Week 3+4 Flashcards

1
Q

Buddhism

A

Religion originating in Nepal

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2
Q

Queen Maya

A

Buddha’s mother

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3
Q

Immaculate Conception

A

Buddha’s birth not through vaginal means.

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4
Q

Buddha’s Birth

A

Buddha born from the thigh

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5
Q

Seven Steps

A

Buddha takes seven steps at birth

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6
Q

Dragon Bath

A

Ritual involving dragons

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7
Q

Buddha’s First Bath

A

Celebrated on April 8

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8
Q

Hokusai

A

Artist known for ‘Storm below Fuji’ woodblock print.

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9
Q

Hiroshige

A

Artist known for ‘Plum Blossoms’ woodblock prints.

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10
Q

Karma

A

Law of cause and effect in Buddhist belief.

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11
Q

Bodhgaya

A

Location where Buddha attained enlightenment under Bodhi tree.

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12
Q

Four Noble Truths

A

Core principles outlining suffering and its cessation.

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13
Q

Noble Eightfold Path

A

Guidelines for ethical and mental development in Buddhism.

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14
Q

Icon

A

Anthropomorphic representation of a deity for rituals.

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15
Q

Iconography

A

Standardized representation of archetypal characteristics.

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16
Q

Style

A

Visual manner of depicting iconography.

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17
Q

Expanded Cranium

A

Physical characteristic indicating Buddha’s enlightened state.

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18
Q

Minamoto no Yoritomo

A

Founder of the Kamakura shogunate in Japan.

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19
Q

Hungry Ghost

A

Buddhist concept representing beings suffering from desire.

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20
Q

Kusozu

A

Graphic depiction of corpse decay in Japanese art.

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21
Q

Rituals

A

Practices in Buddhism for various spiritual purposes.

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22
Q

Cosmological Solution

A

Buddhism’s approach to understanding the universe.

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23
Q

Spiritual Breakthrough

A

Achieved through ascetic practices and enlightenment.

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24
Q

Death and Grief Rituals

A

Buddhist practices addressing loss and mourning.

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25
Q

Compassionate Person

A

Buddha’s realization of universal suffering through his journeys.

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26
Q

Kusozu

A

Painting depicting nine stages of a decaying corpse.

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27
Q

Nine stages

A

Systematic meditation on corpse decay in Buddhism.

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28
Q

Kusokan

A

Contemplation on the nine stages of decay.

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29
Q

Buddhist doctrine

A

Teachings promoting meditation on decay’s impurity.

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30
Q

Thirteenth to nineteenth centuries

A

Period when kusozu paintings were created in Japan.

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31
Q

Formats of kusozu

A

Includes handscrolls

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32
Q

Pietistic catharsis

A

Emotional release through religious meditation practices.

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33
Q

Didactic incentive

A

Motivation for pursuing paradise through teachings.

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34
Q

Intercessory offering

A

Rituals for the dead during merit transferal rites.

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35
Q

Feminine morality

A

Political themes in popularized kusozu interpretations.

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36
Q

Sutra on the Samadhi Contemplation

A

Early text introducing nine stages meditation.

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37
Q

Discourse on the Great Wisdom

A

Text detailing decay stages for meditation.

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38
Q

Contemplation on impurity

A

Meditative practice overcoming enlightenment hindrances.

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39
Q

Types of lust

A

Different forms of desire addressed in teachings.

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40
Q

Canonical sequence

A

Order of decay stages in Buddhist texts.

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41
Q

Distension

A

First stage of decay: swelling of the body.

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42
Q

Rupture

A

Second stage: breaking of bodily tissues.

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43
Q

Exudation of blood

A

Third stage: blood oozing from the body.

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44
Q

Putrefaction

A

Fourth stage: decomposition and decay of flesh.

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45
Q

Discoloration and desiccation

A

Fifth stage: color change and drying of remains.

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46
Q

Consumption by animals

A

Sixth stage: remains eaten by scavengers.

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47
Q

Dismemberment

A

Seventh stage: body parts separated.

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48
Q

Bones

A

Eighth stage: skeletal remains visible.

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49
Q

Parched to dust

A

Ninth stage: complete decomposition into dust.

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50
Q

Kusokanshi

A

Japanese term for contemplative decay poems.

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51
Q

Kukai

A

Japanese monk who introduced esoteric Buddhism.

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52
Q

Su Tongpo

A

Northern Song poet and scholar-bureaucrat.

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53
Q

Nine stages

A

Stages of decay detailed in the poems.

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54
Q

Shingon school

A

Buddhist school founded by Kukai.

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55
Q

Waka poetry

A

Verse form with thirty-one syllables.

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56
Q

Edo period

A

Japanese historical period from 1603 to 1867.

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57
Q

Handscroll

A

Illustrated scroll format for displaying art.

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58
Q

Woodblock printing

A

Technique for printing images on paper.

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59
Q

Preface

A

Introductory section of the poems.

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60
Q

Five-character verses

A

Verse format used in Kukai’s poem.

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61
Q

Seven-character verses

A

Verse format used in Su Tongpo’s poem.

