Unit 18 Flashcards

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1
Q

What were the 3 biggest pop acts of the 80s?

A

Michael Jackson, Prince, and Madonna. In an era of political and social conservatism (during the Reagan presidency), all three presented complex, provocative, and at times confusing images of race and gender.

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2
Q

Why did 80s pop have a distinctly 80s sound? (2)

A

Two reasons:

  1. The use of sounds and rhythms that were not common currency, or even available through much of the 1970s.
  2. The integration of style elements from what had been “outsider” styles in the 1970s.
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3
Q

Why did most 80s music incorporate synthesized sounds?

A

Digital technology made both the replication of existing timbres and the creation of new timbres easier. It also streamlined the enhancement of conventional sounds through various effects.

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4
Q

What new rhythms were used in the 80s? (3)

A

The energized rock beat derived from punk; adaptations of the afterbeat rhythms of reggae; and, most commonly, the sixteen-beat rhythms first heard in funk, black pop, and disco. These took various forms, often in combination.

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4
Q

What new rhythms were used in the 80s? (3)

A

The energized rock beat derived from punk; adaptations of the afterbeat rhythms of reggae; and, most commonly, the sixteen-beat rhythms first heard in funk, black pop, and disco. These took various forms, often in combination.

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5
Q

Dance-oriented rock

A

A term coined by Robert Christgau to describe an array of musical styles which emerged in the 1980s, specifically synthesis of the post-punk and post-disco sounds.

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6
Q

Why were the innovations resulting from the fusions of the eighties different from those of the previous generation? (3)

A
  1. The eighties was the first generation of twentieth-century popular music that was not nurtured by the blues.
  2. The “outside” styles came from within rock-era music.
  3. Because of the blending of rock styles, the boundaries between rock, rhythm and blues, and pop became more fluid and transparent
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7
Q

Music video

A

A genre that emerged in the 80s. Sound, image, and movement came together. They became a staple on a new network—MTV—in a new medium, cable television.

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8
Q

Until the early 70s, what TV networks were available?

A

Almost everyone only had access to 3 networks: NBC, CBS, and ABC. That changed radically when cable TV became commercially viable.

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9
Q

What 2 developments made cable TV economically feasible?

A

The launching of communications satellites and significant deregulation of the broadcast industry

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10
Q

Cable Act of 1984

A

Deregulated the television industry and in its wake, the cable industry wired the nation. With new revenues came new and more varied programming.

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11
Q

MTV

A

A cable network which began broadcasting music videos in 1981.

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12
Q

Who broke MTV’s color barrier?

A

Michael Jackson, in 1985. For the first couple of years, programming had targeted a young, white audience.

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13
Q

How did MTV affect creators and consumers?

A

The network became a key tastemaker for young people around the world. It has influenced not only what they listen to but also many other aspects of youth culture: dress, looks, body language, vocabulary, and attitudes. However, its most significant contribution was providing an outlet for music videos.

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14
Q

What defined the music that topped the charts during the eighties?

A

A set of principles, rather than specific musical features. The songs typically have intelligible lyrics that tell a story. They are set to a singable melody. The melody in turn is embedded in a rich, riff-laden texture. Most layers are played on synthesizers. The songs typically have a good beat, easy to find and danceable, neither too monotonous nor too ambiguous.

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15
Q

When did Michael Jackson’s solo career take off?

A

1978

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16
Q

How does “Thriller” exhibit the characteristics of post 1980 pop?

A

The extensive use of electronic instruments in combination with conventional instruments. The basic rhythm grows out of disco, and we hear a strong backbeat. However, the other instrumental parts, especially those played on rhythm section instruments or their electronic counterparts, create a texture that is denser and more complex than that heard in a conventional disco song. Jackson’s vocal line is simply one strand in the texture

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17
Q

What played a crucial role in “Thriller’s” success?

A

The music videos, and the fact that the songs were so “video-ready,” played a crucial role in its overwhelming success.

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18
Q

When was Madonna’s first album released?

A

1983

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19
Q

Madonna

A

80s pop artist known for combining provocative, shocking, and controversial themes and images with bright, accessible music.

