specific Flashcards

1
Q

the major regions we will examine include what

we will call

A

Southern Africa, Eastern Africa, Central

Africa, and Western Africa

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2
Q

why isnt NOrth Africa included

A

The history of the art of Northern Africa, and Egypt
in particular, has generally been told within the context
of Western culture. Egypt is typically seen as a
forerunner of the Greek and Roman art it precedes
in the Mediterranean region. Art of Northern Africa
is also often covered in studies dealing with the advent
of Islamic art or the expansion of Christian art.

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3
Q

The first Sub-Saharan objects appeared

in the West in the

A

1400s

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4
Q

Fascination
with African art peaked again in the __
century, as __

A

early 20th

avant-garde artists, primarily in France
and Germany, were inspired by the visual forms of
African art-sculpture and masks in particular.

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5
Q

For example, the Western tradition emphasizes __
and ___ in artistic practice. African art, on the other hand, is generally
more focused on __.

A

evolution and progress

continuity

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6
Q

Additionally, African art has not been understood
as privileging __ in the way Western
art generally has.

A

authorship

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7
Q

many African objects are __ in

nature

A

functional

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8
Q

name 3 durable materials

A

stone, ceramic, metal

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9
Q

a central aspect of much African
art that we will see repeatedly in this Resource
Guide is

A

centrality of the human figure

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10
Q

another central theme is a focus on

A

visual abstraction

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11
Q

describe visual abstraction in african art

A

not necessarily express itself in the total abstraction
seen in twentieth-century art in the West, but
rather involves the distortion, stylization, and exaggeration
of figures and imagery in African art

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12
Q

Other visual and conceptual
concerns that may be seen as fairly consistent
in African art include an emphasis on

A

sculptural forms

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13
Q

For our purposes, “southern” Africa includes

present-day (7)

A

Namibia, Botswana, Zimbabwe, Mozambique,

South Africa, Swaziland, and Lesotho.

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14
Q

5 cultural groups in southern africa

A

San,

Zulu, Swazi, Sotho, and Shona peoples

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15
Q

Most studies of African art end with discussions

of the __ and __ regions

A

southern, eastern

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16
Q

art from __ and __ regions are more emphasized and widely studied than art from __ and __ regions

A

southern, eastern

western, central

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17
Q

speical art thing found in southern africa

A

ancient rock art

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18
Q

Eastern Africa, like the southern region, is where

A

some of the most ancient traces of African culture

may be found

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19
Q

Eastern Africa provides the

earliest evidence anywhere in the world of

A

the development

of distinctive human activity

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20
Q

We will

consider “eastern” Africa to include present-day

A

Sudan and South Sudan, Ethiopia, Eritrea, Somalia,

Uganda, Kenya, Tanzania, Zambia, Malawi, and Madagascar

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21
Q

geography of
Eastern Africa is extremely varied, though it has the
distinction of being home to

A

two tallest mountains
in Africa – Mount Kilimanjaro and Mount
Kenya.

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22
Q

eastern african landscape is esp. well suited to ___, as ____

A

agriculture

water is relatively abundant and the
climate is cool and dry

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23
Q

most culturally and

ethnically diverse of the African regions we will discuss

A

eastern africa

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24
Q

eastern african trade – __ and __ were imported,
while __, __, __, and __ were sent across
the Mediterranean Sea and to the Near East.

A

iron goods, glass

gum, ,spices, ivory, and horn

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25
Q

It was

also largely in Eastern Africa that ___ took hold on the continent

A

foreign religious

systems

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26
Q

Christianity arrived
shortly after the ___ in ___, with
the development of ____ in
__ soon to follow

A

edict of milan, 313

strong coptic art tradition in egypt

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27
Q

Islam arrived in c.___, again

first in __

A

640, egypt

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28
Q

Some of the most exciting examples are the painted
scenes found in rock shelters, the oldest of which
are approximately

A

26,000 yrs old

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29
Q

old rock shelter paintings

are generally found in

A

the mountains at the

edge of the South African plateau

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30
Q

cave shelter paintings – europe vs africa, regarding depth

A

europe – almost always
found deep in the cave areas

africa – exposed in relatively shallow, open rock shelters

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31
Q

cave shelter paintings – europe vs. africa, regarding size

A

african paintings tend to be smaller than their European

counterparts

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32
Q

what did african cave shelter paintings most often depict

A

suggest
narrative scenes-presenting images of people
dancing, fighting, hunting, and performing rituals.