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62
Q

Contemplation practice

A

Meditative focus on decay for spiritual insight.

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63
Q

Kankyo no tomo

A

Medieval tale describing monk’s contemplation.

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64
Q

Mount Hiei

A

Headquarters of the Tendai school.

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65
Q

Rendaino

A

Region known for its cemeteries.

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66
Q

Discourse on the Great Annotations

A

Sutra outlining decay contemplation methods.

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67
Q

Genpin

A

Monk who curbed desires through decay contemplation.

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68
Q

A Collection of Religious Awakenings

A

Literary work by Kamo no Chomei.

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69
Q

Corporeal decay

A

Physical decomposition observed in contemplation.

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70
Q

Cemetery exposure

A

Corpses left visible before widespread interment.

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71
Q

1527 handscroll

A

Oldest illustrated scroll with Su Tongpo poem.

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72
Q

1380 woodblock inclusion

A

Su Tongpo poem printed in books.

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73
Q

Sutra translation

A

Xuanzang’s translation of Abhidharma text.

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74
Q

Genpin

A

A monk who achieved enlightenment through decay contemplation.

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75
Q

Sensual Desires

A

Transitory cravings for physical pleasure and beauty.

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76
Q

Contemplation

A

Deep reflection on decay to overcome desires.

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77
Q

Decaying Corpse

A

Visual aid for meditation on impermanence.

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78
Q

Monastic Practice

A

Valued discipline focused on spiritual development.

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79
Q

Mental Image

A

Visualization of decay without physical corpse.

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80
Q

Nine Stages

A

Sequential phases of a corpse’s decomposition.

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81
Q

Kusoshi emaki

A

Illustrated handscroll depicting nine decay stages.

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82
Q

Nakamura Collection

A

Private collection housing the earliest decay images.

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83
Q

Aristocratic Attire

A

Clothing style indicating high social status.

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84
Q

Cathartic Value

A

Emotional release through confronting mortality.

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85
Q

Zhiyi

A

Chinese monk who commented on the Lotus Sutra.

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86
Q

Lotus Sutra

A

Key Buddhist text emphasizing meditation practices.

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87
Q

Baoji

A

Chinese poet who wrote about decay contemplation.

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88
Q

Tang Dynasty

A

Period in China from 618 to 907 AD.

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89
Q

Illustrated Handscroll

A

Art form combining narrative and visual elements.

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90
Q

Tatami Mat

A

Traditional Japanese flooring used in homes.

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91
Q

Voluptuous Figure

A

Curvy body shape emphasizing sensuality.

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92
Q

Putrefaction

A

Stage of decay involving decomposition and odor.

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93
Q

Desiccation

A

Drying out process in corpse decay.

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94
Q

Disjointing

A

Final stage where bones separate post-decomposition.

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95
Q

Visual Aid

A

Image used to enhance meditation practices.

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96
Q

Pictorial Images

A

Paintings accompanying meditative practices in Buddhism.

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97
Q

Illustrated Handscroll

A

14th-century artwork depicting decay stages.

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98
Q

Nakamura Collection

A

Collection housing the handscroll in Kanagawa.

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99
Q

Stages of Decay

A

Nine distinct phases of corpse decomposition.

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100
Q

Newly Deceased

A

First stage; body just after death.

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101
Q

Distension

A

Second stage; body swelling due to gases.

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102
Q

Rupture

A

Third stage; skin integrity breaks down.

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103
Q

Exudation of Blood

A

Fourth stage; blood leaks from the body.

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104
Q

Putrefaction

A

Fifth stage; decomposition due to bacteria.

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105
Q

Discoloration and Desiccation

A

Sixth stage; skin color changes and dries.

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106
Q

Consumption by Birds and Animals

A

Seventh stage; scavengers eat the corpse.

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107
Q

Skeleton

A

Eighth stage; only bones remain visible.

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108
Q

Disjointing

A

Ninth stage; bones separated from each other.

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109
Q

Realism in Illustrations

A

Highly detailed depictions of decay processes.

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110
Q

Dimensions of Scroll

A

125/8 by 193/4 inches (32 by 50 cm).

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111
Q

Anatomical Precision

A

Accurate representation of body structures.

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112
Q

Predeath Portrait

A

Stage zero; image before the person died.

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113
Q

Discourse on Mahayana Meditation

A

Text describing stages of decay in Buddhism.

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114
Q

Discourse on the Great Wisdom

A

Another Buddhist text with decay descriptions.

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115
Q

Zhiyi

A

Author of Shakuzen haramitsu shidai homon.

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116
Q

Dismemberment Stage

A

Omitted in Nakamura version; differs from texts.

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117
Q

Whole Skeleton

A

Stage depicting complete skeletal structure.

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118
Q

Disjointed Bones

A

Stage showing bones separated in different places.

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119
Q

Meditation Stages

A

Different contemplations on skeletal forms.

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120
Q

Predeath portrait

A

Artwork depicting aristocrat before death

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121
Q

Sutra of the Secrets

A

Oldest zen meditation manual

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122
Q

Sutra of the Essentials

A

Early zen meditation text

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123
Q

Zen meditation

A

Practice focusing on objects for inner bliss.

