Volpone and WoB Critics Flashcards

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1
Q

Susan Snyder

A

Comedy, beginning in turmoil but ending in harmony, celebrates life.

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2
Q

Erasmus

A

Fools are the only plain honest men who speak truth.

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3
Q

Freud

A

A joke is a metaphorical mask behind which lurk aggressive or obscene thoughts.

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4
Q

Dollimore

A

Do these plays reinforce the dominant order or do they interrogate it to the point of subversion?

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5
Q

McEvoy

A

Nothing is stable and untradeable, nothing has value in itself; everything even a human being, has its price

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6
Q

Richard Allen Cave

A

In all the sum of pleasure Volpone offers Celia, he never includes a constant heart and mind

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7
Q

Partridge

A

The play “dramatises man’s insatiable greed”.

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8
Q

Goldberg

A

Mosca and Volpone are “deceived by their own cleverness”.

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9
Q

Miles

A

The Avocatori are made to represent anything but justice

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10
Q

Leicester

A

The Wife is “An example of an early feminist, striving for autonomy.”

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11
Q

Hansen

A

The Wife is a “product of a masculine imagination against which she only ineffectually and superficially rebels”

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12
Q

Winny

A

She has overthrown the prohibitive morality of the Medieval Church and planted her own pragmatic doctrine of the ruins

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13
Q

Cook

A

The Wife will never achieve such a charity or the accompanying correction of her ways because she will never submit to a husband in accordance with the sacrament

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14
Q

Robertson

A

She is not a ‘character’ in the modern sense but … a device created by Chaucer for the purpose of outlining and rejecting a point of view

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15
Q

Finke

A

The link between sexuality and monetary gain is the key to the Wife’s performance - she produces not children but money

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16
Q

Layser

A

On the one hand, widows were perceived in Biblical terms as objects of respect and charity, whilst on the other hand, like Chaucer’s WoB, they were expected to be avaricious and sexually greedy