Week 6 Flashcards

1
Q

What are F and G studies concerned with

A

They are concerned with both the micro and the macro

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2
Q

How does F and G view society

A

As patriarchal

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3
Q

What is a patriarchy?

A

It is a system of society or government where men hold the power and women are largely excluded from it

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4
Q

What does advertising encourage and reinforce

A

Reinforces sexist stereotypes and encourages the sexualization and abuse of women

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5
Q

What do ads create and exploit to sell products

A

Insecurities.

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6
Q

What is sex

A

It is biolgoical, anatomical, think sex chromosomes

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7
Q

What is gender

A

Socially constructed and created (e.g. pronouns, the way you dress and behave)
refers to your sense of being male or female and playing those roles as defined by culture and soceity

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8
Q

Why do advertisers use sexist and genedered stereotypes

A

According to jahlly, advertisers choose an area of social life that can be easily communicated with a glance and that reaches to the very substance of our individual identity
and stereotypes abiout gender do just that, they reach our very core
and are easily communicated to a large audience

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9
Q

What does it mean gender as performative and who came up with the theory

A

Judith buter
Gender as stylzied repition of acts overtime
acts of repition about fitting into gender norms, but also about gender policing-punishing or disciplining those who do not abide by gender norms
we create, recreate and rerproduce our gender through what we do and do not do
and advertisements provide examples of how to perfrom gender

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10
Q

What does the beauty industry create?

A

it creates the ultimate woman in the unattainable image of the provocatuery
but these images are unattainable in reality, even for the perfect models who are displayed in these advertisements as even they have a lot of photoshop done on them

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11
Q

What is the beauty myth and who came up with the theory

A

Naomi wolf, and it refers to the harmful and unattainable standardds that are perpetuated by the media
a generalized atmosphere in which images of beauty in advertising excercise control over women as well as oppresses and suppreesses them

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12
Q

What is hegemonic masculintiy

A

reflecting normative behavioural ideals for males in a culture in a particular period: this usually includes
- whiteness
- emotional detachment
- anti feminity and misogny
- anti homosexuality

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13
Q

What did stamps and golombisky study

A

the sexualized representation of women in fashion advertising found in mens metrosexual magazines
they analyzed five ads that were purposively selected to represent worst offenders in terms of sexual content
the target audience was men aged 22-35
analysis derives from understandings of gender as both hegemonic social pattern and performative embodiment

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14
Q

What does it mean sex sells and what kind of sexual content is included in advertising

A

models nudity or stage of undress
models sexual behaviour and pose, including gaze and physical contact/interaction with others
model physical or attractiveness
sexual innuenods
sexual embeds targetnig the subciounse

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15
Q

What do sexualized images of women tend to do

A

they emphasize a gender hierarchy that subordinates women
dehumanize and objectify womens bodies: body chopping
submit women to the voyerurs of scopophilia (sexual gratification from looking at sexual images)
naturalize violence against women
and erotivize pedophilia

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16
Q

What do you usually see in commercials targetted at men to consume beauty products

A

the seuxalized women as must have gear, annoucing heterosexuality in a magazine genre devoted to teaching young men to care about their physical appearance
the sexualized images of women function not to promise sex but to certify manhood.

17
Q

What are advertisers afraid of when advertising mens beauty products

A

they are afraid that the products will be perceived as girly or gay, so in order to ensure that their audience is not disuadded from buying their products, they include sexual images of wmen to communicate this for straight manly men

18
Q

What did Jackson and Lee focus on in their paper

A

they looked at speights, one of new zealands renowned breweries and beer brands in order to explore the ways in which its promotional culture illuminates notions of a crisis of masculinity

19
Q

What is A Stereotypical Kiwi bloke and what are the 3 rs accoridng to jackson and lee

A

Kiwi bloke follow the 3 r’s: Rugby, Racing and beeR
so you often see advertising with inclusive themes about sport, beer, and mateship.
it promotes the belief in the alleged ‘hard man’ ethos.
Kiwi bloke as the strong silent type who enjoys beer with his mates, matches rugby and bets on horse races every now on then.

20
Q

How has the kiwi bloke had consequences for men

A

poor levels of health
high rates of imprisonment
domestic suicide
and divorce

21
Q

What role does beer play in signifying and symbolising masculinity?

A

it functions as medium form man men to initiate them into adulthood, demonstrates their masculinity and forms relationships with other men

22
Q

What does beer advertising try to associate sex with?

A

Associate it with attractive.
“consumption of beer confirms ones sense of masculinity, solidifies ones membership in community of men and positions men as consumers of sexy women.

23
Q

Because of the way beer is advertised what does it construct.

A

it is intergal into the construction comprehension and presercation of masculinity, especially the masculine ideals of a hegemonic nature,

24
Q

what does beer advertising align itself with?

A

the idea of perserving and protecting masculinity.

25
Q

What do Beer advertisements reinforce and how should we look at it from a SI perspective

A

They attempt to show us how men should be men and that they are not real men if they dont follow these ideals
looking at from SI perspective, advertising shows us how to be men, reinforcing already negative stereotypes

26
Q

What are the three key dimensions about the speight campaign

A
  1. exploitation of soceital cleavages
  2. explicit use of nostalgia
  3. ommision of other masculinities