Week 3 Flashcards

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1
Q

Solfeg order for major:

A

Do, Re, Mi, Fa, Sol, La, Ti, Do

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2
Q

Solfeg order for Natural Minor:

A

De, Re, Me, Fa, Sol, Le, Te, Do

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3
Q

Solfeg order for Harmonic Minor:

A

Do, Re, Me, Fa, Sol, Le, Ti, Do

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4
Q

Solfeg order for Melodic Minor (Up and Down):

A

Do, Re, Me, Fa, Sol, La, Ti, Do, Te, Le, Sol, Fa, Me, Re, Do

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5
Q

True or false: A bass line uses melodic leaps with less frequency than upper voices

A

false

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6
Q

Allowable melodic leaps for bass lines in four-part

A

thirds, perfect fourths and fifths, sixths, octaves, and if resolved properly descending diminished fifths

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7
Q

When are repeated notes in bass lines acceptable?

A

on strong beats

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8
Q

When are repeated notes on weak beats in bass lines acceptable?

A

At the beginning of a phrase or if the second note is a suspension

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9
Q

what note value do 18th-century chorale bass lines tend to use?

A

quarter notes

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10
Q

What is a phrase?

A

a complete musical passage that ends with a cadence

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11
Q

What are the two most common phrase lengths?

A

Four-measure and Eight-measure

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12
Q

6 types of Cadence:

A

Perfect authentic, imperfect authentic, half, Phrygian, plagal, Deceptive

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13
Q

What kind of cadence does the final cadence in a piece have to be?

A

A perfect authentic cadence or plagal

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14
Q

What types of cadences are inconclusive?

A

Half, Imperfect authentic, and deceptive

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15
Q

What types of cadences are conclusive?

A

perfect authentic and plagal

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16
Q

What is a Perfect authentic cadence?

A

a cadence created with the V-I progression with both courts in root position and ending with the tonic in the soprano voice

17
Q

What is the abreviation for a Perfect Authentic Cadence?

A

PAC

18
Q

What is the abbreviation for an imperfect Authentic Cadence?

A

IAC

19
Q

What is the abbreviation for a Half Cadence?

A

HC

20
Q

What is the abbreviation for a Phrygain Cadence?

A

PHC

21
Q

What is the abbreviation for a Plagal Cadence?

A

PC

22
Q

What is the abbreviation for a Deceptive Cadence?

A

DC

23
Q

What are the distinctions of a Phrygian Cadence?

A

only happens in minor, uses IV6-V motion, Bass steps down a half-step

24
Q

What chord member of a triad should be doubled whenever voice leading allows?

A

the root

25
Q

When can thirds and fifths be doubled?

A

When they result in good voice leading

26
Q

In all situations double ___-_______ tones

A

non, tendency

27
Q

What chord member should be doubled if the fifth is omitted from a root position seventh chord?

A

The root

28
Q

When following a complete root position V7 chord, what may happen to the tonic seventh?

A

It may have three roots and just the third

29
Q

What chord member should always be doubled in 6/4 chords?

A

the bass (not the root)

30
Q

True or False: all inverted chords must be spelled completely when notated

A

True

31
Q

Should motion between outer voices vary?

A

Yes

32
Q

Where should a harmonic diminished fifth proceed?

A

to a perfect fifth

33
Q

What is the most fundamental harmonic progression?

A

tonic-dominant- tonic

34
Q

What is a retrogression?

A

when a chord progression goes “backwards” such as going from V to IV

35
Q

Should retrogressions be used or avoided?

A

avoided

36
Q

What should chordal sevenths be approached by?

A

a common tone or a step

37
Q

Where should all chordal sevenths resolve?

A

by descending a step

38
Q

What is the exception to where the chordal seventh resolves?

A

🚨🚨🗣🔊SIR SILVANUS PIERCE HIS MAJESTY THE FIRST🚨🚨🗣🔊‼‼‼‼‼‼‼‼‼‼‼‼‼

39
Q

What chord factor of a root-position dominant seventh may be omitted if it helps the voice leading?

A

The fifth