Unit 2 AOS 2 SAC Flashcards

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1
Q

attention

A

the level of awareness directed towards certain stimuli to the exclusion of others

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2
Q

divided attention

A

Splitting attention across two or more stimuli at once

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3
Q

selective attention

A

Exclusively focusing attention on a specific stimulus or task while ignoring all others

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4
Q

sustained attention

A

focusing on one stimulus or task across a prolonged, continuous period of time

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5
Q

top down processing + example

A

when perception is driven by prior knowledge and expectations. e.g. expecting something to be a certain way

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6
Q

bottom up processing + example

A

when perception is determined by incoming sensory information, e.g. reading an unfamiliar text or learning a language

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7
Q

gestalt principles

A

figure ground, closure, similarity, proximity

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8
Q

figure ground

A

dividing a visual scene into a figure, which stands out and its background

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9
Q

closure

A

perceptual tendency to mentally close up gaps in a visual image to percieve objects as complete

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10
Q

similarity

A

percieving parts of a visual image that have similar features as part of the same group

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11
Q

proximity

A

perceiving parts of a visual image that are close together as part of the same group

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12
Q

depth cues

A

visual clues that allow someone to judge the distance and depth of stimuli or their environment

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13
Q

monocular depth cues + examples

A

require only one eye,
pictoral depth cues and accomodation

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14
Q

Pictoral depth cues

A

external clues provided by the environment, assist the brain in determining depth and distance
Linear perspective
interposition
texture gradient
relative size
height in the visual field

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15
Q

linear perspective

A

two parallel lines that converge together as they move further away

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16
Q

interposition

A

when two images overlap each other, one object is partially blocked by something making it appear further away

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17
Q

texture gradient

A

level of detail in an environment, when an object is less detailed, it is percieved as being further away

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18
Q

height in the visual field

A

uses the horizon to determine how far away an object is. the closer to the horizon, the further away the object is

19
Q

relative size

A

size of the image that is recieved by the retina. the larger the image, the closer it is

20
Q

perceptual constancies

A

perceiving an object as remaning stable and constant despite any changes that may occur to the actual image

21
Q

size constancy

A

percieving an object as remaining the same size, just moving closer or further away

22
Q

shape constancy

A

perceiving an object as the same shape, despite the shape that is cast on the retina, just moving closer or further away

23
Q

perceptual set

A

the readiness to perceive something how we expect it to be. Makes us more likely to interpret object or event in a predetermined way

24
Q

factors influencing perceptual set

A

contect, motivation, emotional state, past experience, culture

25
Q

culture

A

the way of life of a particular community or group that sets it apart from other communities and groups

26
Q

sensation

A

the process of recieving and detecting raw sensory information via our sensory organs and sending it to the brain

27
Q

perception

A

the process of selecting, organising and interpreting sensory information to be able to understand it

28
Q

muller lyer illusion

A

the misinterpretation of two lines of equal length, each with different shaped ends. One line has arrowheads and each end, while the other has feathertails.

29
Q

muller lyer link to depth cues

A

convergence - arrowheads cause eyes to turn inwards, perceiving line as closer
size constancy - feathertail line is perceived as further away

30
Q

muller lyer link to social factors

A

culture - influenced by familiarity with modern, western building designs (regular rectangular shapes with right angles)

31
Q

extraneous variables

A

participant variables, placebo effects, experimenter effect, order effects (practice & boredom), non standardised instructions

32
Q

strengths and limitations of between subjects

A

no order effects, quick inexpensive and appropriate for larger groups

assumes that variation between participants is similar for both groups

33
Q

strengths and limitations of within subjects

A

individual differences do not influence results

susceptible to order effects

34
Q

counterbalancing

A

used to overcome the order effect. The order of conditions is split, so potential order effects are averaged out

35
Q

strengths and limitations of mixed design

A

provides richer understanding of what is being investigated

more difficult to carry out and produces results that can be more difficult to analyse

36
Q

perceptual process - sensation

A

reception, transduction, transmission

37
Q

reception

A

initial detection of stimulus in the environment. Eye focuses light onto retina.

38
Q

transduction

A

energy is recieved by retina and converts into a form that can be sent to the brain via optic nerve

39
Q

transmission

A

sending information in electrical impulses along the optic nerve

40
Q

perceptual process - perception

A

selection, organisation, interpretation

41
Q

selection

A

specialised cells select and filter out visual signals according to certain perceptually important features

42
Q

organisation

A

brain uses principles (gestalt and depth) to group fragmented signals together

43
Q

interpretation

A

process of giving meaning to visual information so that we can understand what we are looking at