Category - Audio (2018-2020) with answers Flashcards
Dec 2019 p, 43
1 - Provide the following for the audio clip:
1. composer:
2. Era:
3: Genre:
4: Musical texture demonstrated in this passage
5: Identify and briefly explain two specific musical features of this work.
- composer: Josquin des Prez
- Era: Renaisance
- Genre: motet
- Musical texture demonstrated in this passage: homorhythmic texture (all four voices sing the same rhythm)
5: Identify and briefly explain two specific musical features of this work.
- numerous possibilties - there are paired imiatations
- use of rests draws attention to important words
- “Ave” is sung from top to bottom voice
May 2020, p. 131
2 - Provide the following for the audio clip:
1. Title:
2. Composer
3. Era
4. Form of this movement:
5: Identify two specific musical features of this work.
- Title: Pathetique or Pianoa Sonata in C Minor, op. 13
- Composer: Beethoven
- Era: Classical
- Form of this movement: sonata form
5: Identify two specific musical features of this work.
Many possibilites - see p. 130-p. 134.
Dec 2019 p. 11
3 - Provide the following for the audio clip:
1. Title:
2. Era:
3: Musical texture demonstrated in this passage
4: Name the source of the text.
5: Identify and briefly explain two specific musical features of this work.
Provide the following for the audio clip:
1. Title: Haec dies (organum)
2. Era: Middle Ages
3: Musical texture demonstrated in this passage: polyphonic
4: Name the source of the text: Psalms, Old Testament (or Bible)
5: Identify and briefly explain two specific musical features of this work.
(numerous possibilities - see p. 10-12)
Dec 2019, p.83
4 - Provide the following for the audio clip:
1. Title of complete work:
2. Composer:
3. Era:
4: Performing forces of this movement:
5: Identify and briefly explain two specific musical features of this work.
- Title of complete work: Cantata No. 80 or The Mighty Fortress is Our God
- Composer: JS Bach
- Era: Baroque
4: Performing forces of this movement: soprano and bass solists, oboe, violins, violas, continuo
5: Identify and briefly explain two specific musical features of this work.
Numerous possibilities - see p. 83
Dec 2019, p.20
5 - Provide the following for the audio clip:
1. Title:
2. Era:
3: Genre:
4: This work is: (choose one)
heterophonic or isorhythmic or polytextual
5: Identify and briefly explain two specific musical features of this work.
- Title: O Mitissima / Virgo/ Hec dies
- Era: Middle Ages
3: Genre: Motet
4: This work is: polytextual
5: Identify and briefly explain two specific musical features of this work.
see. p. 18-20
Dec 2019, p. 83
6 - Provide the following for the audio clip:
1. Title of complete work:
2. composer:
3. Performing forces:
4: Name the musical texture demonstrated in this passage
5: Identify one poetic image in this movement and describe how it is depicted.
6. Identify one additional musical feature of this work.
- Title of complete work: Cantata No. 80 or The Mightly Fortress is Our God
- composer: JS Bach
- Performing forces: soprano and bass solists, oboe, violins, violas, continuo
4: Name the musical texture demonstrated in this passage: polyphonic
5: Identify one poetic image in this movement and describe how it is depicted. Melisma at the word “Al” to show ‘everything’ - Identify one additional musical feature of this work. see. p. 81-85
Dec 2019, p. 88
7 - Provide the following for the audio clip:
1. composer:
2. Era:
3. Name the form of this movement:
4: Name the solo instruments in this work.
_______ ________ ________ _________
5: Identify one specific musical features of this work.
- composer: JS Bach
- Era: Baroque
- Name the form of this movement: Ritornello
4: Name the solo instruments in this work.
violin, obeo, recorder and trumpet
5: Identify one specific musical features of this work. Many but the main one is the single affect.
Dec 2019, p. 30
8 - Provide the following for the audio clip:
1. composer:
2. Era:
3. Name the form of this movement:
4: Name the solo instruments in this work.
_______ ________ ________ _________
5: Identify one specific musical features of this work.
May 2020, p. 11
9 - Provide the following for the audio clip:
1. Title:
2. Composer
3. Era
4. Source of text:
5. Language:
6: Name the type of notation originally used for this work.
- Title: Haec dies - chant
- Composer: anonymous
- Era: Middle Ages
- Source of text: Psalm, old Testament (Bible)
- Language: Latin
6: Name the type of notation originally used for this work. Neumes.
May 2020, p. 60
10 - Provide the following for the audio clip:
1. Title:
2. Composer:
3. Era:
4. Form:
5. Name the mode of this work.
6: Name thecollection in which this work is found:
- Title: The Carman’s Whistle
- Composer: William Byrd
- Era: Renaissance
- Form: Theme an Variations
- Name the mode of this work: Ionian (C major)
6: Name thecollection in which this work is found: Fitzwilliam Virginal Book
May 2020, p. 120
11 - Provide the following for the audio clip:
1. Title:
2. Composer:
3. Era:
4. Form of this movement:
5. For whom was this concerto composed?
6: Identify and briefly explain two musical features of this work.
- Title: Piano Concerto in G Major, K 453
- Composer: Mozart
- Era: Classical
- Form of this movement: sonata (with double exposition)
- For whom was this concerto composed? for Barbara von Ployer, Mozart’s student
6: Identify and briefly explain two musical features of this work. Many possibilites - see p. 117-121
May 2020, p. 52
12 - Provide the following for the audio clip:
1. Title:
2. Composer:
3. Era:
4. Texture of this excerpt: :
5. Provide two examples of word painting in this work.
- Title: Moro Lasso
- Composer: Gesulado
- Era: Renaissance
- Texture of this excerpt: Polyphonic
- Provide two examples of word painting in this work.
- descending chromaticism on “moro lasso” represents death and grief.
- more rhythmic on “Vita (life) to show energy
Dec 2018, p. 83
13 - Provide the following for the audio clip:
1. Title:
2. Composer:
3. Era:
4. Number of movements in complete work:
5. Source of upper melody:
6. Librettist of lower text:
- Title: Canata No. 80
- Composer: JS Bach
- Era: Baroque
- Number of movements in complete work: 8 in total
- Source of upper melody: chorale by Martin Luther
- Librettist of lower text: Salomo Franck
May 2020, p. 85
14 - Provide the following for the audio clip:
1. Title:
2. Composer:
3. Era:
4. Language:
5. Composer of thei original melody on which this work is based:
6. Breifly explain the role of the orchestra in this movement.
- Title: Canata No. 80
- Composer: JS Bach
- Era: Baroque
- Language: German
- Composer of thei original melody on which this work is based: Martin Luther
- Breifly explain the role of the orchestra in this movement. The orchestra adds to the grand effect to support the full chorus
Dec 2018, p. 77
15 - Provide the following for the audio clip:
1. Title:
2. Composer:
3. Era:
4. Genre of complete work:
5. Form of this movement:
6. Character who sings this passage:
- Title: Julius Caesare in Egypt
- Composer: Handel
- Era: Baroque
- Genre of complete work: opera seria
- Form of this movement: da capo aria (ABA; ternary)
- Character who sings this passage: Cleopatra
Dec 2018, p. 73
16 - Provide the following for the audio clip:
1. Title of complete work:
2. Composer:
3. Era:
4. Genre of this passage:
5. Character who sings this passage:
6. Example of word painting in this passage:
- Title of complete work: Dido & Aeneas
- Composer: Henry Purcell
- Era: Baroque
- Genre of this passage: recitative secco
- Character who sings this passage: Dido
- Example of word painting in this passage:
- descending vocal line represents death and grief
- chromaticim on ‘death’
- melisma on ‘darkness’