93-104: Juno's first speech Flashcards

1
Q

persensit

A

per-: realisation of the ‘trick’ being pulled on Dido gradually dawns on Juno

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2
Q

simul

A

as soon as she does realise the trick, she takes immediate action

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3
Q

tali persensit peste teneri

A

the alliterative pattern and the rhyming of ‘tali’ and ‘teneri’ reflects the intricacy of the trickery pulled by Venus and also the strong grip she now has over Dido

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4
Q

cara Iovis coniunx

A

ironic as she is working in total opposition to Jupiter - he wants Aeneas to found Rome - accentuated by harsh ‘ca’ ‘co’ alliteration

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5
Q

famam obstare furori

A

iconic word order: famam stand in the way of furori whilst obstare seperates these antithetically opposed nouns; harsh ‘f’ alliteration

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6
Q

peste

A

term for fatal epidemic disease, so she realises the gravity of Dido’s affliction

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7
Q

adgreditur

A

very aggressive, it is a variation of ‘aggredior’, signals Juno’s counterattack

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8
Q

talibus… Venerem… dictis

A

the hyperbaton with Venus in the centre appears to show Juno cornering Venus, however in actuality it shows the central role Venus has played and will continue to play in the plot

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9
Q

egregiam… laudem… spolia ampla

A

chiasmus: dripping with sarcasm as it uses technical military terms to refer to the success of Venus’ devious plan, which could not have been easier to achieve

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10
Q

tuque puerque tuus

A

disrespectful referring to a goddess as ‘tu’ and Cupid as a ‘puer’; phrase is ugly and thus scornful sounding

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11
Q

una dolo divum si femina victa duorum est

A

Dido never had a chance, she is outclassed in terms of: gender, number and her mortal status.

It mocks Venus for her cheap victory.

Positioning of ‘femina’ shows how she is at the mercy of the pair.

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12
Q

veritam te moenia nostra

A

very ironic as it is rather Juno who should fear Rome

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13
Q

quo nunc certamine tanto?

A

she takes the diplomatic high ground, albeit ultimately in vain

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14
Q

pacem aeternam pactosque hymenaeos

A

chiasmus & figura etymologica & assonance: wraps up her offer in impressive rhetoric, whilst quin subtly sets her question up as a demand

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15
Q

tota

A

placement outside relative clause emphasises the comprehensive wish-fullfillment she projects onto Venus - pretending that Venus’ scheming ends with making Dido fall madly in love with Aeneas

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16
Q

communem

A

superficially very diplomatic and convenient, but is insidious and deeply problematic - a joint people would never work in terms of practical arrangement; besides this fate instead has been decided between the Trojans and the people of Italy

17
Q

Phrygio servire marito

A

a paradox full of contempt - Phrygio is a Roman phrase for slave - her queen would be effectively enslaved to slave, which serves to stress how much she is apparently yielding to Venus, in order to make ‘pacem aeternam’