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124
Q

Contemplation on decay

A

Meditation method focusing on decaying bodies.

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125
Q

Toyuk Caves

A

Location of murals depicting zen practices in China.

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126
Q

Mural paintings

A

Artworks illustrating monks meditating on skeletons.

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127
Q

Discourse on Mahayana Meditation

A

Text detailing stages of meditation on bones.

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128
Q

Skeletal bones stages

A

Two types: pink (fleshy) and white (pure).

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129
Q

Contemplation levels

A

Two stages: lower and upper levels of meditation.

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130
Q

Lower level contemplation

A

Focus on all stages up to parched bones.

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131
Q

Upper level contemplation

A

Ends before bones turn to dust.

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132
Q

Arhatship

A

State of liberation in Buddhist practice.

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133
Q

Transcendental meditation

A

Achieving higher states of consciousness through practice.

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134
Q

Inner bliss

A

Ultimate goal of zen meditation practice.

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135
Q

Nine stages of decay

A

Sequence of meditative focus on body decomposition.

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136
Q

Meditation manuals

A

Texts providing instructions for zen meditation.

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137
Q

Kukai

A

Buddhist figure associated with poetry on decay.

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138
Q

Sutras

A

Buddhist scriptures outlining meditation practices.

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139
Q

Contemplation significance

A

Emphasis on whole skeleton in meditation.

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140
Q

Phenomenal reality

A

Aspect of existence observed during meditation.

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141
Q

Suffering curtailment

A

Goal of lower level meditation practice.

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142
Q

Transcendental faculty

A

Ability to reach higher meditative states.

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143
Q

Nakamura version

A

A scroll emphasizing upper contemplation stages.

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144
Q

Disjointed bones

A

Stage representing a fragmented physical state.

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145
Q

Kusoshi emaki

A

Illustrated handscroll of decaying corpse stages.

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146
Q

Su Tongpo poem

A

Poem illustrating nine stages of decay.

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147
Q

Ascetic practices

A

Meditative techniques to overcome sensual desires.

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148
Q

Transcendental state

A

Achieved through deep meditation and contemplation.

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149
Q

Tosa Mitsunobu

A

Artist active from 1469 to 1523.

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150
Q

Jakkoin

A

Subsidiary temple of Enryakuji on Mount Hiei.

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151
Q

Tendai school

A

Buddhist school emphasizing zen contemplative practice.

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152
Q

Mirror of the Eastern Court

A

Historical chronicle documenting cultural events.

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153
Q

Ono no Komachi

A

Ninth-century poet associated with beauty and decay.

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154
Q

Flourish and Decay painting

A

Depiction of Ono no Komachi’s life stages.

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155
Q

Zen sect

A

Buddhist sect focusing on meditation practices.

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156
Q

Muso Soseki

A

Prominent Zen monk from 1275 to 1351.

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157
Q

Five Mountains

A

Primary Zen temples in Kyoto.

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158
Q

Kukai and Su Tongpo versions

A

Apocryphal poems on nine decay stages.

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159
Q

Skeletal bones contemplation

A

Essential practice in Zen meditation texts.

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160
Q

Pure Land Buddhism

A

Belief system introduced to Japan by Tendai.

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161
Q

Graphic depiction

A

Visual representation of decay stages.

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162
Q

Historical evidence

A

Documentation supporting claims about art and practices.

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163
Q

Scroll’s blank space

A

Indicates an additional stage in contemplation.

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164
Q

Zen monastic community

A

Group practicing meditation within Zen Buddhism.

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165
Q

Medieval Japan

A

Period when the nine stages spread beyond sects.

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166
Q

Genshin

A

Tendai monk who promoted Pure Land Buddhism.

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167
Q

Essentials of Salvation

A

Genshin’s work on Pure Land faith.

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168
Q

Pure Land faith

A

Belief in rebirth in Amida Buddha’s realm.

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169
Q

Six Realms of Reincarnation

A

Six states of existence after death.

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170
Q

Reincarnation

A

Cycle of rebirth in different realms.

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171
Q

Western Pure Land

A

Otherworldly realm of Amida Buddha.

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172
Q

Contemplation on horror

A

Practice to understand suffering in existence.

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173
Q

Shoju Raigoji

A

Tendai temple housing significant Pure Land art.

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174
Q

Painting of the Nine Stages

A

Depicts decay stages of a female corpse.

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175
Q

Raigoji version

A

Specific depiction of the nine stages painting.

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176
Q

Corporeal impurity

A

Suffering related to physical existence.

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177
Q

Nine stages of decay

A

Stages illustrating human corpse decomposition.

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178
Q

Distension

A

First stage of decay after death.

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179
Q

Dismemberment

A

Stage where body parts are separated.

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180
Q

Bones

A

Final stage of decay

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181
Q

Tendai school

A

Buddhist sect associated with Genshin’s teachings.

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182
Q

Painting of the Impure Aspect

A

Illustrates corporeal impurity in human existence.

