Theorists Flashcards

1
Q

Steve Neale
- repetition -difference -borrow -industry

A

Genre theory
Genre is dominated by repetition but also marked by difference.

Genre can change, develop, and vary as they borrow from and overlap one another

Genres exist within specific economic, institutional and industrial contexts

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2
Q

Roland Barthes
-signs -connotations -ideology

A

Texts communicate their meaning thru a process of signification

denotation - common sense meaning
connotation - meanings associated with or suggested by the sign
status of myth

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3
Q

Levi Strauss
-binary oppositions -ideology

A

texts can be best understood through examination of their underlying structure.

meaning is dependent upon and produced through pairs of binary oppositions

The way binary oppositions are resolved can have ideological significance

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4
Q

Tzvetan Todorov
-three act -structure -ideology

A

All narratives share a basic structure that involves a movement from one state of equilibrium to another

characters go from equilibrium to disequilibrium

The way in which narratives are resolved can have particular ideological significance

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5
Q

Jean Baudrillard
-simulation -simaulcra -hyper reality

A

The boundaries verse the ‘real’ world and the world of the media have collapsed and it is no longer possible to distinguish between reality and simulation

In a postmodern age of simulacra we are immersed in a world of images which no longer refer to anything ‘real’

Media images come to seem more ‘real’ than the reality they supposedly represent (hyper reality)

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6
Q

Stuart Hall
-signs -stereotypes -power

A

Stereotyping is a form of representation that reduced people to a few stereotypes or simplistic traits

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7
Q

David Hesmondhalgh
-profit/risk -different industries -radicle internet

A

Nerjw companies try to minimise risk and maximise audiences through vertical and horizontal integration and by formatting their cultural products (e.d through the use of stars genres and serials)

The largest companies of conglomerates now operate

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8
Q

curran and seaton
-ownership -creativity -logic

A

run by a small number of companies (oligopoly) primarily driven by the logic of profit and power
media concentration generally inhibits quality creativity and variety
diverse patterns of ownership lead to more creative and adventurous media products

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9
Q

livingstone and lunt
-regulation -struggle -traditional media

A
  • there is an underlying struggle in the uk to protect citizens from seeing harmful content without their consent and furthering the interests of the consumer.
  • the increasing power of media corporations with the rise of media technologies and transformations in the production, distribution and marketing of digital media, have placed traditional approaches to media regulation at risk
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10
Q

gauntlett
-tools -range -straightforward

A

the media provides us with tools to construct our identity
in the past, media used to provide us with straightforward representations of male and female identities (binary)
we now have a diverse range of stars and celebrities, from which we can pick and mix ideas from

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11
Q

van zoonen
-discourse -objectification -social change

A

gender is constructed through discourse, its meaning changes through different historical and cultural contexts
display of women’s bodies as objects to be looked at and men’s bodies an spectacles is core feature of western patriarchy
media can contribute to social change by representing women in non traditional roles

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12
Q

Laura Mulvey
-gaze -fragment - passive

A

audiences are positioned to identify with and look through the eyes of a heterosexual male.
pleasure in looking has been split between active male and passive female.
women are represented as objects with their appearance coded for strong visual erotic impact.
womens bodies are often fetishised through fragmented close-ups

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13
Q

bell hooks
- intersectionality -colourism -domination

A

-lighter skinned women are considered more desirable and fit better with western ideology of beauty
feminism is a political commitment rather than a lifestyle choice, to end patriarchal oppression
race class and sex decide the extent to which individuals are exploited or oppressed.

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14
Q
A
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15
Q

How do texts communicate their meanings according to Roland Barthes?

A

Through signification

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16
Q

Barthes argues that the audience does what to understand different texts

A

Decode the signs

17
Q

What does semiotics mean?

A

The study of how meaning is created and communicated thru signs

18
Q

Signs can function at what 2 levels?

A

Connotation and denotation

19
Q

What two factors can influence the way an audience interprets an image?

A

Culture and context

20
Q

What does status of myth mean?

A

Constructed meanings can become self evident achieving status of myth thru neutralisation so a symbol can have meaning even though it is socially constructed and is just an object

21
Q

what are the strengths of Gerbner’s cultivation theory?

A

it highlights the influences that media can have on audiences.

22
Q

How do texts communicate their meanings according to Roland Barthes?

A

Through signification

23
Q

Barthes argues that the audience does what to understand different texts

A

Decode the signs

24
Q

What does semiotics mean?

A

The study of how meaning is created and communicated thru signs

25
Signs can function at what 2 levels?
Connotation and denotation
26
What two factors can influence the way an audience interprets an image?
Culture and context
27
What does status of myth mean?
Constructed meanings can become self evident achieving status of myth thru neutralisation so a symbol can have meaning even though it is socially constructed and is just an object
28
what are the strengths of Gerbner's cultivation theory?
it highlights the influences that media can have on audiences.
29
How do texts communicate their meanings according to Roland Barthes?
Through signification
30
Barthes argues that the audience does what to understand different texts
Decode the signs
31
What does semiotics mean?
The study of how meaning is created and communicated thru signs
32
Signs can function at what 2 levels?
Connotation and denotation
33
What two factors can influence the way an audience interprets an image?
Culture and context
34
What does status of myth mean?
Constructed meanings can become self evident achieving status of myth thru neutralisation so a symbol can have meaning even though it is socially constructed and is just an object
35
what are the strengths of Gerbner's cultivation theory?
it highlights the influences that media can have on audiences.