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20
Q

“Like a Prayer” (1989)

A

The music video was controversial. . The video conflates religious images (e.g., a scene in which she grasps a knife, and it cuts her in a way that evokes the stigmata of the crucified Christ); symbols of racism (burning crosses); numerous incongruities and impossibilities, etc., and featured Madonna in a revealing dress. This outraged religious groups, but the controversy acted as free publicity. The video for “Like a Prayer” dramatically evidences the emergence of the music video as an entity distinct from the song that spawned it and from other expressive forms that merge song, image, and movement.

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21
Q

What was Madonna known for musically?

A

She combines a simple, catchy melody with trendy sounds and rhythms and skillful production.

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22
Q

What was the most ground-breaking aspect of Madonna’s career?

A

Her ascension to a position of complete control of her career: writing her songs, producing her recordings, choreographing her performances, and making the key decisions about every aspect of production and promotion. This owes more to her ambition than it does to her musical talent.

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23
Q

What did Madonna’s success do for the pop music business?

A

Her success added a new dimension to sexual equality within the pop music business. Women, or at least women like her, no longer had to be front persons for men.

24
Q

Prince

A

His music was a rock and rhythm-and-blues melting pot and created a blatantly erotic public persona- known for his androgynous look. Known musically for mixing elements of multiple rock styles to evoke a particular mood.

25
Q

When did Prince begin releasing his hits?

A

1979

26
Q

“Sign ‘O’ the Times,” (1987)

A

Prince. Presents a bleak vision of contemporary life: gangs, AIDS, drugs, and natural disasters, interlaced with anecdotal accounts of the fallout from drug use. The music is correspondingly bleak. Contains elements of blues, funk, and synthesized sounds, showing Prince’s combination of styles.

27
Q

What was one of the main reasons for Prince’s commercial success?

A

Each one of his songs sounds very different

28
Q

What are some of the most consistent elements among Prince songs?

A
  1. The mix of synthesized and conventional instruments
  2. An open-sounding, intricately worked-out texture that puts a different spin on the conventional interplay between regular timekeeping and syncopated patterns
  3. A few distinctive features that help set the song apart from the sources that inspired it.
29
Q

The sound of eighties black pop resulted from which two changes?

A
  1. The use of synthesized sounds to replace most of the traditional instruments
  2. More adventurous rhythms.
30
Q

When did Tina Turner begin her solo career?

A

1983

31
Q

Tina Turner

A

1980s black pop artist, known for the intensity of her singing. She was able to establish a solo career after her divorce, which was a symbolic milestone for mature women of all races, and especially black women

32
Q

When did post-Motown black pop begin to decline?

A

The 1980s. By the end of the century, R and B and black pop acquired a harder edge, mainly through the infusion of themes and sounds from rap and electronica.

33
Q

When did rock get a “beat lift”?

A
  1. The new sound was lean, clean, vibrant, and colored with an array of synthesizer timbres and effects. It harnessed the energy of punk, but its most direct antecedent was the music of David Bowie. Crisp single-note lines and sustained chords replaced thick guitar chords and riffs. These songs were happy, like 1950s rock and roll (the opposite of punk, which was confrontational).
34
Q

Van Halen

A

A heavy metal band that began to move toward mainstream in the early 80s, known for incorporating the new approach to 80s rock.

35
Q

“Jump” (1984)

A

Van Halen. Showcases features of 80s rock. Among the features that most clearly identify this sound are prominent synthesizer parts, an open texture, and the contemporary approach to rock rhythm. Van Halen plays guitar only in the contrasting section and in a brief solo. What’s in the background are chords played by a rhythm guitarist. It’s also a happy and good-humored song.

36
Q

What events put the “we” back in rock in the 80s?

A

Successful British and American rock and pop artists worked together to make songs that would raise money for famine relief (the American project was called USA and took place in 1985). These events returned altruism to rock in the mid 1980s.

37
Q

How was 60s rock considered “we” music?

A

Observed in the bands themselves (names like the Beatles, the Beach Boys, the Who, the Rolling Stones gave bands a collective identity), then in the bond between music and audience. The “we” in rock was a generation that didn’t trust anyone over 30.

