Test - August 10, 2024 - 70 minutes - with answers Flashcards

1
Q

1 August 2019 #5

1 - Name the individual, group, or publication title most closely assoicated with the following description.

Leader of the Roman Catholic Church from 590 to 604 who organized and codified plainchants.

p. 9

A

1 Pope Gregory I

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2
Q

3 Dec 2019 #3

3 - Identify the era that most closely associated with the following publiciations, and give a description of its contents.

Musica enchiriadis

p.14

A

3 Middle Ages
It contains the earliest examplies of notated polyphony

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2
Q

2 Dec 2016 #6

2 - Give the title of a composition, collection, or treatise for the following.

A practical guide to all aspects of keyboard performance by CPE Bach

p.91

A

2 Essay on the True Art of Playing Keyboard Instrument

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3
Q

9 (Dec 2017 - #1)

9 - Identify the historical era (Middle Ages, Renaissance, Baroque, or Classical) most closely associated with each of the following statement.

The sonta cycle served as the primary form for instrumental music.

A

9 Classical

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4
Q

8 (Practice Paper 1 #5)

8 - Identify the historical era (Middle Ages, Renaissance, Baroque, or Classical) most closely associated with each of the following statement.

String Quartet

A

8 Classical

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5
Q

6 (Practice Paper 1 #6)

6 - Identify the historical era (Middle Ages, Renaissance, Baroque, or Classical) most closely associated with each of the following statement.

English Madrigal

A

6 Renaissance

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6
Q

10 (Practice Paper 1 #14)

10 - Identify the historical era (Middle Ages, Renaissance, Baroque, or Classical) most closely associated with each of the following statement.

Notre Dame School

A

10 Middle Ages

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7
Q

7 (Practice Paper 3 #14)

7 -Identify the historical era (Middles Ages, Renassiance, Baroque or Classical) most closely associated with each of the following statement.

Instrumental music from this era was often written for consorts of instruments.

A

7 Renaissance

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8
Q

5 (Practice Paper 3 #20)

5 - Identify the historical era (Middles Ages, Renassiance, Baroque or Classical) most closely associated with each of the following statement.

The solo concerto of this era often featured a double exposition.

A

5 Classical

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9
Q

4 (May 2017 #13)

4 - Identify the historical era (Middles Ages, Renassiance, Baroque or Classical) most closely associated with each of the following statement.

The Council of Trent banned the use of secular cantus firmus.

A

4 Renaissance

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10
Q

20 August 2020 #1

20 - Name the composer or individual most closely associated with the following statement. Composers must be chosen from those required for this examination. You may use a name more than once.

He composed the first complete polyphonic setting of the mass.

A

20 Machaut

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11
Q

15 August 2020 #3

15 - Name the composer or individual most closely associated with the following statement. Composers must be chosen from those required for this examination. You may use a name more than once.

He was the leader of the Roman Catholic Church who organized and codified the chant repertoire.

A

15 Pope Gregory I

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12
Q

14 August 2020 #6

14 - Name the composer or individual most closely associated with the following statement. Composers must be chosen from those required for this examination. You may use a name more than once.

He composed many works in “sets”, including two- and three-part inventions, English Suites and French Suites.

A

14 JS Bach

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13
Q

12 August 2020 #12

12 - Name the composer or individual most closely associated with the following statement. Composers must be chosen from those required for this examination. You may use a name more than once.

He composed over 100 symphonies, many of which were humorous in nature.

A

12 Hyadn

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14
Q

16 August 2020 #16

16 - Name the composer or individual most closely associated with the following statement. Composers must be chosen from those required for this examination. You may use a name more than once.

His association with Johann Christian Bach influenced his piano concerto writing.

A

16 Mozart

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15
Q

11 August 2020 #17

11 - Name the composer or individual most closely associated with the following statement. Composers must be chosen from those required for this examination. You may use a name more than once.

He pubished his Traite de l’harmonie in 1722.

A

11 Rameau

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16
Q

19 August 2020 #20

19 - Name the composer or individual most closely associated with the following statement. Composers must be chosen from those required for this examination. You may use a name more than once.

This 13th century composer wrote three- and four-voice organum with substitute clausulae.

A

19 Perotin

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17
Q

13 May 2019 #7

13 - Name the composer most closely associated with each of the following statements. Composers must be chosen from those required for this examination. You may use a composer’s name more than once.

He expolited the technological improvements to the piano in his thirty-two piano sonatas.

A

13 Beethoven

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18
Q

18 August 2017 #7

18 - Name the composer most closely associated with each of the following statements.

He somtimes imposed imposed instrumental forms such as sonata form on vocal numbers in his operas.

A

18 Mozart

19
Q

17 August 2017 #9

17 - Name the composer most closely associated with each of the following statements.

His vocal lyricism and use of word painting established this compsoer as the most significant figure in early English opera.

A

17 Henry Purcell

20
Q

21 p. 31 (August 2020 #1)

21 - For the definition below, provide the term:

The second section of the Mass Ordinary

A

21
Kyrie

21
Q

22 p. 130 (Dec 2019 #5)

22 - For the definition below, provide the term:

ABACA or ABACABA; a form often used in a sonata cycle

A

22
rondo

22
Q

23 p. 52 (August 2020 #2)

23 - For the definition below, provide the term:

Musical pictorialization in which the music mirrors the literal meaning of the words.

A

23
Word painting

23
Q

24 p. 68 (August 2020 #3)

24 - For the definition below, provide the term:

A speech-like, declamatory style of singing supported by continuo

A

24
recitative secco

24
Q

25 p. 93 (August 2020 #4)

25 - For the definition below, provide the term:

A Baroque genre that typically include an allemande, courante, sarabande, and gigue.