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33
Q

African prehistoric

rock art also includes many engraved images, created through __ or __ techniques

A

chipping / incising

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34
Q

african prehistoric engraved images are typically found

A

in the semi-arid

plains of the interior.

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35
Q

why are african prehistoric engraved images hard to date

A

They are carved into exposed

rocks, which are often weathered

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36
Q

3 types of african prehistoric engraved images

A

1) fine, hairline engravings carved into the rock surface;
2) animal representations made using a “pecking”
technique, where a stone is hammered into the
surface of the rock to produce pockmarks;
3) geometric forms

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37
Q

african engraved geometric forms date from

A

1300 bce

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38
Q

african engraved animal imagery dates from

A

6000 years ago

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39
Q

The rock engraving shown in your Art Reproductions

Booklet comes from

A

Twyfelfontein Valley in

Namibia, near the Brandberg Mountain

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40
Q

Twyfelfontein Valley is one of the richest sites for __ in africa

A

animal imagery

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41
Q

The most prevalent imagery includes animal

forms such as

A

elephants, rhinoceroses, zebras, and

antelopes. Giraffes are also quite common

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42
Q

the mass slaughter of animals in Africa began

in earnest during the

A

19th century

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43
Q

In addition to the animal
forms, imagery at Twyfelfontein includes a handful
of human images – __ in total

A

27

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44
Q

in addition to animal forms and human images, imagery at Twyfelfontein inclues

A
  1. human footprints

2. various geometric forms – circles, lines, arches

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45
Q

in Stone Age Petroglyphs, which 3 animals stand on the same line (in decreasing size)

A

giraffe
lion
rhinoceros

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46
Q

Stone Age Petroglyphs: The animals all appear to be oriented to the __.
They are in __ profile

A

right; strict

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47
Q

Stone Age Petroglyphs: The fascinating exception to the naturalistic renditions
of these animals is the presentation of the __

A

lion

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48
Q

Stone Age Petroglyphs: What is striking about the animal

is the depiction of its __ and __

A

feet, tail.
feet – paws have 5 digits, not 4
tail – greatly elongated, extends straight away from the cat’s body before angling sharply at a ninety-degree angle. The tail ends, not with a tuft of fur, but with yet
another print

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49
Q

The Great Bantu Migration began around

A

1000 bce

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50
Q

great bantu migration was extremely significant in that it

A

completely
transformed the population of most of
Sub-Saharan Africa.

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51
Q

great bantu migration began in the area of present-day __ and __

A

chad and cameroon

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52
Q

What is generally
known is that the great bantu migration appears to have happened in two
major waves. describe the waves

A

The first surge moved to the east and
through the forests of the Congo. The second traveled south along the eastern coast and inland along
the region’s extensive river system.

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53
Q

with the great bantu migration came 2 major developments?

A

mastery of iron production, cultivation of food crops

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54
Q

The introduction of the WHICH TWO CROPS??
helped support greater and greater populations in
sub saharan africa, which grew to fill the vast landscape
around them

A

Asian banana and the yam

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55
Q

the __ are the earliest sculptures

to have been found in South Africa

A

“Lydenburg Heads”

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56
Q

“Lydenburg Heads” discovered in [ year ] in [ place ]

A

1962 in the northeastern town of Lydenburg

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57
Q

how were lydenburg heads discovered

A

A
schoolboy stumbled upon them in an eroding gully
just outside of the town. As the hillside weathered, it
exposed a pit filled with pottery shards, beads, metal
ornaments, and other domestic trash. The fired
clay heads, which were found in fragments, were
taken to Cape Town University for study.

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58
Q

lydenburg heads had how many forms?

A

7 head forms

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59
Q

lydenburg heads: The heads are __ and take the basic form

of ____.

