Category - Audio - All Flashcards

1
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 84

A

p. 84 A Mighty Fortress is Our God, (Cantata No. 80, first movement - choral fugue), Cantata in Baroque by JS Bach

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2
Q

Identify the title, the genre and the composer of the audio clip

p. 78

A

p. 78 - Julius Caesar - V’adoro pupille (Cleopatra’s aria opening), opera in Baroque by Handel

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3
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 55

A

p, 55 - My Bonny Lass Lass She Smileth - English madrigal by Thomas Morley in Renaissance

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4
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 43

A

p. 43 - Ave Maria…virgo serena (the final couplet) motet, Renaissance by Josquin des Prez

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5
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 11

A

p. 11 - Haec Dies, Gregorian Chant, Middle Ages, Anonymous composer

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6
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 16

A

p. 16 - Haec dies, organum (audio is the organal style), middle ages, composer is anonymous (in the style of Leonin)

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7
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 17

A

p. 17 - Haec dies, organum (audio is the discant style), middle ages, composer is anonymous (in the style of Leonin)

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8
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 25

A

p. 25 - Ce fut en mai by d’Arras, chanson in Middle Ages

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9
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 30

A

p. 30 - Royal Estampie No. 4, dance music, from Chansonnier du Roy, Middle Ages, Anonymous composers

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10
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 34

A

p. 34 Kyrie I from Messe de Nostre Dame, mass Ordinary, by Machuat, Middle Ages

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11
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 42

A

p. 42 - Ave Maria…virgo serena (opening couplet),
motet, Renaissance by Josquin des Prez

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12
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 42

A

p. 42 - Ave Maria…virgo serena (first Quatrain),
motet, Renaissance by Josquin des Prez

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13
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 48

A

p. 48 - opening from Gloria from Missa Papae Marcelli (Pope Marcellus Mass), mass by Palestrina

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14
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 48

A

p. 48 - mm. 31-36 from Gloria from Missa Papae Marcelli (Pope Marcellus Mass), mass by Palestrina

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15
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 34

A

p. 34 Kyrie from Messe de Nostre Dame, (ars nova style) mass by Machaut in the Middle Ages.

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16
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 52

A

p. 52 Moro Lasso - madrigal (Italian) by Gesualdo in Renaissance

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17
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 55

A

p. 55 My Bonny Lass Sme Smileth, madrigal (English) by Thomas Morley in Renaissance

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18
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 60

A

p. 60 The Carman’s Whistle (variation 1), keyboard by William Byrd in Renaissance

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19
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 60

A

p. 60 The Carman’s Whistle (variation 2), keyboard by William Byrd in Renaissance

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20
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 60

A

p. 60 The Carman’s Whistle (variation 7), keyboard by William Byrd in Renaissance

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21
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 61

A

p. 61 The Carman’s Whistle (variation 8), keyboard by William Byrd in Renaissance

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22
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 70

A

p. 70 L’Orfeo, “Tu se’ morta” - opera by Monteverdi in Baroque

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23
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 71

A

p. 71 L’Orfeo, “Ahi, caso acerbo” - opera by Monteverdi in Baroque

24
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 73

A

p. 73 Dido and Aeneas, “Thy hand, Belinda” (recitative) - English opera by Henry Purcell in Baroque

25
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 73

A

p. 73 Dido and Aeneas, “When I Am laid in Earth” (aria) - English opera by Henry Purcell in Baroque

26
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 75

A

p. 75 Dido and Aeneas, “With Drooping Wings” (Chorus) - English opera by Henry Purcell in Baroque

27
Q

Identify the title, the genre and the composer of the audio clip

p. 78

A

p. 78 - Julius Caesar - V’adoro pupille (Cleopatra’s aria, Section B), opera in Baroque by Handel

28
Q

Identify the title, the genre and the composer of the audio clip

p. 78

A

p. 78 - Julius Caesar - V’adoro pupille (Julius Caesar’s recitativo secco), opera in Baroque by Handel