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183
Q

Discourse on Mahayana Meditation

A

Influential text on meditation practices.

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184
Q

Visual agency

A

Power of images to convey spiritual messages.

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185
Q

Nakamura version

A

Earlier interpretation of the nine stages theme.

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186
Q

Horrifying aspects

A

Elements of suffering depicted in Pure Land art.

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187
Q

Fading over time

A

Deterioration of the painting’s visual details.

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188
Q

Second Stage

A

Initial rupturing of the corpse begins.

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189
Q

Third Stage

A

Exuding blood

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190
Q

Fifth Stage

A

Corpse appears as ‘wax melted by fire’.

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191
Q

Sixth Stage

A

Desiccated corpse turns bluish black.

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192
Q

Seventh Stage

A

Consumption by birds

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193
Q

Raigoji Version

A

Illustrates nine stages of decaying female corpse.

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194
Q

Voyeuristic Sensationalism

A

Shocking portrayal of decay process in art.

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195
Q

Discourse on Mahayana Meditation

A

Influential text on decay and meditation.

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196
Q

Impure Aspect

A

Human body filled with impurity and odor.

197
Q

Genshin’s Essentials of Salvation

A

Text summarizing human defilement and decay.

198
Q

Decomposition Process

A

Step-by-step contemplation of human decay stages.

199
Q

Devotional Purpose

A

Art inspires faith in Amida through decay.

200
Q

Yamato-e Style

A

Traditional Japanese painting style with soft contours.

201
Q

Hilly Terrain

A

Landscape feature in Raigoji version painting.

202
Q

Dark Ocher

A

Main color tone conveying gloomy atmosphere.

203
Q

Malachite Green

A

Occasional color used in landscape depiction.

204
Q

Transmigration Realms

A

Six realms representing human suffering and evils.

205
Q

Sketchy Brushstrokes

A

Cartoonlike quality in fourth and fifth stages.

206
Q

Bluish Black Skin

A

Color change due to exposure to elements.

207
Q

Swollen Body

A

Occurs after one to seven days post-death.

208
Q

Attachment to Affections

A

Strong emotional ties before recognizing decay.

209
Q

Foulness of Human Existence

A

Theme in Raigoji version to inspire faith.

210
Q

Gloomy Atmosphere

A

Conveys violence

211
Q

Dark Ocher

A

Color representing barren ground in Raigoji version.

212
Q

Solitary Corpse

A

Symbolizes man’s transitory existence in the painting.

213
Q

Seasonal Trees

214
Q

Cherry Tree

A

Symbolizes spring

215
Q

Pine Tree

A

Represents summer

216
Q

Maple Tree

A

Symbolizes autumn

217
Q

Stages of Decomposition

A

Four stages depicted through the corpse’s condition.

218
Q

Su Tongpo’s Poem

A

Inspires landscapes in the Raigoji painting.

219
Q

Desolate Landscape

A

Barren hills and ocher ground in the painting.

220
Q

Distension Stage

A

Second stage where corpse’s appearance changes significantly.

221
Q

Transitory Existence

A

Theme of impermanence highlighted in the artwork.

222
Q

Barren Field

A

Setting for the corpse

223
Q

Grave Marker

A

Placed beside the corpse in the fourth stage.

224
Q

Autumn Imagery

A

Related terms in the poem signify decay and change.

225
Q

Mujo

A

Japanese term for the transitory nature of life.

226
Q

Poetic Correspondence

A

Alignment between poem’s verses and painting’s imagery.

227
Q

Corpse’s Appearance

A

Described as fading and discolored in the poem.

228
Q

Ruptured Corpse

A

Third stage showing significant decay and deterioration.

229
Q

Desolation Theme

A

Recurring motif in both painting and poem.

230
Q

Seasonal Change

A

Symbolizes the passage of time in the artwork.

231
Q

Buddhist Sutras

A

Lack landscape descriptions

232
Q

Fifth Stage

A

Depicted with maple tree

233
Q

Corpses Intermingling

A

Mentioned in the poem

234
Q

Transience

A

Concept from Buddhism regarding temporary existence.

235
Q

Impermanence

A

Philosophical idea of constant change in life.

236
Q

Su Tongpo poem

A

Literary work reflecting themes of decay and impermanence.

237
Q

Raigoji version

A

Artistic representation of decay in Buddhist context.

238
Q

Nine stages of a decaying corpse

A

Visual depiction illustrating human mortality and impurity.

239
Q

Six realms of reincarnation

A

Buddhist belief in cycles of rebirth across realms.

240
Q

Essentials of Salvation

A

Text promoting Pure Land Buddhist beliefs by Genshin.

241
Q

Genshin

A

Tendai monk who emphasized Pure Land Buddhism.

242
Q

Pure Land

A

Buddhist paradise representing ultimate bliss and salvation.

243
Q

Enma Hall

A

Temple hall dedicated to the lord of the dead.

244
Q

Senyomon’in

A

Commissioner of significant Buddhist temple artworks.

245
Q

Daigoji

A

Temple housing important Buddhist art and teachings.