A

hollow,

inverted vessels

60
Q

lydenburg heads: name 3 elements of their decoration

A

herringbone
patterning, bands of hatched lines, triangular
design motifs

61
Q

lydenburg heads were consturcted in [ medium ] ?

A

coarse, gritty clay

62
Q

lydenburg heads: It is possible that the forms

started as ____, which were then ___

A

simple pots;
turned upside
down and embellished with incised carvings
and added clay elements

63
Q

what makes it unlikely that the 2 bigger lydenburg heads were used as masks?

A

their substantial weight, fragility,

and the positioning of the eye and mouth holes

64
Q

what makes it likely that the 5 smaller lydenburg heads were used as masks?

A

have holes drilled into their bases
that have been interpreted as anchor points to allow
the forms to be tied to posts or effigies, or possibly
to be strapped on to the top of a dancer’s head

65
Q

which lydenburg head is featured in the art reproductions guide

A

the large intact one

66
Q

Lydenburg Head:: The facial features appear to have been created
through

A

the working of the existing clay body as
well as the application of additional pieces of modeled
clay

67
Q

Lydenburg Head: These ridges, as well as the two
small knot forms seen near the ears, are typically
understood to represent

A

facial scarification, a common

practice in many regions of Africa

68
Q

lydenburg head: The hairline and crown of the head are also notable. This appears to have been sculpted into the form
of

A

an animal, particularly a lion

69
Q

wattle and daub

A

Using
this method, wooden sticks are woven into a lattice
structure that is then covered with a thick pastelike
material comprised of clay, dirt, sand, dung, and
straw.

70
Q

__ is fairly unusual in traditional African

architecture

A

stone

71
Q

shona refers to

A

the peoples
who settled the plateau south of the Zambezi
River in Southern Africa

72
Q

“the plateau south of the Zambezi

River in Southern Africa” – this region corresponds to areas of prresent day

A

Zimbabwe, Zambia, and Mozambique.

73
Q

area where shona people lived – describe landscape

A

plateau region, primarily savanna woodland

74
Q

great zimbabwe

A

One
of the most significant of these empires ; flourished from the
eleventh through the fifteenth century.

75
Q

the great zimbabwe is the [ MOST what?? ]

A

largest ancient structure

in Sub-Saharan Africa

76
Q

zimbabwe (meaning in the past)

A

a judicial center or royal palace in Shona
culture. The concept basically corresponds with
our contemporary idea of a court

77
Q

zimbabwe (meaning today)

A

used to describe any of the over three hundred

ruins of this nature on the Zimbabwean plateau

78
Q

The Great Zimbabwe is comprised of three main

sections or components:

A

Hill Ruin, the Great

Enclosure, and the Valley Ruins.

79
Q

The Great Zimbabwe is comprised of three main

sections or components, all of which include

A

granite walls enclosing spaces filled with stone

floors, platforms, and mud buildings.

80
Q

hill ruin

A

oldest section and is sited on a rocky hilltop
overlooking the valley. Its built stone components
are connected to a cave of living rock.

81
Q

time the great enclosure was completed

A

at least a hundred years

after the Hill Ruin, sometime before 1450 CE.

82
Q

great enclosure

A

most impressive of the ruins and is characterized

by its largely intact exterior wall,

83
Q

the Valley Ruins

are made up of

A

various walls and structures dotting

the valley floor between the Hill Ruin and Great Enclosure.

84
Q

great zimbabwe – The illustration in your Art Reproductions

Booklet is a view from

A

the Hill Ruin looking down

into the valley.

85
Q

great zimbabwe – The most obvious feature we see

from this __ perspective is __

A

semi-aerial;
the wall of the
Great Enclosure.

86
Q

The Great Enclosure’s main wall is constructed

of

A

dry stone masonry – no mortar was used to bind

the rocks to each other

87
Q

While the great enclosure’s size suggests a ___, the wall ___

A

defensive function;
does not fully enclose the
interior space and meanders

88
Q

great enclosure – Curving forms, both
in the wall itself, and in details such as the steps at
the entrance points, add

A

an almost playful, purely

aesthetic component.

