorien Sardou featuring Sara Benhardt - famous actress in Paris
  • attracted so much attention
  • earned him a six-year working contract
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8
Q

Alphonse Mucha’s Bieres de la Meuse

A
  • women with ornate hair and flowers
  • has a recipe needed to make fine lager
  • wearing a neoclassical robe
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9
Q

Rene Lalique Background

A
  • 1860-1945

- french designer knwon for his perfume bottles, vases, jewellery, chandeliers, clocks and automobile car mascots

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10
Q

Rene Lalique Citroen car mascot

A
  • designed in 1925
  • quality glass
  • magnificently illuminated by the use of special mounts
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11
Q

Rene Lalique Suzanne au Bain statue

A
  • designed in 1925
  • lovely nude maiden with outstretched arms with draping hanging.
  • legs crossed in a sensuous manner
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12
Q

Antoni Gaudi Background

A
  • 1852-1926
  • intergrated ceramics, stained glass, wrought ironwork, mosaic in his architecture
  • influenced by Gothic and Moorish styles as well as Barcelona
  • rejected classical norms: architecture wasn’t straight but they bent and took natural forms
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13
Q

Antoni Gaudi “The Sagrada Família”

A
  • heavily inspired by gothic architecture

- has a central nave flanked by two aisles, forming a Latin cross

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14
Q

Antoni Gaudi “Park Güell”

A
  • public park composed of gardens and architectonic elements
  • results from Gaudi’s NATURALIST phase
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15
Q

Antoni Gaudi “Park Güell”

A
  • public park composed of gardens and architectonic elements
  • results from Gaudi’s NATURALIST phase
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16
Q

Naturalist (ism)

A

Naturalism

  • philosophy
  • adopted the theory of evolution
  • the domination of natural properties
17
Q

Lithograph

A

Lithography

  • a printing process
  • uses a flat stone or metal plate
  • the image areas are worked using a greasy substance
  • so that the ink will adhere to them by, while the non-image areas are made ink-repellent.
18
Q

Architectonic meaning

A

meaning relating to architecture/architects