voice and speech perception Flashcards

1
Q

voice reveals a lot about you

A
  • how people recognise you
  • how social you are
  • trustworthiness
  • emotions
  • stress
  • build (higher voice smaller vocal tract and build)
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2
Q

voice and trustworthiness

A
women = men are more trustworthy when deeper pitch at end
men = women are more trustworthy when higher pitch at end
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3
Q

associate voices with social traits study

A

McAleer et al (2014)
- cronbach alpha found people constantly agree on whether a voice sounds attractive/confident etc

  • principle dimensions = trustworthiness and dominance
  • independent
  • simplifies from 10 dimensions to 2
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4
Q

acoustic profiles

A
pitch = fundamental frequency
intensity = amplitude
tempo = speed

can manipulate these independently

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5
Q

emotions expressed in distinct acoustic profiles

Enjoy, elation, sad and greif

A
enjoy = high pitch low intensity low tempo 
elation = high pitch high intensity high tempo
sad = low pitch low intensity low temp
grief = high pitch high intensity high tempo (same as elation)
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6
Q

vocal emotions = shared by culture or language specific

A

Scherer et al (2001)

  • Ps judged emotion sentence (by german actor) conveyed
  • european more accurate than indonesia
  • low consistency between indonesian judges
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7
Q

temporal voice area

A
  • discovered by Belin et al (2000)
  • voice and non-voice played to Ps and matched for levels of energy
  • brain maps created - 2 large areas found
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8
Q

brain regions in identifying speaker identity

A

discovered using neural adaption - repeating speaker identity or syllables

  • anterior part of temporal lobe
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9
Q

brain regions in vocal emotion identification

A

dichotic listening (angry and neutral voices)

  • asked Ps to pay attention to one
  • within TVA increased activation when pay attention to angry
  • when fake angry noises using white noise - not found - unique to human voices
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10
Q

are voice areas necessary for voice processing?

A

TMS - less correct responses as to whether a voice or not when TVA stimulated
no effect of loudness discrimination

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11
Q

speech processing = top-down

A

influenced what you focus on based on prior knowledge

e. g., vocoded speech
- when you know what it says can hear it

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12
Q

broca’s area damage

A

can’t speak properly
can understand
so left inferior frontal region = important in speech production

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13
Q

wernicke’s area damage

A

can’t understand speech
can speak fluently
damage to left posterior region = important in speech comprehension

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14
Q

rotated speech

A

inverted spectrograph
full spectral info
bad intelligibility

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15
Q

vocoded speech

A
speech divided into frequency bands
bad spectral info 
partial intelligibility (once learnt)
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16
Q

left temporal regions respond more to

A

intelligible speech

17
Q

normal speech

A

full intelligibility

full spectral info

18
Q

rotated vocoded speech

A

divided into frequency bands and inverted
bad spectral info
bad intelligibility

19
Q

right temporal regions respond to

A

spectrally rich

20
Q

spectral uncertainty principle

A

trade off between time and frequency

21
Q

less precise in time - more precise in frequency = important in

A

music

22
Q

more precise in time - less precise in frequency = important for

A

speech

23
Q

McGurk effect

A

same sound + different mouth movement = hear different
efference copy = copy of motor command sent to auditory centre - what sound would have been heard by that mouth movement
combined
auditory and visual system engaged

24
Q

neural oscillations for speech segmentation

A

only hear words when brain oscillations coordinate with them
Ps listen to syllables at different frequencies
4.5Hz = enhanced communication between auditory and motor systems
as most human languages have a rate of 5 syllables a second = 4.5Hz

25
Q

how pathway

A

dorsal

connects speech with multisensory regions through arculate fasciculus

26
Q

what pathway

A

ventral

semantic processing of speech