89
Q

exfoliated granite

A

a fascinating
type of natural quarrying. The topography of
the Zimbabwean plateau is characterized by granite
outcroppings. These mounds of stone are stressed
by the annual temperature and humidity changes
in the area-the extreme heat of the summer rainy
season that extends from November to March and
the dry, cold winters from April to October. The
granite breaks apart into even sheets of stone under
these climatic pressures. Shona stone masons were
originally able to collect their materials as needed
by merely picking them up off the ground. Later,
the stone was more actively quarried, as it was
alternately heated and then doused with water to
artificially create these natural weather conditions

90
Q

great enclosure wall medium?

A

exfoliated granite

91
Q

describe appearance of exfoliated granite

A

unusually beautiful
aesthetic quality, as the micas in the granite sparkle
and glow in the sun.

92
Q

great enclosure – ____ are set into the walls, both exterior and interior

A

various turrets and monoliths

93
Q

what kind of sculptures were found in the buildings enclosed by the Great Enclosure?

A

a number of carved soapstone sculptures in the

form of birds

94
Q

The bird, and
particularly the eagle or other raptor, was a symbol
for

A

the Shona kings who ruled the area

95
Q

the Shona kings who ruled the area were symbolized by

A

The bird, and

particularly the eagle or other raptor

96
Q

The Conical Tower is shaped

like

A

a grain bin

97
Q

describe conical tower symbolization

A

In Shona culture, the ruler received
tribute in the form of grain, which he then distributed
to visitors and the poor. Thus, the tower form
is a symbol of royal authority and generosity

98
Q

chikuva

A

stand upon which a wife displayed

her pottery in the home

99
Q

great zimbabwe – what did the stepped platform represetn?

A

the platform served as a symbol for the wife’s value
and role in family, and that the tower and platform
together symbolized male and female roles, or those
of the state and the family

100
Q

the great enclosure generally functioned as

A

a royal court

101
Q

great enclosure – Structures inside the wall ____, while those outside
____

A

served the needs of the
ruler and his immediate family;

would have housed other members of the court,
such as minor royalty and governmental officials

102
Q

It is possible that the Hill Ruins were built initially

to house other members of the court, but ____

A

that as the population increased,

more extensive grounds were needed

103
Q

all the structures of the great zimbabwe emphasize

A

a human assertion
of itself over nature, albeit with a measure
of respect and unity

104
Q

what did the shona believe about the dead

A

The
Shona believed that the dead, and particularly the
male head of a family, continued to remain a living
and protective presence

105
Q

The architecture of the Great Zimbabwe,

then, served as a visual demonstration of ___

A

the ruler’s
power over – and also his ultimate responsibility
to – the people.

106
Q

shona – The
land was seen as___, and the
leader’s authority was connected to ___

A

belonging to the ancestors;

his control of
that land, which he merely held in trust during his
lifetime

107
Q

Musical instruments are

often highly decorated, which

A

beautifies them and indicates

their importance culturally

108
Q

Decorations may also be an integral
component of ___, thus connecting
____,

A

the sound an
object makes;

ornamentation to the instrument’s
functionality

109
Q

The region of ancient Nubia corresponds to present-day

A

Egypt, the Sudan, and Ethiopia

110
Q

Ancieent Nubia, like ancient Egypt, was

A

divided into two parts:
Lower Nubia in the north and Upper Nubia in the
south.

111
Q

Nubian culture centered, again like ancient

Egyptian, on

A

the nile river

112
Q

describe geography of nile river

A

The river runs northward
from the highlands of Eastern Africa down to
the delta region in the north, where it empties into
the Mediterranean Sea. Thus, “upper” refers to the
highlands of the more southerly area, where “lower”
refers to the lowlands in the northern region

113
Q

The border between Upper and Lower Nubia coincides

with

A

the modern border between Egypt and

the Sudan.

114
Q

__% of ancient nubia was [ landform ]

A

96%; desert

115
Q

Nubian culture relied on __, allowing for agricultural production.