246
Q

Amida Hall

A

Structure symbolizing yearning for Pure Land paradise.

247
Q

Etoki

A

Method of explaining religious beliefs through pictures.

248
Q

Umbon

A

Annual ritual for delivering ancestral spirits from suffering.

249
Q

Rokudoe soryaku engi

A

Script explaining doctrines of the six realms.

250
Q

Public edification

A

Teaching aimed at educating the general public.

251
Q

Visual agents

A

Artworks used to convey religious messages effectively.

252
Q

Murals

A

Wall paintings depicting the nine stages of decay.

253
Q

Restoration dates

A

Records indicating maintenance of artworks over centuries.

254
Q

Didactic context

A

Educational setting for teaching through visual means.

255
Q

Buddha Amida

A

Central figure in Pure Land Buddhist belief.

256
Q

Pathos

A

Emotional appeal in the Su Tongpo poem.

257
Q

Nine Stages of Decay

A

A Buddhist meditation on human impermanence.

258
Q

Pious Contemplation

A

Spiritual reflection to overcome sensual desires.

259
Q

Cathartic Function

A

Emotional cleansing through confronting decay imagery.

260
Q

Nakamura Version

A

Depicts beauty contrasting with decay for meditation.

261
Q

Discourse on Mahayana Meditation

A

Text discussing meditation’s role in overcoming desires.

262
Q

Sensual Desire

A

Attachment to physical beauty causing spiritual distraction.

263
Q

Transience

A

Impermanence of life

264
Q

Raigoji Version

A

Artistic representation linking beauty and transience.

265
Q

Flourish and Decay

A

Theme illustrating life’s fleeting nature and beauty.

266
Q

Ono no Komachi

A

Legendary poet symbolizing beauty and tragic love.

267
Q

Mirror of the Eastern Court

A

Historical chronicle referencing art and cultural themes.

268
Q

Five Obstacles to Enlightenment

A

Barriers hindering spiritual progress in Buddhism.

269
Q

Three Kinds of Required Obedience

A

Duties to family affecting women’s spiritual paths.

270
Q

Didactic Impact

A

Teaching purpose behind integrating beauty and decay.

271
Q

Buddhist Doctrine

A

Philosophical teachings guiding meditation practices.

272
Q

Anonymity of Corpse

A

Decaying figure represents universal beauty

273
Q

Noh Plays

A

Theatrical performances depicting themes of beauty and decay.

274
Q

Edo Period Misidentification

A

Incorrectly associating corpses with specific historical figures.

275
Q

Polygamous Society

A

Cultural context influencing women’s tragic narratives.

276
Q

Elegant Woman’s Delusion

A

Beauty obscuring the reality of decay and death.

277
Q

Cultural Competition

A

Artistic displays reflecting societal values and themes.

278
Q

Buddhist Devotional Image

A

Art intended for spiritual reflection and meditation.

279
Q

Historical Misinterpretation

A

Errors in identifying figures in Buddhist art.

280
Q

Raigoji version

A

A painting depicting a decaying female corpse.

281
Q

Empress Danrin

A

Wife of Emperor Saga

282
Q

Empress Komyo

A

Another beautiful empress linked to the Raigoji version.

283
Q

Nine stages

A

Artistic representation of corpse decay processes.

284
Q

Pure Land Buddhism

A

Buddhist sect promising salvation for women.

285
Q

Larger Sutra

A

Key text supporting women’s salvation in Buddhism.

286
Q

Honen

A

Influential figure in Pure Land Buddhism

287
Q

Public exposure of corpses

A

Cultural practice aimed at awakening sentient beings.

288
Q

Historical misrepresentation

A

Connecting corpses to legendary figures without evidence.

289
Q

Eighteenth and nineteenth centuries

A

Peak period for associating corpses with beauty.

290
Q

Defilement beliefs

A

Medieval Japanese views on purity and death.

291
Q

Contagious defilement

A

Belief that corpses spread impurity to others.

292
Q

Cultural identity

A

Desire to connect women to historical figures.

293
Q

Public instruction

A

Raigoji version aimed at educating both genders.

294
Q

Gender inclusivity

A

Shift in Buddhist teachings allowing women’s salvation.

295
Q

Decay process

A

Transformation of corpses into white bones over time.

296
Q

Market crowds

A

Public gatherings to view the empresses’ corpses.

297
Q

Buddhist Law

A

Concept of moral and spiritual teachings in Buddhism.

298
Q

Cultural taboos

A

Social restrictions regarding death and corpses.

299
Q

Theological foundation

A

New beliefs enabling acceptance of corpse imagery.

300
Q

Literary genre

A

Writings promoting ideal female life in history.

301
Q

Nakamura version

A

Earlier Buddhist art version targeting male audiences.

302
Q

Public perception

A

Attitudes towards corpses shaped by religious beliefs.

303
Q

Pure Land Buddhism

A

A sect allowing lay devotion to Buddha Amida.

304
Q

Nenbutsu

A

Practice of thinking of the Buddha for salvation.

