Week 5 Flashcards

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1
Q

Why are predominant chords inserted into chord progressions?

A

To intensify the establishment of a key

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2
Q

What chords are often used with a strong predominant function?

A

IV, iv, ii, ii^o

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3
Q

What chord is often used with a weaker predominant function?

A

vi or VI

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4
Q

True or False: predominant seventh chords fulfill the same harmonic function as predominant triad

A

True

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5
Q

Can the chordal seventh be retained in the same voice before resolving down a step?

A

yes if it results in good voice leading

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6
Q

True or False: the mediant triad is often used in harmonic progressions in the 18th-century style

A

False

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7
Q

Does the mediant triad in a minor key - III - appear more often representing the relative major?

A

Yes

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8
Q

What cadences use predominant function as they conclude a phrase?

A

plagal and Phrygian half

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9
Q

How do deceptive cadences avoid the V-I resolution of authentic cadences?

A

By having a non-tonic chord sub for the tonic

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10
Q

What four contexts can 6/4 chords be used in

A

Cadential 6/4, Neighboring/pedal 6/4, passing 6/4, Arpeggiated 6/4 patterns

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11
Q

Where does a cadential 6/4 proceed?

A

The dominant

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12
Q

In cadential 6/4 chords where do the upper voices most often move?

A

by step to the tones of the dominant

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13
Q

In cadential 6/4 chords, where should the sixth and fourth resolve?

A

down by a step

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14
Q

When do neighboring or pedal 6/4 chords occur?

A

when the third and fifth of a root-position triad are embellished by their respective upper neighbor tones while the bass remains stationary

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15
Q

Do neighboring or pedal 6/4 chords usually occur on a strong or weak beat?

A

weak

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16
Q

What does the passing 6/4 harmonize?

A

a three-note ascending or descending scale pattern

17
Q

What is an arpeggiated 6/4 pattern?

A

triad arpeggiation in the bass

18
Q

What should most commonly be doubled in a 6/4 chord?

A

the fifth

19
Q

What are embellishment tones used for?

A

to expand individual lines and/or intensify expression

20
Q

Are embellishment tones diatonic?

A

no

21
Q

What is a pedal point?

A

one continuous note in the bass

22
Q

what is a pedal point abbreviated as?

A

PP

23
Q

What is a passing tone?

A

A non-chord tone that occurs between two stable tones

24
Q

what is a passing tone abbreviated as?

A

PT

25
Q

What is a complete neighbor tone?

A

Movement to a neighbor tone and back down a step

26
Q

what is a neighbor tone abbreviated as?

A

NT

27
Q

What is a double neighbor figure?

A

moving to the upper neighbor tone, down to the lower neighbor tone, then back to the chord tone

28
Q

what is a double neighbor figure abbreviated as?

A

DN

29
Q

What is an incomplete neighbor tone?

A

an unaccented embellishing tone that is approached by a leap and a step in some order

30
Q

what is an incomplete neighbor tone abbreviated as?

A

INT

31
Q

What are the two kinds of INT?

A

Appoggiatura and Escape tone

32
Q

What is an Appoggiatura?

A

An incomplete neighbor tone that is unaccented, proceeded by a leap then followed by a step

33
Q

what is an Appoggiatura abbreviated as?

A

APP

34
Q

What is an Escape tone?

A

an incomplete neighbor tone that is unaccented proceeded by a step then followed by a leap

35
Q

What is an Escape tone abbreviated by?

A

ESC

36
Q

What is an anticipation?

A

when the chord factor of the next chord is placed a little early

37
Q

What are the three common types of suspensions?

A

9-8, 7-6, 4-3