Unit 11 Flashcards

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1
Q

When did rock and roll begin?

A

The term dates back to the 1920s- it was originally used as a euphemism for sex

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2
Q

Teen subculture in the 1950s

A

Teens in the 1950s had more money and more leisure time than teens of previous decades, and they were able to put their money where their tastes were. Parents were horrified by rock and roll, which sounded “crude” compared to pop music at the time. Some songs were blatantly sexual and performers looked and acted differently. Rock and roll and rhythm blues symbolized teens’ rebellious attitude and defined the boundary between teens and adults.

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3
Q

Alan Freed

A

Freed was a DJ that refused to play white covers of black songs. He began to use “rock and roll” as code for rhythm and blues, and the music began to gain a white audience and white performers. He was white

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4
Q

Bill Haley

A

“Rock around the clock” became one of the first big rock and roll hits when it was used as a soundtrack for a movie about juvenile delinquents. He was white.

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5
Q

Rockabilly

A

a country take on rhythm and blues, performed mainly by white southerners, that combined elements of country music with rock and roll. Rockabilly was most popular in the midfifties.
It was not confined to the south, however. Many of Elvis’ songs were rockabilly

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6
Q

“Rock Around the Clock”

A

Bill Haley. It was one of the first hits associated with rock and roll. The track had a different sound for pop, but we would consider it rockabilly in retrospect. The song used lighthearted lyrics and music, and used a rhythm section with guitar and drums.

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7
Q

Elvis Presley

A

One of the first rock and roll stars. He projected a rebellious attitude and had a lack of inhibition during performance compared to white pop artists. This was very appealing to teens, and by refusing to tone down his style he gave rock and roll a sound and look. He was known for being able to emulate any style and sound like himself- he had a very distinct voice.

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8
Q

How long did Elvis’ career last?

A

The most significant part lasted from 1955-1958. When Elvis returned from the army, he was out of step with 1960s rock and rhythm and blues. However, he was considered king of rock and roll in the 1950s (although the majority of his songs were rockabilly.

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9
Q

What did Elvis contribute to rock history?

A

He brought a fresh look, attitude, and sound to popular music. No white performer had been so uninhibited before, and he gave rock and roll its most memorable visual images.
Elvis brought a new vocal sound into popular music, but he didn’t write his own songs or use the rock and roll rhythm and sound used by late 1950s and early 1960s bands.

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10
Q

What was the distinction between rock and roll and rhythm and blues in the late 1950s?

A

The majority of rock and roll artists were white and the majority of rhythm and blues artists were black. However, rhythm and blues used shuffle rhythms and rock and roll songs used a more active rhythm (built by little Richard and Chuck Berry).

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11
Q

Little Richard

A

African American rock and roll artist most popular between 1955-1958, he relied heavily on blues form. “Tutti Frutti” was one of his hits.

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12
Q

What caused the changes in Little Richard’s music?

A

His backup band. Originally, the band had a rhythm and blues style, such as with “Tutti Frutti”. The style switches to rock later on. The heavy bass line, locked in beat, and slower tempo forecast 1960s rock. We listen more to Little Richard’s voice than to the lyrics

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13
Q

What was Little Richard’s legacy to rock?

A

His music was loud and he had percussive vocals- he gave a new “outrageous” spirit to rock and roll. He was also black and openly gay, which was very unusual at the time. He was considered somewhat responsible for the new beat of rock and roll.

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14
Q

Chuck Berry

A

Crafted the rhythm that would lead to rock more than any other 1950s musician. “Maybellene” was his first big hit, also wrote “Johnny B. Goode”. He was black.

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15
Q

What were Chuck Berry’s instrumental contributions to rock? (2)

A
  1. Provided the first model for lead guitar playing- repeated notes made the rhythm insistent, double notes gave it density
  2. The first definitive rock rhythm guitar style- the beat is divided into two equal parts
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16
Q

Overdubbing

A

The process of recording an additional part onto an existing recording. Chuck Berry used this technique for guitar parts- it was breakthrough and a key rock and roll sound.

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17
Q

Obbligato

A

A second melody playing under the main melody. Berry used this for piano to create a dense texture

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18
Q

How did Berry’s influence and appeal go beyond his instrumental contributions?

A

The lyrics of his songs captured the newly emerging teen spirit “Sweet Little Sixteen”, “School Days”, etc. His music defined the core elements setting rock apart from pop, country, and rhythm and blues

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19
Q

How was Chuck Berry so popular among white teens?