305
Q

Salvation

A

Rebirth assurance in the Western Pure Land.

306
Q

Nine Stages of Decaying Corpse

A

Illustration depicting stages of human decomposition.

307
Q

Dainenbutsuji

A

Head temple of the Yuzu Nenbutsu school.

308
Q

Ryonin

A

Founder of the Yuzu Nenbutsu school (1072-1132).

309
Q

Illustrated Handscroll

A

Artistic representation of the nine decay stages.

310
Q

Su Tongpo

A

Poet associated with the nine stages handscroll.

311
Q

Waka

A

Japanese poetry form inscribed alongside Chinese characters.

312
Q

Graphological Analysis

A

Study of handwriting to identify authorship.

313
Q

Johoji Kojo

A

Renowned calligrapher of the nine stages scroll.

314
Q

Kano Motonobu

A

Attributed painter of the Dainenbutsuji version.

315
Q

Crescent Moon

A

Symbolic imagery in the Dainenbutsuji painting.

316
Q

Autumn Grasses

A

Decorative element in the Dainenbutsuji handscroll.

317
Q

Calligraphy

A

Art of beautiful handwriting used in scrolls.

318
Q

Gilt Decorations

A

Gold embellishments enhancing the scroll’s visual appeal.

319
Q

Cultural Context

A

Influence of society on the depiction of decay.

320
Q

Religious Context

A

Spiritual significance of death in Pure Land Buddhism.

321
Q

Decaying Corpse

A

Subject matter reflecting Buddhist views on mortality.

322
Q

Affluent Patron

A

Wealthy individual likely commissioned the Dainenbutsuji work.

323
Q

Nineteenth Century

A

Period when later images of decay were produced.

324
Q

Aristocratic Monk

A

High-ranking religious figure

325
Q

Shinshiso

A

Stage of being newly deceased.

326
Q

Hochoso

A

Stage of distension in decay.

327
Q

Ketsuzuso

A

Stage of blood exudation.

328
Q

Horanso

A

Stage of putrefaction.

329
Q

Seioso

A

Stage of discoloration and desiccation.

330
Q

Shokutanso

A

Stage of consumption by animals.

331
Q

Hakkotsurenso

A

Stage showing the whole skeleton.

332
Q

Hakltotsusanso

A

Stage of disjointing skeleton.

333
Q

Jokeso

A

Final stage

334
Q

Su Tongpo

A

Poet associated with the decay poem.

335
Q

Dainenbutsuji

A

Version of the decay stages with visual elements.

336
Q

Yamato-e

A

Japanese painting style with soft landscapes.

337
Q

Suyari gasumi

A

Fog technique unifying scenes over time.

338
Q

Waka

A

Japanese poem often accompanying visual art.

339
Q

Relics

A

Sacred objects contained in stupas.

340
Q

Stupas

A

Containers for relics or sacred objects.

341
Q

Corpse depiction

A

Lacks anatomical precision in artistic representation.

342
Q

Seasonal motifs

A

Landscapes reflecting changing seasons in stages.

343
Q

Pathos of transience

A

Theme of impermanence in decay.

344
Q

Cleveland Museum of Art

A

Location of Yuzu Nenbutsu handscroll.

345
Q

14th century

A

Time period of Yuzu Nenbutsu Engi.

346
Q

Visual correspondence

A

Relationship between images and accompanying poems.

347
Q

Graveyard landscapes

A

Settings depicting the decay process.

348
Q

Whittemore Fund

A

Funding source for art preservation and study.

349
Q

Nine stages of decay

A

Illustrations depicting stages of a decaying corpse.

350
Q

Dainenbutsuji version

A

Sanitized illustrations contrasting grotesque decay.

351
Q

Yuzu Nenbutsu school

A

Buddhist school emphasizing synergistic faith practices.

352
Q

Synergism

A

Union of different substances for spiritual perfection.

353
Q

Ryonin

A

Founder of the Yuzu Nenbutsu school.

354
Q

Nenbutsu

A

Chanting practice aimed at rebirth in Pure Land.

355
Q

Mass thaumaturgie practice

A

Collective chanting for enhanced spiritual effect.

356
Q

Yuzu nenbutsu engi emaki

A

Illustrated handscrolls narrating Yuzu Nenbutsu legends.

357
Q

Illustrated Handscrolls

A

Visual narratives depicting religious teachings and events.

358
Q

Fourteenth to fifteenth centuries

A

Period when most Yuzu emaki versions were produced.

359
Q

Religious duties of yuzu nenbutsu

A

Offering oblations to itinerant monks preaching beliefs.

360
Q

Nonsectarian practice

A

Inclusivity of all Buddhists in yuzu nenbutsu.

361
Q

Missionary scheme

A

Outreach strategy using illustrated handscrolls for donations.

362
Q

Ashikaga military government

A

Period of reduced financial support for Buddhist temples.

363
Q

Spiritual practice merit

A

Individual actions benefit the collective community.

364
Q

Visual aids

A

Tools for teaching and legitimizing spiritual beliefs.

365
Q

Miraculous events

A

Significant occurrences in Ryonin’s life and teachings.

