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Jenny - MH10 - Summer 2024 > Test - 2024-08-06 with answers - 70 minutes > Flashcards

Test - 2024-08-06 with answers - 70 minutes Flashcards

1
Q

2 (Practice Paper 1 #15)

2 Identify the historical era (Middle Ages, Renaissance, Baroque, or Classical) most closely associated with each of the following statement.

Polytextual motet

A

Middle Ages

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2
Q

4 (Practice Paper 3 #8)

4 Identify the historical era (Middles Ages, Renassiance, Baroque or Classical) most closely associated with each of the following statement.

Opera buffa and Singspiel flourished.

A

Classical

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3
Q

5 (Practice Paper 3 #19)

5 Identify the historical era (Middles Ages, Renassiance, Baroque or Classical) most closely associated with each of the following statement.

The Council of Trent banned the use of secular cantus firmus..

A

Renaissance

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4
Q

3 (May 2017 #8)

3 Identify the historical era (Middles Ages, Renassiance, Baroque or Classical) most closely associated with each of the following statement.

Important genres included the symphony and the string quartet.

A

Classical

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5
Q

1 (Practice Paper 3 #19)

1 Identify the historical era (Middles Ages, Renassiance, Baroque or Classical) most closely associated with each of the following statement.

The Council of Trent banned the use of secular cantus firmus..

A

Renaissance

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6
Q

7 - August 2019 #6

7- Choose the LETTER of a composition, collection, or treatise for the following description.

A. Le nuove musiche
B. Ars Nova
C. Musica Enchiriadis
D. Trait de L’harmonie
E. Ce fut en mai

A collection of vocal music published by Guilio Caccini in 1602, illustrating the new style of monody.

p. 66

A

A. Le nuove musiche

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7
Q

8 Dec 2019 #6

8- Choose the LETTER of a composition, collection, or treatise for the following description.

A. Le nuove musiche
B. Ars Nova
C. Musica Enchiriadis
D. Trait de L’harmonie
E. Chansonnier du Roy

A treatise written by de Vitry that described the 14th century French music and art.

p.32

A

B. Ars Nova

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8
Q

16 December 2017 # 4

16- Choose the LETTER of of the composer for the following statement.
Bonus: Explain the music association.

A. Beethoven
B. Gesulado
C. Mozart
D. JS Bach

Salomo Franck

p. 80

A

D. JS Bach
Bonus: Salomo Franck is the librettist for JS Bach’s Cantata No. 80, The Mighty Fortress is Our God

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9
Q

10- Dec 2016 #7

10- Choose the LETTER of a composition, collection, or treatise for the following description.

A. Le nuove musiche
B. Ars Nova
C. Musica Enchiriadis
D. Trait de L’harmonie
E. Ce fut en mai

A 13th century trouvere chanson by Moniot d’Arras

p.22

A

E. Ce fut en mai

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10
Q

9- Dec 2016 #11

9- Choose the LETTER of a composition, collection, or treatise most closely assoicated with the following description.

A. Le nuove musiche
B. Ars Nova
C. Musica Enchiriadis
D. Trait de L’harmonie
E. Ce fut en mai

A treatise publishe dyb Jean-Philippe Rameau in 1722

p.92

A

D. Trait de L’harmonie

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11
Q

17-August 2020 #2

17- Choose the LETTER of of the composer for the following of statement.

A. Rameau
B. Gesulado
C. Mozart
D. JS Bach

This composer used intense dissonance and chromaticism in his Italian madrigals.

A

B. Gesualdo

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12
Q

6-August 2020 #11

6- Choose the the LETTER of the composer or individual most closely associated with the following statement.

A. CPE Bach
B. Martin Luther
D. Pope Gregory I
D. Alessandro Striggio

He was the leader of the Protestant reformation and composed the chorale tune “ A Mighty Fortress is Our God.”

A

B. Martin Luther

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13
Q

19-August 2020 #19

19- Choose the LETTER of of the composer for the following statement.

A. Rameau
B. Gesulado
C. Mozart
D. JS Bach

He included trouser roles and modified sonata form in his opera buffa.

A

C. Mozart

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14
Q

13 - May 2019 #12

13- Choose the LETTER of of the composer for the following statements.

A. Machaut
B. Palestrina
C. Rameau
D. Perotin

Active in Paris in the early 13th century, this composer expanded on the work of earlier Notre Dame composers by writing three- and four-part polyphony.

A

D. Perotin

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15
Q

20-May 2019 #16

20- Choose the LETTER of of the composer for the following statement.

A. Machaut
B. Bryd
C. Rameau
D. Perotin

Some of this English Renaissance composer’s secular dances and sets of variations may be found in the Fitzwilliam Virginal Book.

A

B. William Byrd

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16
Q

15-May 2019 #19

15- Choose the LETTER of of the composer for the following statements.

A. Machaut
B. Bryd
C. Rameau
D. Perotin

He contributed to the development of the French keyboard suite, incorparting imaginative character pieces in his later works.

A

C. Rameua

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17
Q

12-August 2017 #4

12- Choose the LETTER of of the composer for the following statements.