A

Probably because his lyrics are detached and humorous- he deflects focus away from himself even when he is the focus of the song.

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20
Q

What 3 influences on rock and roll do we hear come together in “Johnny B. Goode”?

A
  1. Electric blues- instrumentation, thick texture, prominent guitar
  2. Boogie-woogie- 8 beat rhythm
  3. Upbeat rhythm and blues- blues based verse/chorus form and heavy backbeat
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21
Q

Which of Berry’s features were new elements in “Johnny B. Goode”?

A

Berry’s guitar breaks and solos, his lyrics were also the first to discuss teen life- they were humorous and skillful.

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22
Q

What genre did Berry’s style contribute to?

A

The surfing songs of the late 1950s and early 1960s. He was often covered by the creators of rock

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23
Q

During what years did rock and roll develop an identity (not just as a new label for an existing sound)?

A

1954-1956. It represented new looks (Elvis, Chuck Berry, and Little Richard) and in the music of rockabillies (Bill Haley, Elvis), white cover acts (Pat Boone), black crossover groups like doo wop groups and Fats Domino, and the rock defining sounds of Chuck Berry and Little Richard

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24
Q

What did teens find appealing about rock?

A

It projected a fresh, impudent, attitude, expressed in image, lyrics, and sound t

25
Q

Who gave rock a commercial appearance?

A

Elvis

26
Q

When did rock develop a musical identity that distinguished it from rhythm and blues as well as pop?

A

The late 1950s. The music of Little Richard and Chuck Berry defined a new rhythm that would eventually define rock as it became rock’s most prominent feature. Berry’s approach to lead and rhythm guitar playing became the primary reference point for the sound of rock.

27
Q

What were the driving forces behind the rapid evolution of rock and roll?

A
  1. The passion of Buddy Holly and his fellow rock and roll artists
  2. A shorter and more direct path between inspiration and result
  3. The novelty of the style
28
Q

What was the difference between pop and rock in terms of the path from inspiration to result?

A

A pop song involved input from multiple sources (the artist, the songwriter, the musicians, the producer, etc). The song was also compared against 3 decades of popular song- change came slowly or not at all. Rock musicians could listen to a recording or performance of any style and copy something they liked or use it to inspire something new with the help of a like minded producer

29
Q

Buddy Holly

A

White rock and roll artist, formed the Crickets. His first hit, “That’ll Be the Day” was released in 1957. His band began to experiment with new sounds, seen in “Not Fade Away” in 1957. Holly’s imagination took rock and roll to the next level.

30
Q

How did Buddy Holly introduce a new persona to rock and roll?

A

Rock and roll artists might not be the “big guy on campus” but a gawky guy with glasses. He wrote and sang for everyone.

31
Q

What were some of Buddy Holly’s musical innovations?

A

“Not Fade Away” shows that rock can be more than just dance music. In contrast to other rock songs, the beat in this song was hard to find. Holly used a clave rhythm from Afro-Cuban music, and that along with the drum style provided a rhythmic reference point. These types of songs would influence The Beatles and other 1960s rock groups.

32
Q

What was “the day that music died”?

A

February 3, 1959- Buddy Holly died in a plane crash along with Ritchie Valens and J.P. Richardson. Around this time, Elvis was drafted, Little Richard became a preacher, Chuck Berry was arrested, and Jerry Lee Lewis was involved in a scandal that ruined his career.

33
Q

Payola scandal

A

1959- The practice of record companies’ bribing disk jockeys to secure airplay for their records. The practice was pervasive and promoted a government investigation. Licensing rights also became an issue. At the time, it seemed like rock and roll was declining and had only been a fad.

34
Q

When did rhythm and blues become more popular?

A

It has been around longer than rock and roll, but also became popular in the late 1950s. It became popular due to variety- it encompassed a wider range of music and its artists all had distinct personalities and crossover appeal, appearing on the pop charts as well.

35
Q

How did gospel music influence rhythm and blues?

A

It provided the singing style/vocal timbre and the call and response exchanges between lead and backup singers

36
Q

What was the most commercially successful rhythm and blues style in the late 1950s?

A

Doo wop- vocal groups that represented multiple sounds. They tended to radically reshape popular songs.

37
Q

The Flamingos

A

Chicago based vocal quintet. They were the most successful doo-wop group in the late 1950s and appeared on the rhythm and blues and pop charts

38
Q

“I Only Have Eyes For You” features (1959) (4)

A

Performed by The Flamingos.