38
Q

How was 70s rock considered “me” music?

A

The seventies have been considered the “me” decade in many aspects: in music, self-involvement (what about me?) and the pursuit of success seemed to negate the sense of community created in the sixties.

39
Q

What did rock give voice to in the 60s?

A

In the sixties, rock gave voice to a generational revolution. It provided the soundtrack for an assault on the establishment and, by overthrowing the pop music establishment, it led by example.

40
Q

How was rock in the 80s considered the “establishment”?

A

Rock was the dominant segment of the music industry. As a result, it could leverage the celebrity of its artists in projects that served a greater good. In the eighties, “we” in rock not only included the musicians, the music industry, and the audience, but also those whom they sought to help.

41
Q

What is one of the reasons for Bruce Springsteen’s success?

A

His enormous success comes in part from his ability to integrate seemingly contradictory aspects of his life and work. He is a superstar and a man of the people- he has stayed close to his working-class roots and has written songs that reflect their concerns.

42
Q

Born in the USA (1984)

A

Bruce Springsteen. Lyric a scathing indictment of war and its costs. Springsteen’s words put an ironic spin on the title phrase. In this context, what could be a prideful affirmation of patriotism becomes a jingoistic mantra—a badge of shame for a country that sends its less fortunate off to fight in a senseless war, then does little to help those who return. Springsteen sets his trenchant lyric in an almost minimalist musical environment. The song begins with only a single octave on the piano, a heavy backbeat, and a synthesizer riff- gives the introduction a big sound to be filled in.

43
Q

U2

A

Rock band whose style is derived from punk

44
Q

“Where the streets have no name” (1987)

A

U2. The sound world created in this song was the band’s musical signature during the eighties. It becomes more sophisticated from album to album. It has the effect of elevating the simple melody that lies at its center, investing it with a power and impact that it could not have had in a simpler setting. In this sense, the music of U2 is the ultimate folk rock- the power of the words is matched by the power of the music.

45
Q

When did the blues revival begin?

A

The mid 1980s. It gave a boost to the careers of established bluesmen and introduced new stars

46
Q

Traveling Wilburys

A

British American supergroup, included Bob Dylan

47
Q

When was John Mellencamp most successful?

A

The early 1980s

48
Q

John Mellencamp

A

Newer rock act, was one of the main forces behind the Farm Aid Benefits

49
Q

“Paper in Fire” (1987)

A

John Mellencamp. Used country/blues fusion that typified the “American” sound by drawing on both sound worlds. “Paper in Fire” is an especially successful continuation of the storytelling tradition within rock that dates back to Bob Dylan. Like Dylan, Mellencamp uses the musical setting to amplify the sense of the text; the music behind the words and melody are integral to the impact of the song.

50
Q

Hair band

A

Subgenre of heavy metal, which features pop-influenced hooks and guitar riffs, and borrows heavily from the fashion and image of 1970s glam rock.

51
Q

2 hand guitar tapping

A

Technique in which both the picking and fretting hands, either independently or in conjunction with one another, hammer-on or tap the fretboard in order to sound notes

52
Q

Graceland

A

Elvis’ old house, currently owned by his daughter

53
Q

Guns and Roses

A

American hard rock band from Los Angeles, California, formed in 1985

54
Q

Cyndi Lauper

A

American singer-songwriter. Her album She’s So Unusual (1983) was the first debut album by a female artist to achieve four top-five hits on the Billboard Hot 100.

55
Q

The Go-Go’s

A

American rock band formed in LA in 1978. In 1982 the band topped the Billboard album chart – a (still-unequaled) first for an all-female band writing their own material and playing their own instruments

56
Q

Iron maiden

A

English heavy metal band formed in Leyton, East London, in 1975 by bassist and primary songwriter Steve Harris.

57
Q

Twisted sister

A

American heavy metal band. Their best-known songs include “We’re Not Gonna Take It” and “I Wanna Rock”, which had music videos noted for their sense of slapstick humor.

58
Q

The B-52’s

A

American new wave band formed in Athens, Georgia, in 1976.