366
Q

Oblations

A

Offerings made to monks for spiritual merit.

367
Q

Cultural significance

A

Importance of Yuzu emaki in Japanese art history.

368
Q

Collective contributions

A

Donations gathered from broader society for support.

369
Q

Historical transformation

A

Changes in imagery and function from 1300 to 1527.

370
Q

Graphic impact

A

Strong visual effect of decay illustrations.

371
Q

Yuzu nenbutsu

A

Buddhist practice for salvation through nenbutsu.

372
Q

Nenbutsu

A

Recitation of Amida Buddha’s name for salvation.

373
Q

Yuzu emaki

A

Handscrolls depicting yuzu nenbutsu teachings.

374
Q

Miracles

A

Supernatural events attributed to yuzu nenbutsu practice.

375
Q

Amida

A

Buddha associated with Western Pure Land salvation.

376
Q

Bishamonten

A

Buddhist deity protecting practitioners

377
Q

Itinerant priests

A

Traveling monks promoting nenbutsu and soliciting donations.

378
Q

Meritorious acts

A

Good deeds performed for spiritual benefits.

379
Q

Memorial rites

A

Ceremonies honoring deceased individuals for their salvation.

380
Q

Karma

A

The principle of cause and effect in Buddhism.

381
Q

Salvation

A

Deliverance from suffering and rebirth in Buddhism.

382
Q

Phenomenal power

A

Miraculous capability of nenbutsu to affect lives.

383
Q

Western Pure Land

A

Buddhist paradise where souls can attain enlightenment.

384
Q

Sanjonishi Sanetaka

A

Monk who documented activities of itinerant priests.

385
Q

Merit transfer

A

Transference of spiritual benefits to deceased individuals.

386
Q

Dainenbutsuji

A

Headquarters of the Yuzu Nenbutsu school.

387
Q

Minomori Sukekage

A

Military governor who commissioned a Yuzu emaki.

388
Q

Ashikaga Yoshinao

A

Shogun who copied Yuzu emaki for deceased kin.

389
Q

Devotees

A

Followers of yuzu nenbutsu seeking spiritual benefits.

390
Q

Financial support

A

Monetary contributions from devotees to temples.

391
Q

Record keeping

A

Documentation of devotees’ names for merit purposes.

392
Q

Spiritual efficacy

A

Effectiveness of practices in achieving spiritual goals.

393
Q

Laity

A

Non-clerical members of the Buddhist community.

394
Q

Reincarnation

A

Cycle of rebirth in various realms.

395
Q

Human Realm

A

One of six realms in reincarnation.

396
Q

Stupas

A

Buddhist structures for memorializing the deceased.

397
Q

Nenbutsu

A

Prayers offered for the salvation of the dead.

398
Q

Karmic Effect

A

Consequences of actions influencing future rebirths.

399
Q

Memorial Service

A

Rituals conducted to honor and save the deceased.

400
Q

Corporeal Decay

A

Physical deterioration of the human body over time.

401
Q

Edo Period

A

Timeframe in Japan from 1603 to 1868.

402
Q

Woodblock-Printed Books

A

Books produced using carved wooden blocks for printing.

403
Q

Kokusho Somokuroku

A

General index of surviving Japanese books.

404
Q

Kusoshi Genkai

A

Text offering explanations of the nine stages.

405
Q

Kusoshi Esho

A

Illustrated version of poems on decaying corpses.

406
Q

San’unshi

A

Monk who authored Kusoshi Genkai in 1694.

407
Q

Su Tongpo

A

Poet whose verses accompany the nine stages.

408
Q

Yuzu Nenbutsu

A

Practice of collective prayer for the deceased.

409
Q

Akagi Bunko Collection

A

Collection housing significant Edo woodblock-printed books.

410
Q

Fig. 15

A

Illustration of aristocrat mourning at stupas.

411
Q

Fig. 16a-i

A

Akagi version of Kusoshi with humorous illustrations.

412
Q

Bunka 7

A

Year 1810 in the Japanese calendar.

413
Q

Genroku 7

A

Year 1694 in the Japanese calendar.

414
Q

Memorializing

A

Act of honoring and remembering the deceased.

415
Q

Illustrated Handscroll

416
Q

Impure State of Flesh

A

Concept emphasizing human body’s decay and suffering.

417
Q

Kusoshi

A

Focuses on poetry over images in literature.

418
Q

Akagi version

A

Distinct edition of Kusoshi with unique features.

419
Q

Edo period

A

Timeframe of Japanese history from 1603 to 1868.

420
Q

Su Tongpo poem

A

Central poem referenced in Kusoshi’s structure.

421
Q

Nine stages

A

Stages of decomposition depicted in Kusoshi illustrations.

422
Q

Shinshiso

A

First stage: newly deceased in decomposition.

423
Q

Hochoso

A

Second stage: distension of the body.

424
Q

Ketsutoso

A

Third stage: exudation of blood occurs.

425
Q

Horanso

A

Fourth stage: putrefaction begins.