  1. The timbre of the singers
  2. The very slow tempo
  3. The signature vocal riffs- characteristic of doo wop
  4. The static harmony- also a characteristic of doo wop
39
Q

How does the vocal riffs stand out in “I Only Have Eyes For You”?

A

It is the main source of rhythmic energy in the song, and it replaces even the title phrase (“I only have eyes for you”) as the song’s melodic signature.

40
Q

What rock era development does “I Only Have Eyes For You” anticipate?

A

the distribution of melodic interest among several parts rather than concentrating it in the lead vocal line

41
Q

What harmonic practice is unique to doo wop?

A

The harmony is bipolar- for long stretches, there is no harmonic change. Upon arriving at the title phrase, the harmony suddenly becomes lush, with new chords on almost every syllable of the lyric.

42
Q

What was the new role of a producer in the early rock era?

A

They “wrote records” rather than songs- the goal was to capture an entire sound world on a disc. Producers controlled many elements of a song/record, and often put their own stamp on the sound of a recording. An important producer was behind nearly all of the major 50s stars.

43
Q

Leiber and Stoller

A

White producers that wrote so many of the songs their acts recorded and in general exerted more control over the final product. They crafted every aspect of the song—not only the words and melody but also the sax solos, the beat, the tempo, and just about every other element of the recorded performance. Leiber and Stoller were among the first to elevate record production to an art. Their first hit was “Hound Dog” and they also influenced the work of the Drifters. Known for their playlets

44
Q

Playlets

A

Songs that told a funny story with serious overtones. Their main audience was young people of all races.

45
Q

The Coasters

A

A doo wop group (although their music was unique from other music of the time). They became much more popular when they started working with Leiber and Stoller in 1954

46
Q

“Young Blood” (The Coasters)

A

The song deals with infatuation, but it is sentimental and darkly humorous. The theme was universal and teens of all races could relate to it. It is a new take on 1950s rhythm and blues. The repeated guitar riff is the most prominent rhythm, and there are numerous shifts in rhythmic flow, distinguishing the song from most rhythm and blues songs

47
Q

How was doo wop a unique style among others that emerged in the 1940s and 1950s?

A

It was both old and new at the same time. Unlike rhythm and blues and rock, which were rebelling against pop music, doo wop was connected to pop music. However, it was presented in a new way- different vocal sounds, rhythmic foundations, and tempos. Doo wop would die out in the 1960s when new styles of black pop emerged

48
Q

Ray Charles

A

Began by recording rhythm and blues songs, but was one of the most influential black solo singers who fueled the growth of rhythm and blues in the 1950s. He also entered many new musical genres, including jazz and pop

49
Q

Sam Cooke

A

Went from gospel to solo, was known for his singing

50
Q

“What’d I Say” Ray Charles

A

Used a Latin rhythm, but was otherwise rhythm and blues. Uses a solo vocal section that provides a series of images. The song also incorporated gospel into rhythm and blues- this was Charles’ biggest contribution to music and would influence the soul music of the 1960s.

51
Q

Multitrack recording

A

The process of recording each part of a performance separately, then mixing them into a complete performance. The Beatles, along with their producer George Martin, were among the first to take full advantage of multitrack recording techniques. This is commonplace today but was cutting edge at the time.

52
Q

How did rock change in the early 1960s?

A

Rock music became much more diverse in terms of style. It was also targeted to a much more broad audience than just teens. This is mostly due to integration- white songwriters writing for black performers, etc.

53
Q

Features of 1960s rock

A

Songs from rock’s “musical adolescence” typically feature an often appealing mix of innocence and immaturity with innovation and sophistication (The Shirelles and the Beach Boys)

54
Q

The Shirelles

A

A female vocal quartet that was very successful from 1960-1963. They were able to become so successful because the civil right movement was gathering steam and because they were teens just like their audience

55
Q

“Will You Still Love Me Tomorrow” The Shirelles

A

The song had a distinctly female point of view and had no other musical precedent. The music sends different messages- the string lines are intricate compared to the straightforward vocals. The song and the singers reflect the changing attitudes of the early 1960s. It was written by a white woman, produced by a black man, supported with white-sounding string writing, and sung by young black women.

56
Q

Surf Music

A

This was the first genre that evoked a place and a lifestyle (Southern California- suggested an “endless summer”). This genre was known for high register close harmony vocals and for new guitar sounds

57
Q

Examples of surf music artists (3)

A

The Beach Boys, Dick Dale, The Ventures

58
Q

The Beach Boys

A

A band whose songs between 1963-1965 glorified the surfer lifestyle. “I get around” was one of their hits.