A

the annual
flooding of the Nile to bring the rich soil to the
riverbanks

116
Q

Nubia’s Nile Valley provided the only dependable

route

A

across the Saharan desert to the Mediterranean

Sea

117
Q

Ancient Nubia was seen as __. Nubia became a key crossroads

between __

A

the “gateway to Africa”;

between the African interior and other civilizations
in the broader region.

118
Q

The Nubians traded with (4)

A

ancient Egyptians, Greeks, and Romans, as well

as with cultures from the Near East

119
Q

The Nubians and Egyptians alternately ___. We see evidence of this in
Egyptian art of the period, which often depicts

A

dominated
each other over time;

the
Nubian rulers who intermittently ruled in the north.

120
Q

Nubian figures can be distinguished by __, as well as __

A

specific and
distinct symbols of kingship;
recognizable
clothing, jewelry, and short, curly hairstyles

121
Q

the Egyptians depicted themselves with __

skin (for males) or __ (for females)

A

red brown;

yellow

122
Q

Nubian individuals

were shown with __ in Egyptian art

A

very dark brown or black

skin

123
Q

Nubian culture can also be distinguished from

the culture of ancient Egypt through (3)

A

its distinctive
architectural forms, funerary rituals, and pantheon
of gods.

124
Q

many of the descendants of ancient Nubians were relocated with

A

the construction of

the Aswan High Dam (1960-71) along the Nile.

125
Q

kissar

A

lyre

126
Q

kissar – was owned by who?

A

singer and spiritual healer

127
Q

who holds the kissar?

A

british museum

128
Q

lydenburg heads are all now on display at

A

the South

African Museum in Cape Town.

129
Q

Musical

ensembles primarily performed at

A

weddings and
other life-cycle ceremonies, harvest festivals, and
most importantly, ceremonies associated with the
zar cult.

130
Q

The lyre would have been the __
in a small musical ensemble that included other instruments
such as __ and __

A

lead instrument;

tambourines and drums

131
Q

Zar ceremonies

were intended as

A

healing rituals for women in

Nubian culture

132
Q

gender of musicians and their audiecnes?

A

While the musicians themselves would have been
male, the audience and beneficiaries of the zar ceremonies
would have been largely female

133
Q

during zar ceremonies, women seek to

A
communicate
with and to placate whatever zar spirits
have taken possession of their bodies in
order to regain an equilibrium, which has
somehow been disturbed
134
Q

the lyre’s main body is consturcted of

A

a hemispherical wooden
form with a skin sound board stretched across its
surface.

135
Q

the lyre was understood as

A

an anthropomorphic

object-one with human characteristics.

136
Q

Again, according to the British Museum’s description,

the lyre has

A

“two ‘eyes’, a ‘nose’ and outstretched

‘arms’ -and when played it has a ‘voice.’

137
Q

Each item exuberantly suspended from this object
likely relates to a specific instance of its use.
One scholar has stated that

A

“it is probable that each
time the instrument was used in a ceremony, the
person receiving the rituals offered an item of personal
adornment.’’

138
Q

People
have inhabited Central Africa (sometimes also
referred to as “Middle Africa”) for at least the last

A

100,000 years

139
Q

although central africa experienced some of the

worst effects of the slave trade and colonialism in, it was the center of

A

very powerful kingdoms, such as
the Lunda Empire and the Kingdom
of Kongo

140
Q

what countries comprise central africa

A
southern Cameroon, Gabon,
Equatorial Guinea, the Congo
Republic, Cabinda, the Democratic
Republic of Congo, and northern
Angola
141
Q

central africa is bisected by ___ and is generally defined as the area ___

A

the equator; the broad area drained by the

Congo River system

142
Q

central africa climate

A

hot and wet

143
Q

central african cultural groups

A

Kongo, Fang, Chokwe, Yombe, and Cameroon Grasslands

peoples

144
Q

most central african groups have traditionally engaged in

agricultural production, primarily cultivating (3)

A

root

crops, bananas, and plantains

145
Q

central aafrican Spiritual practices largely consist of rituals associated
with

A

initiation rites, veneration of the dead,

and healing ceremonies

146
Q

our study will have a partiuclar focus on ____, which is characteristic of the arts of Central
Africa

A

sculptural production