A. Machaut
B. Palestrina
C. Rameau
D. Perotin

He composed the first polyphonic setting of the Mass Ordinary.

A

A. Machaut

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18
Q

14-August 2017 #11

14- Choose the LETTER of of the composer for the following statement.

A. Machaut
B. Bryd
C. Rameau
D. Perotin

Some of this English Renassiance composer’s secular dances and sets of variations may be found in the Fitzwilliam Virginal book.

A

B. Byrd

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19
Q

11 - Dec 2016 #2

11- Choose the LETTER of of the composer for the following statements.

A. Machaut
B. Palestrina
C. Rameau
D. Gesulado

Responds to the ideals of the Counter Reformation; composed over one hundred masses and three hundred motets

A

B. Palestrina

20
Q

18-Dec 2016 #4

18- Choose the LETTER of of the composer for the following of statement.

A. Rameau
B. Gesulado
C. Mozart
D. JS Bach

Contributed to the development of the French keyboard suite. His later works incorporated imagiative character pieces; inspired by the suites of Francois Couperin.

A

A. Rameau

21
Q

28 p. 68 (August 2020 #3)

28 - Choose the LETTER of term for the following definition.

A. figured bass
B. recitative secco
C. harpsichord
D. Trouvere
E. Cantata

A speech-like, declamatory style of singing supported by continuo

p. 68

A

B. recitative secco

22
Q

30 p. 93 (August 2020 #4)

30 - Choose the LETTER of term for the following definition.

A. figured bass
B. recitative secco
C. Suite
D. harpsichord
E. Cantata

A Baroque genre that typically include an allemande, courante, sarabande, and gigue.

p. 93

A

C. Suite.

23
Q

23 p. 50 (August 2020 #9)

23- Choose the LETTER of term for the following definition.

A. chorale
B. hocket
C. English Madrigal
D. Trouvere
E. Polytextuality

An Elizabethan vocal genre that often used nonsense syllables

p. 50

A

C English Madrigal

24
Q

24 p. 19 (May 2020 #2)

24- Choose the LETTER of term for the following definition.

A. harpsichord
B. hocket
C. English Madrigal
D. Trouvere
E. Polytextuality

Two or more texts heard simultaneously

p. 18

A

E. polytextuality

25
Q

31 p.15 (May 2020 #4)

31 - Choose the LETTER of term for the following definition.

A. Concertino
B. heterophony
C. Isorhythm
D. Tenor
E. Cantata

the voice that contains the cantua firmus, from the Latin for “to hold”

p. 51

A

D. Tenor

26
Q

25 p.23 (May 2020 #5)

25- Choose the LETTER of term for the following definition.

A. chorale
B. hocket
C. English Madrigal
D. Trouvere
E. Polytextuality

A French aristocratic poet-musician in northern France in the Middle Ages

p. 23

A

D. Trouvere

27
Q

29 p. 59 (Dec 2019 #3)

29 - Choose the LETTER of term for the following definition.

A. figured bass
B. recitative secco
C. Suite
D. harpsichord
E. Cantata

A popuar Baroque keyboard instrument in which small quills pluck the strings

p. 59

A

D. harpsichord

28
Q

27 p. 81 (May 2020 #1)

27 - Choose the LETTER of term for the following definition.

A. figured bass
B. recitative secco
C. Suite
D. Trouvere
E. Cantata

A multi-movement choral work that performed part of the Lutheran church service

p. 81

A

E. Cantata

29
Q

21 p. 32 (Dec 2019 #6)

21- Choose the LETTER of term for the following definition.

A. chorale
B. hocket
C. Polytextuality
D. Trouvere
E. Neumes

A melodic line split between two voices, alternating notes and rests

p. 32

A

B. hocket

30
Q

22 p.81 (Aug 2019 #6)

22- Choose the LETTER of term for the following definition.

A. chorale
B. hocket
C. Polytextuality
D. Trouvere
E. Neumes

A hymn tune associated with German Protestantism

p. 81

A

A. chorale

31
Q

32 p.88 (May 2019 #1)

32 - Choose the LETTER of term for the following definition.

A. Concertino
B. heterophony
C. Isorhythm
D. Tenor
E. Cantata

The group of soloists in Baroque concerto grosso

p. 88

A

A. concertino

32
Q

26 p. 7 (May 2019 #12)

26- Choose the LETTER of term for the following definition.

A. figured bass
B. Neumes
C. Suite
D. Trouvere
E. Cantata

The earliest notated symbols used in Western art music.

p. 7

A

B. Neumes

33
Q

33 p. 30 (Dec 2019 #10)

33 - Choose the LETTER of term for the following definition.

A. Concertino
B. heterophony
C. Isorhythm
D. Tenor
E. Cantata

A texture in which several players perform simultaneous variatons on a single melody.

p.30

A

B. heterophony

34
Q

34 p. 7 (Dec 2019 #12)

34- Choose the LETTER of term for the following definition.