29
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 84

A

p. 84 A Mighty Fortress is Our God, (Cantata No. 80, second movement - duet for soprano and bass), Cantata in Baroque by JS Bach

30
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 88

A

p. 88 Brandenburg Concerto No. 2 in F Major (ritornello theme), Concerto Grosso by JS Bach in Baroque

31
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 84

A

p. 84 A Mighty Fortress is Our God, (Cantata No. 80, fifth movement - Chorale for unison chorus), Cantata in Baroque by JS Bach

32
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 84

A

p. 84 A Mighty Fortress is Our God, (Cantata No. 80, eighth movement - Chorale), Cantata in Baroque by JS Bach

33
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 88

A

p. 88 Brandenburg Concerto No. 2 in F Major (concertino theme), Concerto Grosso by JS Bach in Baroque

34
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 94

A

p. 94 La Poule (section A) keyboard by Rameau in Baroque

35
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 94

A

p. 94 La Poule (section B) keyboard by Rameau in Baroque

36
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 96

A

p. 96 Water Music: Hornpipe (section A) - Orchestral suite by Handel in Baroque

37
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 96

A

p. 96 Water Music: Hornpipe (section B) - Orchestral suite by Handel in Baroque

38
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 104

A

p. 104 Symphony No. 104 in D Major, (London Symphony), introduction - Symphony by Haydn

39
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 104

A

p. 104 Symphony No. 104 in D Major, (London Symphony), exposition - Symphony by Haydn

40
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 104

A

p. 104 Symphony No. 104 in D Major, (London Symphony), Bridge - Symphony by Haydn

41
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 104

A

p. 104 Symphony No. 104 in D Major, (London Symphony), second theme - Symphony by Haydn

42
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 104

A

p. 104 Symphony No. 104 in D Major, (London Symphony), Codetta - Symphony by Haydn

43
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 112

A

p. 112 The Creation, Oratorio (Uriel’s recitative, secco), Classical, Haydn

44
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 113

A

p. 113 The Creation, Oratorio (In Splendor bright - Uriel’s recitative, accompagnato), Classical, Haydn

45
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 115

A

p. 115 The Creation, Oratorio (Chorus - The Heavens are Telling the Glory of God), Classical, Haydn

46
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 124

A

p. 124 The Marriage of Figaro (overture), opera buffa, Classical, Mozart

47
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 125

A

p. 125 The Marriage of Figaro (Cherubino’s Aria - “Non so piu”), opera buffa, Classical, Mozart

48
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 126

A

p. 126 The Marriage of Figaro (Recitativo secco: Susanna, Count, Basilio “Ah! Son perduto” (Ah, I’m lost)), opera buffa, Classical, Mozart

49
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 127

A

p. 127 The Marriage of Figaro (Terzetto: Count, Basilio, Susanna - “Cosa sento! (what do I hear)), opera buffa, Classical, Mozart

50
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 130

A

p. 130 Pathetique (First movement, Introduction), piano sonata, Beethoven

51
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 131

A

p. 131 Pathetique (First movement, Exposition First Theme), piano sonata, Beethoven

52
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 131

A

p. 131 Pathetique (First movement, Exposition second Theme group 2a), piano sonata, Beethoven

53
Q

Identify the title, the genre, the period and the composer of the audio clip

A

p. 133 Pathetique (second movement, Section A), piano sonata, Beethoven

54
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 134

A

p. 134 Pathetique (third movement, Section A), piano sonata, Beethoven

55
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 138

A

p. 138 String Quartet in C sharp Minor, op. 131 (fugual
exposition), string quartet, Classical, Beethoven

56
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 20

A

p. 20 -O mitissima/Virgo/Haec dies - (polytextual) motet, middle ages, composer is anonymous

57
Q

Identify the title, the genre, the period and the composer of the audio clip

p. 34

A

p. 34 Kyrie I from Messe de Nostre Dame, mass Ordinary, by Machuat, Middle Ages. This clip has hocket.