The Beginning of the World Flashcards

Te timatanga mai o nga atua

1
Q

Who are the main characters within the creation narratives?

A

Io, Rangi, Papa, Tane, Whiri, Tu-mata-uenga

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2
Q

What precedents did these creation narratives establish?

A

When a person cares for the land, or any other element in this world of light, they care for their ancestors and in so doing secure the prosperity of future generations of living things.
Importance of whakapapa (genealogy) where the entire world is imagined as an enormous whakapapa linking everyone and everything together.
Creation establishes ethical guidelines: following tikanga; acceptance of consensus through extensive debate.
Women act as complementary, central and equal partners in life and in marriage.

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3
Q

Why and how are these creation narratives important today?

A

Every human society and culture requires satisfactory answers to these existential questions. Creation narratives are intellectual responses to these sorts of questions.
The retelling of these narratives across generations established ethical guidelines for Maori society. in this worldview, the spiritual and material worlds are interconnected; the two worlds are closely linked, all activities coming under the influence of the spiritual powers.

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4
Q

Is there one creation narrative for all Iwi?

A

No, every iwi has their own creation narrative.

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5
Q

What is ‘Atua’?

A

Often translated as ‘god’ or ‘spirit being’.
More accurately described as ‘ancestors of ongoing influence with power over particular domains’.
There’s a notion that they are ancestral.

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6
Q

What is ‘Tohunga’?

A

‘Expert’, ‘priest’, ‘scholar’; someone endowed by atua with an ability to perform particular activities taught to humanity by the atua themselves.
An expert in their field.

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7
Q

What is ‘Karakia’?

A

Chants accompanying ritual acts addressed to the atua that use archaic language appropriate to works inherited from the ancestors.

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8
Q

What is the controversy surrounding Io? (Three different views)

A

Many scholars consider Io a later tribal tradition developed by tohunga after they became familiar with Christianity, arguing such a tradition is inauthentic. Others argue that traditions adapt to changes in the surrounding society and culture. They intentionally focused on those traditional elements that had the most similarity to Christian ideas.
Other equally respected authorities believe that Io has long been part of tribal traditions.

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9
Q

We cover two main creation narratives which include Io, which two iwi do these belong to?

A

Ngā Puhi and Ngāti Kahungunu

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10
Q

What is Io?

A

Fundamental/foundational spirit being

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11
Q

What are two narratives which don’t include Io?

A

Te Arawa and Ngāi Tahu.

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12
Q

What are the three ‘episodes’ of the creation narratives?

A
  1. Io
  2. Separation of Rangi/Raki and Papa
  3. Creation of humanity
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13
Q

What does tu-mata-uenga represent?

A

The people/warriors

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14
Q

What are some differences between the northern story and Ngai Tahu story of the separation?

A

In Ngai Tahu version Rangi/Raki has a series of marriages including with Papa and has quite a number of progeny.
Papa is also a woman who has been married previously to Takaroa.
Takaroa leaves with the placenta, papa married Raki and has a number of children, namely Tane.
When Takaroa returns he fights Raki and defeats him. As a result, Raki’s later children are sickly and weak.
In this version Raki is the one that makes the decision about the separation; he instructs Tane.
After the separation, Tane continues is role in creation, pairing with a female spirit entity and producing female progeny.
In this story he has incestuous relations with his daughter Hine-a-tauira.

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15
Q

What are some differences between the northern story and Ngai Tahu story of the creation of humanity?

A

Very similar in the creation of the female human element.
In Ngai Tahu, Wahine marries Tiki, the male.
In the northern story Tane marries Hine. They have four daughters. Tāne later marries their first-born, Hine-tītama, who discovers who her husband is and flees to Rarohenga (Underworld), she becomes Hine-nui-te-pō (the great maiden of the dark).

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16
Q

According to the Nga Puhi Io narrative, Io exists eternally in…

A

Te Korekore, the realm of potential being.

17
Q

According to the Nga Puhi Io narrative, what were the three epochs which made up the seedbed of creation?

A

Te Korekore (void), Te Kowhao (abyss) and Te Po (night).

18
Q

According to the Nga Puhi Io narrative, what did Io do with the first seed?

A

Implanted it with mauri (life principle) enabling organic plant-like growth stages.

19
Q

According to the Nga Puhi Io narrative, what did Io do to form structures in a material natural world?

A

He breathed hau-ora, the breath of life into creation.

20
Q

According to the Nga Puhi Io narrative, how do Rangi and Tane continue with creation?

A

Rangi and Tāne continue creation, with Io actively supervising.
Io implants rebelliousness amongst offspring of Rangi and Papa so that they will seek light, Te Ao Mārama.
Io gives Tāne instructions to complete building the heavens, and assign tasks to his younger siblings.

21
Q

According to the Ngāti Kahungunu Io narrative, Io exists in Te Kore (similar to Nga Puhi version), in this story he unites with a being, who?

A

Io unites with Papa in Te Kore.

22
Q

According to the Ngāti Kahungunu Io narrative, how does creation begin?

A

Io initiates a genealogical process of coming-into-being through a series of Te Pō. Genealogy continues through a sequence of organic growth to daylight (Te Ao).

23
Q

According to the Ngāti Kahungunu Io narrative, what is the final stage of creation?

A

Final stage is the union of Rangi and Papa: their child Tāne continues development of the world with Io’s help.

24
Q

In both Io narratives, Tane…

A

Continues on the development of the world.

25
Q

The Ngāti Kahungunu Io narrative includes some extra aspects, these are the separation of Rangi and Papa, and sibling disagreements, describe these apsects.

A

Tāne and brothers separate their parents, pushing them apart using four toko (poles).
Two toko begin bending. Tāne tells Paia to recite karakia to push Rangi higher up into the sky.

Tāne‘s elder brother Whiro wants to be the first to visit Io; he seeks to kill Tāne but is unsuccessful and dies
Tāne successfully climbs to Io and undergoes purification, becoming Tāne-nui-ā-rangi (the great Tane of the skies).

26
Q

Io gives Tane some items to return with, what are these?

A

Io gives Tāne three baskets of knowledge and two sacred stones.