426
Q

Tanshokuso

A

Fifth stage: consumption by animals and birds.

427
Q

Seioso

A

Sixth stage: discoloration and desiccation of remains.

428
Q

Hakkotsu renso

A

Seventh stage: whole skeleton remains visible.

429
Q

Kotsusanso

A

Eighth stage: disjointing of skeletal structure.

430
Q

Kofunso

A

Ninth stage: formation of tumulus.

431
Q

Dainenbutsuji version

A

Alternative version with different stage order.

432
Q

Kana booklets

A

Literary genre featuring popular novels in kana.

433
Q

Kana syllabary

A

Phonetic writing system used in Japanese.

434
Q

Woodblock printing

A

Technique allowing mass production of texts.

435
Q

Didactic literature

A

Educational texts aimed at teaching readers.

436
Q

Otogi zoshi

A

Precursor to kana booklets

437
Q

Illustrations

A

Visuals that complement and enhance textual understanding.

438
Q

Literacy increase

A

Rise in reading ability during Edo period.

439
Q

Cursive characters

A

Stylized writing used in waka verses.

440
Q

Glossed characters

A

Chinese characters explained with kana for clarity.

441
Q

Akagi version

A

Illustration series depicting decay stages in Edo period.

442
Q

Su Tongpo

A

Chinese poet referenced in Akagi illustrations.

443
Q

Waka poems

A

Japanese poetry influencing Akagi illustrations.

444
Q

Chotan

A

Morning sun depicted in sixth stage illustration.

445
Q

Corpse

A

Main subject of decay in Akagi illustrations.

446
Q

Cattail (obana)

A

Plant included in eighth stage illustration.

447
Q

Decomposed head

A

Element from Su Tongpo in eighth stage.

448
Q

Wooden coffin

A

Second stage shows coffin exploded by corpse.

449
Q

Grotesque

A

Absence of grotesque elements in Akagi version.

450
Q

Humorous response

A

Intent behind the depiction of bloated corpse.

451
Q

Scarecrow

A

Replaced corpse in fifth stage for humor.

452
Q

Kana-booklet genre

A

Targeted moral education for women in Edo period.

453
Q

Feminine morality

A

Focus of instructional texts for women.

454
Q

Confucian teachings

A

Influence on women’s education in the seventeenth century.

455
Q

Turn Nuns

A

Didactic work by Suzuki Shosan

456
Q

Seven Nuns

A

Another didactic work

457
Q

Tale in Ogura

A

Story highlighting transitory nature of existence.

458
Q

Transience

A

Key Buddhist concept in female enlightenment stories.

459
Q

Two Nuns

A

Story using decay stages for female character’s enlightenment.

460
Q

Decaying corpse

A

Central theme in Akagi’s nine stages.

461
Q

Instructional texts

A

Guides for proper conduct and etiquette for women.

462
Q

Buddhist teachings

A

Foundation for moral education in Edo period.

463
Q

Life-changing experience

A

Protagonist’s transformation in Two Nuns story.

464
Q

Tincorpse

A

A corpse thrown into a field without burial.

465
Q

Mendicant

A

A person who renounces worldly possessions for spirituality.

466
Q

Enlightenment

A

A state of spiritual awakening and understanding.

467
Q

Two Nuns

A

A narrative emphasizing women’s enlightenment in Buddhism.

468
Q

Nine Stages

A

Crucial experiences leading to enlightenment for women.

469
Q

Edo Period

A

Era in Japan marked by strict social hierarchies.

470
Q

Moral Instructions

A

Guidelines promoting ideal behavior for women.

471
Q

Five Obstacles

A

Barriers women face in attaining salvation.

472
Q

Three Obediences

A

Expectations for women to submit to male authority.

473
Q

Ojoden

A

Stories of rebirth in the Pure Land.

474
Q

Shibyaku Ojoden

A

Seventeenth-century story emphasizing women’s moral attributes.

475
Q

Kinsei Ojoden

A

Modern stories highlighting women’s need for virtue.

476
Q

Suzuki Shosan

A

Zen monk teaching moral precepts to women.

477
Q

Nenbutsu

A

Buddhist practice of chanting the name of Amida.

478
Q

Human Transience

A

Buddhist concept of the impermanence of life.

479
Q

Kusozu

A

Painting depicting the nine stages of decay.

480
Q

Visual Sensationalism

A

Artistic focus on shocking imagery of decay.

481
Q

Cultural Consciousness

A

Shared beliefs and values within a society.

482
Q

Religious Dialogues

A

Conversations aimed at spiritual understanding and growth.

483
Q

Filial Piety

A

Respect and duty towards one’s parents.

484
Q

Patriarchy

A

A social system where men hold primary power.

485
Q

Buddhist Sutras

A

Sacred texts containing teachings of Buddhism.

486
Q

Decaying Corpse

A

Visual representation of physical decay in art.

487
Q

Social Harmony

A

Goal of maintaining peace and order in society.

488
Q

Transformative Functionality

A

The ability of art to convey changing meanings.

489
Q

Woodcut Printing

A

Technique for producing images using carved wood.