A

25
Suite.

25
Q

26 p. 130 (August 2020 #5)

26 - For the definition below, provide the term:

A five-part form (ABACA) frequently used in the Classical era.

A

26
rondo

26
Q

27 p. 7 (August 2020 #6)

27 For the definition below, provide the term:27 - For the definition below, provide the following:
1. term
2. a representative composition title
3. genre of the title
4. composer of the title

The 13th century practice of using two or more texts simultaneousl

A

27
polytextual

27
Q

28 p. 50 (August 2020 #9)

28 - For the definition below, provide the term:
An Elizabethan vocal genre that often used nonsense syllables

A

28
English Madrigal

28
Q

29 p. 67 (August 2020 #7)

29 - For the definition below, provide the term:

A solo song in a ternary form used in Baroque operas and oratorios

A

29
da capo aria

29
Q

31 - p. 31 (August 2020 #10)

31 - For the definition below, provide the term:

The fourth section of the Mass Proper

A

31
Gradual

30
Q

32 p. 7 (August 2020 #11)

32 - For the definition below, provide the term:

A texture that consists of a single line of melody

A

32
monophonic

31
Q

34 p. 32 (May 2020 #1)

34 - For the definition below, provide the term:

An ars nova technique in which two voices combine to create a single melody: one resting while the other sings

A

34
hocket

32
Q

35 p. 19 (May 2020 #2)

35 - For the definition below, provide the term:

Two or more texts heard simultaneously

A

35
polytextuality

33
Q

36 - p.15 (May 2020 #4)

36 - For the definition below, provide the term:
the voice that contains the cantua firmus, from the Latin for “to hold”

A

36
Tenor

34
Q

37 p.23 (May 2020 #5)

37 - For the definition below, provide the term:

A French aristocratic poet-musician in northern France in the Middle Ages

A

37
Trouvere

35
Q

38 p. 52 (May 2020 #6)

38 - For the definition below, provide the term:

A song type embraced by English madralists; from the the Italian for “little dance”

A

38
ballett

36
Q

39 p. 65 (Dec 2019 #1)

39 - For the definition below, provide the term:

A three-part form (ABA)

A

39 ternary

37
Q

40 p. 67 (Dec 2019 #2)

40 - For the definition below, provide the term:

A solo song in an opera, oratorio, or cantata

A

40 aria

38
Q

30 p. 59 (Dec 2019 #3)

30 - For the definition below, provide the term:

A popuar Baroque keyboard instrument in which small quills pluck the strings

A

30
harpsichord

39
Q

33 p. 81 (M4ay 2020 #1)

33 - For the definition below, provide the term:

A multi-movement choral work that performed part of the Lutheran church service

A

33
Cantata

40
Q

41 p. 30 Dec 2017 #5, May 2018

41 - Answer the following questions for the audio clip:
* Title:
* Composer:
* Texture:
* Era:
* Identify the collection that includes this work:

Bonus: Name two instruments that might have performed this work in the era it was written.

A

41 p. 30 - Royal Estampie No. 4, dance music, from Chansonnier du Roy, Middle Ages, Anonymous composers

Chansonnier du Roy
Bonus: Shawm, sackbut

41
Q

43 p. 60 May 2018

43 - Answer the the following questions for the audio clip:

  • Title:
  • Composer:
  • Form:
  • Era:
  • Identify the collection that includes this work:

Bonus: Name two instruments that might have performed this work in the era it was written.

A

43 p. 60 The Carman’s Whistle (variation 1), keyboard by William Byrd in Renaissance

Fitzwilliam Virginal Book

Harpsichord, clavier, virginal

42
Q

42 p. 88 May 2018

42 - Answer the following questions for the audio clip:
* Title:
* Composer:
* Genre:
* Era:
* Give the term for the group of instruments that play this theme:

Bonus: Name two instruments featured in this group:

A

42 p. 88 Brandenburg Concerto No. 2 in F Major (concertino theme), Concerto Grosso by JS Bach in Baroque

Concertino
Bonus: violin; oboe; record; trumpet

43
Q

45 p. 96 May 2018

45 - Answer the the following questions for the audio clip:

  • Title of complete work:
  • Composer:
  • Genre:
  • Era
  • Identify the form of this movement:

Bonus: Name the rhythmic device featured in this audio

A

45 p. 96

  • Title of complete work: Water Music: Hornpipe (section A) - Suite in D major, HWV 349
  • Composer: Handel
  • Genre: Orchestral suite
  • Era: Baroque
  • Identify the form of this movement: ternary (ABA)

Bonus: rhythmic device: homorhythm
homorhythm

44
Q

44 p. 106 May 2018

44 - Answer the the following questions for the audio clip:

  • Title:
  • Composer:
  • Form of this movement:
  • Era:
  • Name the key of the the theme’s second statement:

Bonus: Identify and briefly explain one musical featureof this movement>

A

44 p. 106

  • Title: Symphony No. 104 in D Major, (London Symphony)
  • Composer: Haydn
  • Form of this movement: sonata (p. 108)
  • Era: Classical
  • Name the key of the teheme’s second statement: A major (dominant key of the D major)

Bonus: Monthematic;

45
Q

46 p. 138 Dec 2017#3, May 2018

46 - Answer the the following questions for the audio clip:

  • Title:
  • Composer:
  • Texture:
  • Era:
  • Identify the instrument that introduces this theme.

Bonus: Name the key of the second entry.

A

46 p. 138
* Title: String Quartet in C sharp Minor, op. 131 (fugual exposition),
* Composer:Beethoven
* Texture: Fugal
* Era: Classical
* 1st violin introduces this theme
*
Bonus: Second entry is a real answer. F sharp minor (Sub dominant) (instead of the expected dominant).