A. Concertino
B. Double exposition
C. Isorhythm
D. Figured Bass
E. Monothematic exposition

A typoe of exposition in which the second theme is a transposed version of the first theme.

p. 7

A

E. monothematic exposition

35
Q

35 p.65 (Aug 2019 #1)

35- Choose the LETTER of term for the following definition.

A. Concertino
B. Double exposition
C. Isorhythm
D. Figured Bass
E. Monothematic exposition

A musical shorthand developed in the Baroque to indicate harmonic progression.

p. 65

A

D. Figured Bass

36
Q

36 p.130 (Aug 2019 #5)

36- Choose the LETTER of term for the following definition.

A. Concertino
B. Discant
C. Isorhythm
D. Figured Bass
E. Rondo

A form used in the sonata cyclein which a refrain is heard at least three times in the tonic key.

p. 130

A

E. Rondo

37
Q

37 p32 (Aug 2019 #7)

37- Choose the LETTER of term for the following definition.

A. Concertino
B. Discant
C. Isorhythm
D. Figured Bass
E. Rondo

A compositional in the Ars Nova combining melodic and rhythmic patterns of different lengths.

p. 32

A

C. Isorhythm

38
Q

38 p.15 (Aug 2019 #10)

38- Choose the LETTER of term for the following definition.

A. Affection / Single Affection
B. Discant
C. Isorhythm
D. Figured Bass
E. Rondo

A style of organum sometimes features “note-against-note” movement between the voices.

p. 15

A

B. discant

39
Q

39 p.65 (May 2019 #7)

39- Choose the LETTER of term for the following definition.

A. Affection / Single Affection
B. Discant
C. Isorhythm
D. Agrements
E. Rondo

The projection of a single mood or emotion through an entire composition or movement

p. 65

A

A. Affection/Single Affection

40
Q

40 p.93 (May 2019 #9)

40- Choose the LETTER of term for the following definition.

A. Affection / Single Affection
B. Discant
C. Isorhythm
D. Agrements
E. Rondo

A French word for an ornament or embellishment.

p. 93

A

D. Agréments

41
Q

41 Dec 2017 #1

41- for the audio clip, answer the following questions:
1. Title of the complete work
2. Composer
3. Era:
4. Form:
5. Briefly summarize the text of this excerpt and the main affect that is projected.

p. 78

A

p. 78 -

  1. Julius Caesar - V’adoro pupille (Cleopatra’s aria opening)
  2. Handel
  3. Baroque
  4. da capo aria
  5. Cleopatra trying to seduce Julius. The main affect is seduction/sexy.
42
Q

42 Dec 2017 #5

42- for the audio clip, answer the following questions:
1. Title
2. Composer
3. Era:
4. Form:
5. Identify and briefly explain one specific musical features demonstrated in this audio.

p. 30

A

p. 30
1. Royal Estampie No. 4, dance music, from Chansonnier du Roy
2. Anonymous
3. Middle Ages
4. sectional (open, close)
5. Dorian mode; embellished repeats; narrow melodic range

43
Q

43 Dec 2017 #2

43- for the audio clip, answer the following questions:
1. Title
2. Composer
3. Era:
4. Collection in which this work is found:
5. Identify and briefly explain one specific musical features demonstrated in this audio.

p. 61

A

p. 61
1. The Carman’s Whistle (variation 8)
2. William Byrd
3. Renaissance
4. Fitzwillaim Virginal Book
5. thickest texture - full sound on harpsichord; ornaments in the English style. (Will accept imitative texture as that’s the texture for the piece in genera).

44
Q

44 Dec 2017 #4

44- for the audio clip, answer the following questions:

  1. Title
  2. Composer
  3. Era:
  4. Genre:
  5. Identify and briefly explain one specific musical features demonstrated in this audio.

p. 113

A

p. 113
1. The Creation
2. Haydn
3. Era: Classical
4. Oratorio
5. Recitative accompagnato (In Splendor bright - Uriel’s recitative); rising volumne is the word painting for the rising sun. In spendor bright has short rocket motive with loud orchestral chords

45
Q

45 Dec 2017#3

45- for the audio clip, answer the following questions:

  1. Title:
  2. Composer:
  3. performing forces:
  4. Predominant texture of this movement:
  5. Briefly describe the mood and musical character projected in this movement.

p. 138

A

p. 138
1.String Quartet in C sharp Minor, op. 131 (fugual
exposition)
2. Beethoven
3. String quartet (2 violins, one viola, one cello)
4. Fugue
5. Sad. Fugual exposition. 7 movements without breaks.

46
Q

46-Dec 2017 #6

46- for the audio clip, answer the following questions:

  1. Title:
  2. Composer:
  3. Era:
  4. Genre
  5. Summarize the meaning of the text of this work. .

p. 25

A

p. 25 -
1. Ce fut en mai (second verse)
2. Moniot d’Arras
3.Middle Ages
4.Chanson
5.The narrator sees a knight with his lady friend in a castle gardne. The narrator becomes sad because of his own lost love. The loving couple approaches him and extends the wish that he finds peace in prayer.

Jenny - MH10 - Summer 2024 (23 decks)

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